Tag: poetry

  • I breed a poorly concealed affliction in my heart

    To temper an obstinate and wicked
    Pain that has been burrowing into me for some time
    I try, now and again, to cry out piteously
    To the one who, oh miserable me, preys upon my heart.
    But, a disciple of desire, my voice
    Is scarcely heard, and already it moans and shouts.
    What a harsh refrain, and so inimical to my longings,
    I am deterred from begging for mercy.

    And a thought says to me: fool, do you not see
    That you always receive both scorn and injury
    If you throw yourself meekly at the feet of someone cruel?

    Thus, in silence, I breed a poorly concealed
    Affliction in my heart, which is where the seed
    Of that cruel love that gives me such despair took root.

    Paolina Secco-Suardo Grismondi translated from Italian by Alani Rosa Hicks-Bartlett via swwim everyday


    i am a promise awake with knowing

    a pull in a thread

    sprawling

    a sputtering

    a stuttering

    a slant

    a song

    a rising

    a falling

    […]

    longing for the pierce of stars

    tonguing the night

    brushing away the darkness

    til there is light

    around

    beneath

    inside

    Desire [even in the time of the tyrant], Leah Umansky

  • Rita Dove reading her poems in the Montpelier Room, May 4, 1995

    Dove, Rita, Gertrude Clarke Whittall Poetry And Literature Fund, and Archive Of Recorded Poetry And Literature. Rita Dove reading her poems in the Montpelier Room, May 4. 1995. Audio. Retrieved from the Library of Congress, <www.loc.gov/item/95770167/>.

    Contents :

    From Mother love : Heroes ; Persephone, falling ; The narcissus flower ; Statistic : the witness ; Mother Love ; Breakfast of champions ; Persehpone in hell (section I) ; Wiederkehr ; The Bistro Styx ; Demeter mourning ; Exit ; Afield ; Lost brilliance ; Demeter, waiting ; Lamentations ; Used ; Missing ; Demeter’s prayer to Hades ; Her island — Evening primrose — Incarnation in Phoenix — The first book — Vacation.


    Heroes

    A flower in a weedy field
    make it a poppy. You pick it.
    Because it begins to wilt

    you run to the nearest house
    to ask for a jar of water.
    The woman on the porch starts

    screaming: you’ve picked the last poppy
    in her miserable garden, the one
    that gives her the strength every morning

    to rise! It’s too late for apologies
    though you go through the motions, offering
    trinkets and a juicy spot in the written history

    she wouldn’t live to read, anyway
    So you strike her, she hits
    her head on a white boulder,

    and there’s nothing to be done
    but break the stone into gravel
    to prop up the flower in the stolen jar

    you have to take along,
    because you’re a fugitive now
    and you can’t leave clues.

    Although the story’s starting to unravel,
    the villagers stirring as your heart
    pounds into your throat. O why

    did you pick that idiot flower?
    Because it was the last one
    and you knew

    it was going to die.



    Related : Louise Glück’s Persephone the Wanderer

  • The Slowdown : 505

    You Are Who I Love by Aracelis Girmay

    You cheering for the bees

    You with cats in your voice in the morning, feeding cats

    You protecting the river

    You are who I love delivering babies, nursing the sick

  • Urayoán Noel and Legna Rodríguez Iglesias

    Kenning Editions presents a bilingual reading with Urayoán Noel and Legna Rodríguez Iglesias, to launch TÍTULO / TITLE, a book of poems by the Cuban poet, prose writer, and playwright Legna Rodríguez Iglesias, published for the first time in Spanish, and in English translation by Katherine M. Hedeen.

    …she doesn’t write poetry anymore, she does dishes…

  • Poetry, Permeability, and Healing

    Essay by Jane Hirshfield from 2018 via poets.org.

    At the etymological root of both healing and health is the idea of “wholeness.” To heal, then, is to take what has been broken, separated, frag­mented, injured, exiled and restore it to wholeness.

    […]

    Many things beyond physical illness and physical fracture need healing. Some are personal, some are collective, and these two realms are not disconnected. We don’t live in compartments; we live in our lives.

    […]

    kintsugi, done well, offers damage made visible as part of the cup’s his­tory, damage made beautiful because the cup was repaired without denial.

    […]

    Poems are words that live in the fractures, […] they make new by rejoining parts into a visibly changed whole.

    […]

    a person who can ask words to do things words have not done before is not powerless. To make phrases that increase what is possible to think and feel is both exhilaration and liberation. To expand reality is to counter despair, depression, and impotence.

    [..]

    [Poems] loosen us from the loneliness of separation and the erasures of generality. The particularity and unexpectedness of poetry’s language shake us from sleepiness, complacency, habitual mind. Empathy breaks us from the hypnosis of ego’s grip on its own sense of purpose.

    […]

    The rational mind, untempered by poetry, divides; […] fierce rational power, in isolation, is inhuman. Art dwells at the crossroads between what in us is body, what in us is emotion, what in us is history, and what in us is mind. To step into wholeness of seeing and feeling, under any conditions, is in itself restorative.

    Jane Hirshfield
  • Tears pooled at the corner, Any City, USA

    AG2020_1970091a

    tears for more just and equitable conditions, they then marched to city hall with a strategic list of demands. Black life is full of tears and lists.

  • In the places of the shadows

    Eldorado, Miami Beach, 2017.

  • own wild beginnings

    can the origin
    story be re-told
    transfigured …