Heavy rain allows light to glisten, does more than flood.
AG2017_1090645a or Citrus tops
How to Live Together
How to Live Together: Novelistic Simulations of Some Everyday Spaces
Roland Barthes, 1976–1977. Translated by Kate Briggs, 2012.
Columbia University Press
How to Live Together …, a series of lectures exploring solitude and the degree of contact necessary for individuals to exist and create at their own pace.
…In this work, Barthes focuses on the concept of “idiorrhythmy,” a productive form of living together in which one recognizes and respects the individual rhythms of the other. He explores this phenomenon through five texts that represent different living spaces and their associated ways of life: Émile Zola’s Pot-Bouille, set in a Parisian apartment building; Thomas Mann’s The Magic Mountain, which takes place in a sanatorium; André Gide’s La Séquestrée de Poitiers, based on the true story of a woman confined to her bedroom; Daniel Defoe’s Robinson Crusoe, about a castaway on a remote island; and Pallidius’s Lausiac History, detailing the ascetic lives of the desert fathers.
Claude Coste le lundi 6 août 2012 à Lagrasse, dans le cadre du Banquet du livre d’été.
…Solitaire ou solidaire.
…successful idiorrhythmy via the writer(artist)’s life.
Madeleine Boschan – if ever before, far off, and listen. 2015. Galerie Bern Kugler.
Madeleine Boschan – Collectors Agenda. Website. IG.
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No bees, no cameleon. In between gust of wind, an unvariegated, crisp yellow.
Citrus or Hercules club
Immanuel Kant: Aesthetics
Douglas Burnham elucidates Kant’s Critique of Judgment. Kant discussed aesthetic judgement, taste, beauty, claims leading to formalism, aesthetic ideas (leading to conceptualism and to formlessness), aesthetic experience, the sublime, genius and fine art. Also, Kant bridged aesthetics to ethics.
A refresher and/or necessary reading in relation to Duchamp’s Fountain. NSU Art Museum celebrates the centenary of Fountain. Fountain and the stories told about it seem to dramatize Critique of Judgment.
I would separate the valorization of Duchamp from the mythologizing of Fountain.
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Baroness Elsa von Freytag-Loringhoven might need to be acknowledged.
Related – Burnham answers questions via AskPhilosophers.
