those that furthest elude me

Fullscreen capture 742019 30435 PM
boiling point, Kitano, 1990.

And who delivers the worst?

Schwartz: I didn’t love Zendaya as Athena, the only deity depicted onscreen. There is a heaviness and sorrow to that wise, ingenious goddess that obscured the character’s power and playfulness—a choice made by Nolan, no doubt to emphasize his dark themes.

Brody: All of these actors are professionals, charismatic and persuasive; when a performance is off, it’s usually the director’s fault, as here, with Matt Damon, in the lead role of Odysseus. He portrays the character, as per Nolan’s script, as a reserved, terse, inexpressive, stoic American soldier—it’s not Damon’s fault that his performance, however committed and skillful, suggests nothing of the sly ruses and scheming quickness that mark Homer’s complex hero.

via an interview with Caroline Mimbs Nyce, New Yorker Newsletter editor

Richard Brody’s full review.


A person protests to fate:

“The things you have caused
me most to want
are those that furthest elude me.”

Fate nods.
Fate is sympathetic
.

To tie the shoes, button a shirt,
are triumphs
for only the very young,
the very old.

During the long middle:

conjugating a rivet
mastering tango
training the cat to stay off the table
preserving a single moment longer than this one
continuing to wake whatever has happened the day before

and the penmanships love practices inside the body.

A Person Protests to Fate, Jane Hirshfield

walk garlanded in wisteria

The Thicket. 2024. Original Motion Picture Soundtrack, Ray Suen.

Jack & Lula, 4:42

Franz Schubert, Fantasie in F Minor, D. 940, 5:40 (Ray Suen · Thomas Nickell, Piano)


I will get me to the wood
Where the gods walk garlanded in wisteria,
By the silver-blue flood move others with ivory cars.
There come forth many maidens
to gather grapes for the leopards, my friend.
For there are leopards drawing the cars.

I will walk in the glade,
I will come out of the new thicket
and accost the procession of maidens.

After Ch’u Yuan, Ezra Pound

a personal signature and a vision of the world

The David Lynch who invented a cinematic tone that’s instantly recognizable as a personal signature and a vision of the world—as opposed to the David Lynch who let the power of his imagination become a style and a signature that took the place of a world view—has made his return in the third and fourth parts of “Twin Peaks: The Return,” and the result is mind-expanding, haunting, and deeply moving.

Richard Brody, 2017

Then be strong—Then halt not till thou seest the beacons flare

Behold, I send thee to the heights of song,
My brother! Let thine eyes awake as clear
As morning dew, within whose glowing sphere
Is mirrored half a world; and listen long,
Till in thine ears, famished to keenness, throng
The bugles of the soul, till far and near
Silence grows populous, and wind and mere
Are phantom-choked with voices. Then be strong—
Then halt not till thou seest the beacons flare
Souls mad for truth have lit from peak to peak.
Haste on to breathe the intoxicating air—
Wine to the brave and poison to the weak—
Far in the blue where angels’ feet have trod,
Where earth is one with heaven and man with God.

With a Copy of Shelley, Harriet Monroe


Ernest Cole: Lost and Found directed by Raoul Peck. Written by Ernest Cole, Raoul Peck, featuring Lakeith Stanfield. 2024. 105 minutes.


Ernest Cole: The True America. 2024. Aperture. Contribution by Leslie M. Wilson.

Exhibition at Minneapolis Institute of Art, February 1, 2025 – June 22, 2025.

Amsterdam

Amsterdam, a film by David O. Russell. Among its many themes are friendship and camaraderie, surrealism (without naming it and slightly too early) and its commitment to freedom, working together to fight fascism and hatred, and love.

Richard Brody thought it was a hoot and half.

The Good Part (Amsterdam), Daniel Pemberton

Doucement, Doucement · Luc Kleiner