Category: photo

  • Evelyn Sosa

    Mahara+Co is pleased to present No Place is Far Away , a solo exhibition by Cuban photographer Evelyn Sosa, on view from May 10 – June 6, 2025. In this deeply intimate and political series, Sosa constructs a living archive of the migratory experience. The exhibition emerges from a project supported by the Cuban Migrant Artists Resilience Fellowship, granted by Artists at Risk Connection (ARC) and PEN International.

    Rooted in a seemingly simple question — “What object did you take with you when you emigrated?“ — Sosa opens a window into memory, loss, and the emotional gravity of displacement. Each image in the series portrays a personal belonging filled with history and significance: a piece of clothing, a photograph, a letter, a seed. These modest, almost minimal objects serve as emotional anchors — fragments of home that persist across time and distance. They are not merely material remnants, but silent witnesses to identities that refuse to vanish.

    Far from a purely documentary approach, No Place is Far Away delves into the sensory and emotional dimensions of migration. Photography becomes a mode of listening: portraits of objects are interwoven with fragments of real-life testimonies, creating a liminal space where past and present gently meet. As Paul Ricoeur once wrote, “memory is not a neutral archive,” a sentiment Sosa affirms in each image — each one an act of evocation, resistance, and care.

    While firmly rooted in the Cuban migratory experience, the series resonates on a universal level. In a world increasingly shaped by displacement, this body of work asks: How does identity transform when territory disappears? What remains when everything else is gone?

    https://birdbird.tumblr.com/post/783926454178234368/evelyn-sosa-no-place-is-far-away-mahara-co-is

    Ningún lugar está lejos reviewed in Artburst, 050725.

  • Quelle joie de vous voir

    https://birdbird.tumblr.com/post/756756193095122944/my-first-work-is-including-in-the-exhibition
    https://birdbird.tumblr.com/post/756754021142986752
    https://birdbird.tumblr.com/post/756753893092884480/rest3000-stay5000-japanese-love-hotel

    Tokyo Rumando, via Galerie Echo 119.


    https://birdbird.tumblr.com/post/756752683052023808
    https://birdbird.tumblr.com/post/756756927811403776/arles-rencontres-de-la-photographie-darles

    Noguchi Rika, Small Miracles. Via Les Rencontres d’Arles. Aperture.

  • AG2024_1100371a

    AG2024_1100371a

    Cecilia Vicuña, What Is Poetry to You? 1980 or 1990(?)(22:30). 23 minutes. Courtesy of Electronic Arts Intermix (EAI), New York. via e-flux

  • IMG_20180829_231747_301b

    AG2023IMG_20180829_231747_301b
    Shot with whatever 2018 phone I had. Miami Beach, near ArtCenter South Florida.

    “… in times like these

    to have you listen at all, it’s necessary

    to talk about trees.”

    Adrienne Rich, What Kind of Times are These

  • Nomura

    https://birdbird.tumblr.com/post/730021852894969856/sakiko-nomura-fate-in-spring-fate-in
    https://hauntedbystorytelling.tumblr.com/post/171659119972/sakiko-nomura-the-war-and-a-woman-2017-from
    https://www.tumblr.com/sophi-aubrey/182549555359/sakiko-nomura
  • 2060220

    silence-haunted,

    In its vast completeness, enfolding
    The sound of […] (us all).



  • 010121

    A beginning–not really–more like a marker in the cycle or the circuit around Sol.