Press Release, en french.
LA CONSTRUCTION DE CE QUI EST POSSIBLE XIII Biennale de la Havane – 12 AVRIL AU 12 MAI, 2019 Plasticiens, critiques et amateurs, nous attendons tous avec impatience l’ouverture des biennales de La Havane. C’est l’évènement phare de l’archipel caraïbe. La biennale de La Havane, créée en 1984 est programmée tous les trois ans. Cependant […]
via Treizième Biennale de La Havane en mai 2019 — Aica Caraïbe du Sud
Some images the XIIth edition.
Press Release from Hunter East Harlem Gallery,
Exhibiting artists: Mathieu Kleyebe Abonnenc, Julie Bessard, Hervé Beuze, Jean-François Boclé, Alex Burke, Vladimir Cybil Charlier, Gaëlle Choisne, Ronald Cyrille, Jean-Ulrick Désert, Kenny Dunkan, Edouard Duval-Carrié, Adler Guerrier, Jean-Marc Hunt, Fabiola Jean-Louis, Nathalie Leroy-Fiévée, Audry Liseron-Monfils, Louisa Marajo, Ricardo Ozier-Lafontaine, Jérémie Paul, Marielle Plaisir, Tabita Rezaire, Yoan Sorin
Hunter East Harlem Gallery is pleased to present the exhibition, Dust Specks on the Sea: Contemporary Sculpture from the French Caribbean & Haiti opening on November 7, 2018. Dust Specks on the Sea focuses on sculptural works by over a dozen contemporary artists from Guadeloupe, Martinique, French Guyana, and Haiti and addresses the various positionings of the postcolonial condition in this region. The exhibition’s title—Dust Specks on the Sea—is derived from a quote by former French President Charles de Gaulle, describing his view of the French Caribbean islands from an airplane in 1964. De Gaulle’s description speaks to the almost otherworldly mystery of an aerial view of the Caribbean archipelago, while at the same time calling into question a deep-seated hierarchical perspective stemming from France’s history as a powerful colonizing force in the Caribbean. In 1902 the eruption of the volcano Mount Pelée on the island of Martinique, destroyed the town of Saint-Pierre, killing approximately 30,000 people in a matter of minutes. Poignant photographic images of the “worst volcanic disaster of the early 20th century” show the volcano’s dusty plume looming above the sparkling waters of the Caribbean; these visual documents allude to the complex and loaded sentiments of de Gaulle’s quote—the duality of perspective. The French Caribbean cannot be defined solely by its beauty nor by its historical trauma; through this exhibition, we aim to contribute to a contemporary, multi-layered understanding of this region.
Our gallery is located in the New York City neighborhood of East Harlem, a place known for its Caribbean immigrants and its history as a home to displaced peoples, and yet the narrative of the French Caribbean is still little understood within this context. Additionally, HEHG is an institution dedicated to creating projects that build on the complicated circumstances of being a human in today’s world and bolstering the voices of creative people and thinkers. Through presenting a sculpture-based exhibition in a distinctive way—in many cases, the artworks will physically interact with one another, we hope to build a visual dialogue about how artwork can be one of the most powerful tools for personal and political expression.
The exhibition is curated by Arden Sherman. Assistant Curator is Katie Hood Morgan.
Support for the exhibition is generously provided by the Cultural Services of the French Embassy in the United States and Hunter College.
Opening Reception: Dust Specks on the Sea, November 7, 2018.
Afternoon Discussion & Artist Walk-Thru, November 8, 2018
Hunter East Harlem Gallery
The Silberman School of Social Work
2180 3rd Avenue at 119th Street
New York, NY 10035
+1 212 396 7819
hehg@hunter.cuny.edu
Wednesdays through Saturdays 12-5pm
HUNTER COLLEGE ART GALLERIES
Deconstruction: A reordering of life, politics, and art curated by Amy Galpin.
Installation view of Relational Undercurrents, Stella & J. Burton Orr Pavilion, Patricia & Phillip Frost Art Museum.
Additional views from the opening.
Update: worldredeye link 101818
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago is a major survey exhibition of twenty-first century art from islands throughout the Caribbean basin.
On view, at The Patricia & Phillip Frost Art Museum, Saturday, October 13, 2018 through Sunday, January 13, 2019. Curated by Tatiana Flores, Associate Professor of Art History and Latino and Caribbean Studies at Rutgers University. Organized by: Museum of Latin American Art in Long Beach, California.
Beatriz Santiago Muñoz, “Matrulla,” 2014, Digital video, 6:30 minutes, Courtesy of the artist and Galeria Agustina Ferreyra.
Didier William, “Dancing Pouring, Crackling and Mourning,” 2015, Mixed media on wood, 60 x 48 inches, Courtesy of the Robert and Frances Coulborn Kohler Collection.
Deborah Jack, Evidence 19 from the series Our Tears Were Reborn As…, 2009-2011, Digital print on aluminum, 28 x 42 inches, Courtesy of the artist.
Jeannette Ehlers, Black Bullets, 2012, Video, 5:05 minutes, Courtesy of the artist.
Views of the part of the show at the Wallach Art Gallery at Columbia University.
Flores and Scherezade Garcia at LA Art Show.
Catalogue. Artishock. LATimes. Hyperallergic. Recent review in X-TRA.
Alexander Lee: NO’ANO’A, will close October 20th, 2018, at Marisa Newman Projects, 38 West 32nd Street, Suite 1602.
