Q: Thinking Through Loneliness also draws on artistic and literary works. How did working with these texts help you in thinking through loneliness?
I wouldn’t know how to discuss any intense experience of suffering without reference to artistic and literary works. To be moved by a work is as essential, in my view, as to be inspired or provoked intellectually. I was struck by the longing for intimacy conveyed in Toni Morrison’s novel Beloved decades ago on my first of many reads, which has stayed with me. And who can read Franz Kafka’s story ‘The Metamorphosis’ without shuddering over the terrifying alienation and loneliness of Gregor Samsa, understanding our own alienation through an encounter with his?
It would be difficult to analyse loneliness by referring exclusively to philosophical texts that engage with the subject, since there are so few. And in general, aside from Fromm-Reichmann’s 1959 essay, ‘Loneliness’, and a handful of other works, I found the social science literature to be rather too scholarly for understanding such a complex experience. Many of the categorisations of this or that type of loneliness landed too far from the original experience and as a result glossed over the vicissitudes of loneliness.
The most poignant descriptions of human experience always come from artists and writers. Given their intent is not to settle the rich complexity of an experience into something more systematised and palatable, we really must look to them for understanding.
Q and A with Professor Diane Enns on Thinking Through Loneliness (2022)
Tag: philosophy
Immanuel Kant: Aesthetics
Douglas Burnham elucidates Kant’s Critique of Judgment. Kant discussed aesthetic judgement, taste, beauty, claims leading to formalism, aesthetic ideas (leading to conceptualism and to formlessness), aesthetic experience, the sublime, genius and fine art. Also, Kant bridged aesthetics to ethics.
A refresher and/or necessary reading in relation to Duchamp’s Fountain. NSU Art Museum celebrates the centenary of Fountain. Fountain and the stories told about it seem to dramatize Critique of Judgment.
I would separate the valorization of Duchamp from the mythologizing of Fountain.
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Baroness Elsa von Freytag-Loringhoven might need to be acknowledged.
Related – Burnham answers questions via AskPhilosophers.