dig

Category: Miami

Miami, Florida

  • AG2024u-2a or nothing folds easily

    AG2024u-2a

    I believe nothing folds easily,

    but that time will crease—

    retrain the mind.

    …

    What I Believe, Kimberly Blaeser

  • Coupling, 2026

    A group exhibition, organized by Kristen Thiele, for Bride Red. September 27th – November 1st, 2026

    Bridge Red Studios/Project Space, 12425 NE 13th Ave #3, North Miami, FL 33161.

    AG2024_1134134a
    Untitled (Flows and veils; garden syntactic arrangements of forms; they hold unknown, and therefore dangerous possibilities)
    Gouache, ink, gesso, graphite, solvent transfer, and colored pencil on paper. 15 x 11 inches. 2024

    In 2009,

    COUPLING

    Trisha Brookbank / Brian Burkhardt
    Robert Chambers / Mette Tommerup
    Carlos de Villasante / Rebecca Guarda
    Guerra de la Paz
    Kathleen Hudspeth / Adler Guerrier
    Alvaro Ilizarbe / Jen Stark
    Mary Malm / Kerry Ware
    Winston McCarthy / Addison Walz
    Beatriz Monteavaro / Gavin Perry         
    Leyden Rodriguez-Casanova / Frances Trombly
    Claudia Scalise / Brian Reedy

    February 14, 2009
    Buena Vista Building
    First Floor
    180 NE 39th St.
    MIAMI DESIGN DISTRICT
    ON VIEW FEB 14 – FEB 21

  • The revery alone will do,

    011233162
    PXL_20260617_200258413
    PXL_20260617_200218445

    Noah Farid at Dale Zine.

    7 Walks with Mark Brown by Vincent Barré and Pierre Creton.

    France. 2024. 105 min.

    To make a prairie it takes a clover and one bee,
    One clover, and a bee.
    And revery.
    The revery alone will do,
    If bees are few.

    Emily Dickinson

  • atmosphere-generating juxtaposition

    Beatriz Monteavaro, Tonight, We Can Be As One Tonight.

    Under the Bridge.
    12425 NE 13th Ave, North Miami, 33161.

    PXL_20260426_182232466.RAW-01.COVER
    PXL_20260426_182124239.RAW-02.ORIGINAL

    The kinds of proximity that matter here are made by practices of attention not defined by dissensus or agonism but technically, by atmosphere-generating juxtaposition. This proximity dilutes what we called structural by shifting the force of the normative infrastructures from the state and commodity capitalism into the ordinary that also includes local plural intimacies and the associations that make life sticky and interesting.

    Berlant

  • A reconsidered paradise

    PXL_20260414_171710140.RAW-01.COVER

    locustprojects.org

  • AG2026_1211969a or a continuity

    AG2026_1211969a
    Untitled (Drawing from Document080924; lies within something of another nature) ii

    Solvent transfer, graphite, colored pencil, ink, gouache, acrylic, and enamel paint on paper. 18 x 12 inches. 2026. Donated to Locust Projects’ Art Auction.

    Melvin Edwards’s obituary. (Frieze)

    “His travels to Ghana, Nigeria, Togo and Benin informed his understanding of sculpture as a form of cultural continuity, leading him to create public works that fused African traditions with contemporary abstraction?. “

    PXL_20251022_144842773

  • AG2026_1211335a or dexterous and fugitive

    AG2026_1211335a

    Through the young and awkward hours
    my lady perfectly moving,
    through the new world scarce astir
    my fragile lady wandering
    in whose perishable poise
    is the mystery of Spring
    (with her beauty more than snow
    dexterous and fugitive
    my very frail lady drifting
    distinctly, moving like a myth
    in the uncertain morning    , with
    April feet like sudden flowers

    E. E. Cummings

  • Grieve not—it is the law. Love will be flying

    AG2012_DVatUntitled_IMG_7137a
    AG2012_DVatUntitled_IMG_7137a

    Good-bye!—no, do not grieve that it is over,

       The perfect hour;

    That the winged joy, sweet honey-loving rover,

       Flits from the flower.

    Grieve not—it is the law. Love will be flying—

       Yes, love and all.

    Glad was the living—blessed be the dying.

       Let the leaves fall.

    A Farewell, Harriet Monroe