One night I wandered alone from my comrades’ huts;
The grasshoppers chirped softly
In the warm misty evening;
Bracken fronds beckoned from the darkness
With exquisite frail green fingers;
The tree gods muttered affectionately about me,
And from the distance came the grumble of a kindly train.
I was so happy to be alone,
So full of love for the great speechless earth,
That I could have laid my cheek in the wet grasses
And caressed with my lips the hard sinewy body
Of Earth, the cherishing mistress of bitter lovers.
A Moment's Interlude, Richard Aldington
Category: language
AG2026_1233580a or the smallest
It is the smallest idea born in the interior will,
that has no fury nor ignorance,
no intruder but stranger, no scaffold of a plea,
no mote of the hungry, no pitchfork of instinct,
no ladder of pity, no carriage of lust,
no wavering foot on concrete, no parish of bees,
no mountains of coal, no limestone and ash,
no lie poured down the stairs of a house among them,
and this is the will of maker and offspring,
no boot in the hallway indicating more exit
than arrival, more straying than strategy, no more struggle
than contained in my body now, as I wander the rooms,
tearing curtains apart from their windows
separating material from light.
Infinite and Plausible, Tina Chang
Still, for that little while
Earthquake Magnitude 7.4 – 5 km S of San José del Palmar, Colombia. Servicio Geológico Colombiano.
El volcán Puracé, also, erupted.
Of course it was a disaster.
The unbearable, dearest secret
has always been a disaster.
The danger when we try to leave.
Going over and over afterward
what we should have done
instead of what we did.
But for those short times
we seemed to be alive. Misled,
misused, lied to and cheated,
certainly. Still, for that
little while, we visited
our possible life.
Going There, Jack Gilbert
AG2026_1233594a hushing the heart that beats
Tell me is there anything lovelier,
Anything more quieting
Than the green of little blades of grass
And the green of little leaves?
Is not each leaf a cool green hand,
Is not each blade of grass a mothering green finger,
Hushing the heart that beats and beats and beats?
Greenness, Angelina Weld Grimké
AG2026_1233556a slips in and sing
In the very early morning
Long before Dawn time
I lay down in the paddock
And listened to the cold song of the grass.
Between my fingers the green blades,
And the green blades pressed against my body.
“Who is she leaning so heavily upon me?”
Sang the grass.
“Why does she weep on my bosom,
Mingling her tears with the tears of my mystic lover?
Foolish little earth child!
It is not yet time.
One day I shall open my bosom
And you shall slip in—but not weeping.
Then in the early morning
Long before Dawn time
Your lover will lie in the paddock.
Between his fingers the green blades
And the green blades pressed against his body . . .
My song shall not sound cold to him
In my deep wave he will find the wave of your hair
In my strong sweet perfume, the perfume of your kisses.
Long and long he will lie there . . .
Laughing—not weeping.”
The Earth-Child in the Grass, Katherine Mansfield
To be able to walk along and see
the fierce green sun
the meadow grass the tall gently bobbing weeds
then to take a walk inside yourself
and see trees tall as Tom Thumb
It’s always raining here It never rains
I’m strolling among the shadows of everyone
I’ve ever loved
But this morning I was flying with the birds
Not knowing like the map there was a destination
But it was fun
Like making love on Tuesday instead of
our customary Sunday afternoon
I’ve learned to suffocate death
and continue doing so all day
Song, Paul Carroll
These moments
For Lefebvre, ‘moments’ are intense experiences in which everyday life is suspended and possibilities for authenticity, creativity or transcendence are opened up. These moments – whether aesthetic, amorous or revolutionary – reveal the potential richness of existence, both individual and collective. This approach seeks to break with the reproduction of relations of domination.
Painting and poetry and music will show us where
El Michels Affair – Shimmy Shimmy Ya. Enter The 37th Chamber, 2009.
—after Frank O’Hara
You have been smiling across the table at your date
with a sesame seed stuck in your teeth.
You will gain sophistication, become accepted by Reader’s
Digest, and retire in Puyallup.
In your next life you will be a teacher
and no one will ever call you by your first name.
After your next vacation you will come home
and discover that your neighbors have redecorated
in the style of Iowa trailer court.
If you feel like you’re getting old,
secretly plant zucchini in your neighbor’s flowerbeds.
Avoid people who iron their sheets
or roll their socks & underwear.
Painting and poetry and music will show us where we should
be going, not the senate or tv news.
The next thermos bottle you see will actually
be a listening device made in Korea.
All the people in this restaurant
are glad that they are not you.
New Lines for Fortune Cookies, James Masao Mitsui
among the ordinary beautiful
Gabriel Orozco, Untitled (Computer generated circles and squares). 1995.
One narcissus among the ordinary beautiful
flowers, one unlike all the others! She pulled,
stooped to pull harder—
when, sprung out of the earth
on his glittering terrible
carriage, he claimed his due.
It is finished. No one heard her.
No one! She had strayed from the herd.
(Remember: go straight to school.
This is important, stop fooling around!
Don't answer to strangers. Stick
with your playmates. Keep your eyes down.)
This is how easily the pit
opens. This is how one foot sinks into the ground.
Persephone, Falling, Rita Dove






