Between a view and a milestone

Between a view and a milestone

Dates: April 28 – July 8, 2018
Opening reception: May 10, 2018, 7-9pm

Participating artists: Adler Guerrier, Alba Triana, Anastasia Samoylova, Elite Kedan, GeoVanna Gonzalez, Jamilah Sabur, Jillian Mayer, Joshua Veasey, Juan Pablo Garza, Laura Marsh, Leo Castaneda, Morel Doucet, Terence Price II and Tom Scicluna.

Between a view and a milestone, curated by Angelica Arbelaez, presents works by ArtCenter/South Florida’s studio residents that offer contemplative meditations on place. While place can imply a certain level of geographic specificity, determining placehood can be difficult and requires certain physical and intangible elements to make it so. The exhibition’s title refers to a visual device used in landscape painting, in which the painter includes an object in the foreground as a means of framing the view of the landscape. Places call for this sort of demarcation, but they also call for a more emotive connection that is highly dependent upon the individual occupying it. Places are felt as much as they are physically constructed.

In this exhibition, perspective– both spatial and interpretive– plays an important role in framing the places these works address. A video game finds its protagonist navigating through an amorphous landscape that simultaneously inspires awe and dread. A set of sculptures comprised of materials native to Miami’s urban topography are used to further investigate ideas of mobility and labor. A lone figure in a grassy field desperately bobbing for apples to the sound of a mournful poem considers how recent events and contentious histories can oftentimes define the places we live in. The works in this exhibition attempt to understand the evocative nature of place and invite more nuanced explorations of time, memory and identity.

Leo Castaneda

Visual corollary

Kerry James Marshall, A Portrait of the Artist As a Shadow of His Former Self. Egg tempera on paper, 8 × 6 1/2 inches (20.3 × 16.5 cm)

Photo: Kerry James Marshall, A Portrait of the Artist as a Shadow of His Former Self, 1980/Matthew Fried/© MCA Chicago/Courtesy of The Metropolitan Museum of Art, New York via Vulture

Screenshot_20180506-223326

Screenshot_20180506-223301
Childish Gambino
Published on May 5, 2018
“This is America” by Childish Gambino
Director: Hiro Murai
Producer: Doomsday with Ibra Ake and Fam Rothstein of Wolf + Rothstein

Sancho: An Act of Remembrance

Sancho: An Act of Remembrance
written, conceived and performed by Paterson Joseph. Co-Directed by Simon Godwin.

April 18 – May 6, 2018

The Classical Theatre of Harlem (Ty Jones, Producing Artistic Director), Pemberley Productions and Dr. Barbara Ann Teer’s National Black Theatre are proud to present Sancho: An Act of Remembrance. This timely theater production celebrates the extraordinary life of Charles Ignatius Sancho, an African man who was born on a slave ship and rose to prominence as a noted abolitionist, composer, social satirist and man of refinement in 18th century English society. Sancho makes his mark in history by becoming the first British-African to cast a vote in England in 1774.

Production Team: Ben Park (Music & Sound), Michael Vale (Design), Lucrecia Briceño (Lighting).

He was born on a slave ship but never a slave. He was immortalized by the great English painter Thomas Gainsborough, and in 1774 became the first British-African to vote. In this revealing and humorous one-man show, celebrated Royal Shakespeare Company actor Paterson Joseph (NBC’s Timeless and HBO’s The Leftovers) inhabits the curious, daringly determined Charles “Sancho” Ignatius—composer, social satirist, general man of refinement—while shining light on the often misunderstood narratives of African-British experience.

BAM – Study guide.