Document080924-page007 or lucid overlay

Document080924-page007

L’imaginaire de mon lieu … [naturally] dans le grand camouflage.


[Suzanne] Césaire in “Le grand camouflage” reads the Caribbean as interconnected space rather than as a series of discrete islands. Blurring both spatial and temporal boundaries, her authorial voice situates itself simultaneously in Haiti, Martinique, and Puerto Rico. “Le grand camouflage” is best characterized in Césaire’s own words as “le grand jeu de cache-cache,” a text that almost playfully weaves between veiling and revealing the geography, history, and social reality of race relations in the Antilles. Césaire deftly juggles the images of lucidity and what Keith Walker, in his introduction to the English translation of her collected works, describes as “the wilful blindness . . . the work it takes not to see.” It is in “Le grand camouflage” that Césaire finally fully takes on the role of the seer, that quality of the poet as voyant that she had until now only admired in others.

Beyond the Great Camouflage: Haiti in Suzanne Césaire’s Politics and Poetics of Liberation
Annette K. Joseph-Gabriel, Small Axe July 2016.

AG2024_1122338a

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Hot Chip – Look At Where We Are (Major Lazer Extended Remix)

AG2024_1000670a or ten

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Then let not Winter’s ragged hand deface,
In thee thy summer, ere thou be distill’d:
Make sweet some vial; treasure thou some place
With beauty’s treasure ere it be self-kill’d.
That use is not forbidden usury,
Which happies those that pay the willing loan;
That’s for thyself to breed another thee,
Or ten times happier, be it ten for one;
Ten times thyself were happier than thou art,
If ten of thine ten times refigur’d thee:
Then what could death do if thou shouldst depart,
Leaving thee living in posterity?
    Be not self-will’d, for thou art much too fair
    To be Death’s conquest, and make worms thine heir.

William Shakespeare.