poemas de sal y tierra

We are proud to announce that poemas de sal y tierra (poems of salt and soil),’ a curatorial partnership between FORGOTTEN LANDS and homework, opens Saturday, April 12th at 5pm and runs through May 31st.

Featuring works by Nathalie Alfonso, Stephen Arboite, Jonathan Carela, Raymel Casamayor, Nicole Combeau, Adler Guerrier, Amanda Linares, Elisa Bergel Melo, Devin Osorio, Charlie Quezada, and Victoria Ravelo.

“Cultural identity… is a matter of ‘becoming’ as well as of ‘being.’ It belongs to the future as much as to the past.” — Stuart Hall

‘poemas de sal y tierra (poems of salt and soil)’ is a collective living archive, an ever evolving space where sentiment, symbolism, and memorabilia come together to be held, celebrated, reimagined, and shared. The gallery space functions like a diary written in prose, where the artworks serve as entries–preserving feelings and memories beyond physical artifacts. Artists from the Caribbean and Latin America weave new layers of meaning into inherited stories, places and objects, transforming memory into an active conversation that continues to unfold.

The exhibition explores the idea that we both come from and become the places we move through. Salt and soil, fundamental to land and sea, symbolize ancestral geographies. Through the use of various mediums–painting, drawing, sound, film, photography and sculpture– artists translate ephemeral histories, embodied knowledge and shifting landscapes into tangible artworks, much like poetry makes visible the invisible threads of our existence.

Through their work, the artists transform fragments of themselves into an active, breathing record of resilience and reverence for their roots, lived experiences and their own sense of belonging. This exhibition is ultimately a reflection of how we collect, connect and preserve the intangible, and how we return to it for comfort, clarity, and renewal. Here, collective memory isn’t fixed; it shifts, grows, and evolves through each work.

-curated by FORGOTTEN LANDS and homework


April 12 – May 31, 2025
7338 NW Miami Court, Miami FL, 33150

FORGOTTEN LANDS has emerged as a leading force in contemporary Caribbean art, serving as a vital platform that amplifies voices across the diaspora and launches the careers of emerging artists. Their mission centers on illuminating the often-overlooked narratives of the Caribbean while weaving together the region’s rich historical tapestry.Founded in 2017, founders Cory Torres Bishop and Don Brodie initially conceived FORGOTTEN LANDS as a benefit exhibition in the aftermath of hurricanes Irma and Maria. What began as an immediate response to environmental disaster has evolved into a dynamic 501(c)(3) non-profit organization. Today, they forge meaningful collaborations with artists, galleries, institutions, and brands to create transformative projects spanning exhibitions, community events, artist talks, publications, and beyond.

homework, founded by Aurelio Aguiló and Mayra Mejia, is a contemporary art gallery dedicated to innovative curatorial practices and fostering meaningful dialogue. By showcasing diverse artists through multidisciplinary exhibitions, homework aims to connect with global audiences, promote creative innovation, and challenge traditional artistic paradigms.

AG2025_1144951a or rendering witness accounts about life

AG2025_1144951a

Only the plants will ever know, Wysocka / Pogo. 2021.

Michael Marder. Also at the Philosophical Salon.

A Philosophy of Stories Plants Tell, M.Marder.Plant Stories.pdf, 2023.
“plants not only silently tell us something (indeed, a great deal) about themselves and the world, but also that they tell stories, rendering witness accounts about life and death, light and darkness, middles, beginnings, and ends.

Plant-Thinking, A Philosophy of Vegetal Life, 2013.
“Reconstructing the life of plants “after metaphysics,” Marder focuses on their unique temporality, freedom, and material knowledge or wisdom. In his formulation, “plant-thinking” is the non-cognitive, non-ideational, and non-imagistic mode of thinking proper to plants, as much as the process of bringing human thought itself back to its roots and rendering it plantlike.”

Plants in Place, A Phenomenology of the Vegetal, Edward S. Casey and Michael Marder, 2023.
“vegetal existence involves many place-based forms of change: stems growing upward, roots spreading outward, fronds unfurling in response to sunlight, seeds traveling across wide distances, and other intricate relationships with the surrounding world.”

Philosophy of the Home, Emanuele Coccia, Richard Dixon (Translator), 2024. Interview in Pin-Up.


This video, made in 1986, documents some of the testimony given in the Trial of Titled Arc. The artwork on trial is Richard Serra’s public sculpture, Tilted Arc, commissioned and installed by the U.S. government in 1981. Four years later, a public hearing was held to consider the removal of the sculpture from its site in Federal Plaza in New York City. Richard Serra and other artists, politicians and community members speak in defense of Tilted Arc, on public art, and the role of the government and the of the people in shaping the public’s visual environment.
1986, 28 minutes, Paper Tiger.

AG2025_1144940a or large, stately, capable

AG2025_1144940a

Slash pine (Pinus elliottii var. elliottii) or South Florida slash pine (Pinus elliottii var. densa). ifas.


The species elliottii is a large, stately, heavily-branched, long-needled conifer has a rapid growth rate and is capable of reaching 100 feet in height with a three to four-foot-diameter trunk.


Pine rockland is a savanna-like forest on limestone outcrops with a single canopy species, South Florida slash pine, and a diverse understory of shrubs and herbs. It is a fire-maintained community requiring periodic burns every 3 to 7 years (Snyder et al. 1990). This community is often found in association with rockland hammock and short hydroperiod freshwater wetland communities.

The flora of pine rocklands is influenced by the community’s proximity to the tropics as well as its peninsular connection to mainland Florida (Robertson 1953, Snyder 1986, Snyder et al. 1990). K. Bradley and R. Hammer (unpublished data) have recorded 374 native plant taxa in pine rocklands of Miami-Dade County, outside of Everglades NP. Although species diversity and richness varies geographically for pine rockland communities, the Richmond tract in Miami-Dade County contains 260 taxa of native plants (DERM 1994), the Navy Wells Pineland Preserve contains 172 taxa, and the Tamiami Pineland Preserve contains 163 taxa.

A high degree of vascular plant endemism is observed in the pine rockland community. In a 1977 survey of the 186 species noted in Miami-Dade and Monroe county pine rocklands, 30 species were only found in pine rockland communities in Miami-Dade County (exclusive of Everglades NP), and nine of these were endemic to the pine rockland community (Loope et al. 1979). Approximately 31 plant taxa which occur in pine rocklands are currently treated as endemic to South Florida (Table 1); 13 of these taxa occur in additional plant communities such as marl prairies or rockland hammocks (e.g. Blodgett’s wild-mercury (Argythamnia blodgettii) , pineland clustervine (Jacquemontia curtissii), and false-leadplant (Dalea carthagenensis var. floridana)). Many taxa which were formerly considered to be endemic have been found in other regions such as peninsular Florida, the Bahamas, or Cuba [ e.g. Blodgett’s ironweed (Vernonia blodgettii), Florida gamagrass (Tripsacum floridanum) , Florida white-tops (Rhynchospora floridensis)], or are no longer considered to be taxonomically distinct (e.g. Polygala boykinii var. sparsifolia), and pineland-privet (Forestiera segregata var. pinetorum).

Many plant taxa reach their northern or southern limits in the pine rocklands of South Florida. Taxa with their entire United States distribution in South Florida which are limited to pine rocklands include Bahama sachsia (Sachsia polycephala) , pineland daisy (Chaptalia albicans) , quailberry (Crossopetalum ilicifolium), and shrub eupatorium (Koanophyllon villosum). A number of species in pine rocklands are disjunct from sandhill communities in central Florida. These include Asclepias viridis, Cyperus filiculmis, Desmodium marilandicum, dollarweed (Rhynchosia reniformis), Gray’s beakrush (Rhynchospora grayi) , green-eyes (Berlandiera subacaulis) , Rhynchosia michauxii, Tracy’s bluestem (Andropogon tracyi) , and Zornia bracteata . These taxa are primarily found in deposits of sand in the northern Biscayne pinelands, although Asclepias viridis can also be found on Big Pine Key.

The overstory of pine rocklands is open and dominated by a canopy of South Florida slash pine ranging in height from 20 to 24 m (65.6 to 79.2 ft) (Snyder et al. 1990). In the lower Keys the pine trees are smaller and the subcanopy includes Thrinax and Coccothrinax . Slash pine densities in pine rocklands have been reported at 453 to 1,179 pines/ha (185-477 pines/acre) on Long Pine Key (Snyder 1986), and 90 pines/ha (36 pines/acre) in the Turner River Area of Big Cypress National Preserve (Gunderson et al. 1982). This canopy provides a source of pine needles for fine fire fuel. The pine canopy ignites rarely, typically after long periods of fire suppression. Germination occurs during October, November, and December, with survival highest when optimal soil moisture is present the following dry season (McMinn 1970). The seedlings remain in the grass stage for 2 to 5 years. Growth occurs over a period of approximately 10 months from February to November (Langdon 1963). There is little to no subcanopy. However, hardwoods that may occur in the subcanopy include live oak (Quercus virginiana), wild-tamarind (Lysiloma latisiliquum), and willow-bustic (Sideroxylon salicifolium). These species are more abundant in areas where natural fire is suppressed (Snyder et al. 1990, DERM 1995) and in pine rocklands in close proximity to tropical hardwood hammocks (Loope and Dunevitz 1981).

Taken from: U.S. Fish and Wildlife Service. 1999. South Florida Multi-Species Recovery Plan. Atlanta, Georgia. Pp. 3-162, 3-164. ifas.


List of pines by region (Wikipedia).

object of importance but little value, too

mel bokner (notes on value)
[NAME]

Saturday, February 8, 5 – 7pm. On view through April 5, 2025

Join us on Saturday, February 8, 2025 from 5 – 7 pm for the opening reception of mel bokner (notes on value), an exhibition featuring over twenty five 8.5 x 11in drawings. All drawings—in disregard of the consensual magic that subtends the external determinates that structure their current value—will be for sale at $250 during the course of the exhibition.

                 Dennis Balk              Kitty Brophy                   Yamel Molerio            

Alyssa Andrews                                   Paul Mullins                          Cynthia Cruz

          Avi Young                    Beatriz Monteavaro              Kevin Arrow                  

Adam Putnam                 Tonel (Antonio Eligio Fernández)             Jennifer Printz                          

               Lucía Aquino                 Sue Montoya                                 Melissa Wallen                      

Rosemarie Chiarlone            Brigette Hoffman           AdrienneRose Gionta        

            Sebastian Restrepo                       Bhakti Baxter                      Tara Long        

     Robert Chambers                 Nicole Doran                                Yerrie Choo  

           Zachary Balber                              Corie Sharples                  Justin H Long

Ryan Foerster               Dona Altemus                               Sarah Viviana Valdez

           Onajide Shabaka                  Clifton Childree                 Adler Guerrier          

     Roxana Barba                      Amanda Keeley               Ken Oliver Mercury    

      Jason Breeden                    Misael Soto                    Maitejosune Urrechaga

Tony Kapel                Donna Torres                 Kayla Delacerda        Tom Scicluna      

       Alisa Pitchenik Charles         Daniel Joseph Martinez                Francisco Masó

 Jillian Mayer                      Mark Handforth                     Genesis Moreno

        Alejandro Valencia                  Sterling Rook                            Regina Jestrow

       Monica Lopez De Victoria                  Manny Prieres               Casey Jargo          

Tom Mickelson           Hannah Buonaguro            Theo Shure                 Kerry Phillips

             Jessica Gispert                 Liduam Pong               Westen Charles      

Brooke Frank                Nickolas Peter Chelyapov               Claudio Marcotulli

        Charles Humes Jr.             Leo Castaneda                          Glexis Novoa  

                           Max Estenger                    Dino Felipe                         Lee Pivnik            

 Mary Griffin                              Karen Rifas                              Sean T Randolph                  


untitled(object of importance but little value, too)ii
untitled (object of importance but little value, too) ii, spray enamel on magazine paper, 12 x 20 inches, 2012

Art Loft on No Vacancy

South Florida PBS‘s Art Loft on the recent art events, including the latest iteration of No Vacancy 2024.

Art transforms some of Miami Beach’s most iconic places with “No Vacancy.” This juried art competition brings together 12 talented local artists to create site-specific public works to be displayed across 12 famed hotel properties. From lobby installations to outdoor alleys, this program reimagines public spaces as dynamic canvases for contemporary art. Among the excitement of Art Week Miami Beach and Art Basel, No Vacancy gives local artists a spot to shine on Miami Beach.

Jeffrey Noble and Alison Matherly, the duo behind art collaborative, We Are Nice’n Easy welcome visitors to their installation entitled, “Soft Squeeze.” It’s a playfully giant yet thought-provoking inflatable sculpture suspended in an alleyway behind Esmé Miami Beach.

At the Kimpton Surfcomber Hotel, artist Adler Guerrier presents “Objects, Landscapes and Things.” The multimedia work explores South Florida’s environment and temporality – all in a bright corner of the hotel lobby.

Artist Magnus Sodamin takes over the lobby of the Faena Hotel with a contemporary work. Delicate rose-gold representations of Floridian wildlife are suspended in the grand space. While the imagery may be whimsical, the piece asks viewers to reflect on humanity’s fragile relationship with nature.

The lobby of the Cadillac Hotel & Beach Club is home to artist Marielle Plaisir’s work, “Rhapsody for a Beloved World.” The work is a backlit collage that encourages joy and harmony, with the possibility for a more peaceful and inclusive world.

Artist Dennis Scholl’s work is on view at the Hotel Croydon. The artist’s trademark ray-like dodecagon motifs are arranged in a 12-sided structure to represent time, memory, and the collective experiences we all share.