ArtCenter’s DRAW

ArtCenter/SouthFlorida’s Annual community live drawing party
Saturday, February 2, 2019, 7:00 – 10:00 pm

Paradise Plaza Event Space
3rd Floor
151 NE 41st Street
Miami, FL 33137

Proceeds from the silent auction will be split equally between the artist and Artcenter’s Home and Away Fund, which supports local artists to attend residencies outside Miami.

 

_1480188

@artcentersf #DrawMiami #ACSFfamily

ACSF – The Ellies

The Ellies awarded by ArtCenter South Florida.

I am among 44 awardees/grantees. My 2018 Creator Award will fund a film, that will depict spaces identified with immigrant groups, and explore how people shape them culturally and politically. This examination will offer images of grace and dignity to counter the dominant framing that depicts immigrant spaces as dirty and dangerous.

44790573_864803483909769_4731476988868490947_n

An interview with Ellie Schneiderman, founder of ArtCenter/South Florida, on the occasion of the inaugural Ellies awards ceremony on October 24, 2018

An interview with artist/curator Edouard Duval-Carrié, winner of the 2018 Michael Richards Award at The Ellies award ceremony on October 24, 2018.

Also, on Fb.

Between a view and a milestone

Between a view and a milestone

Dates: April 28 – July 8, 2018
Opening reception: May 10, 2018, 7-9pm

Participating artists: Adler Guerrier, Alba Triana, Anastasia Samoylova, Elite Kedan, GeoVanna Gonzalez, Jamilah Sabur, Jillian Mayer, Joshua Veasey, Juan Pablo Garza, Laura Marsh, Leo Castaneda, Morel Doucet, Terence Price II and Tom Scicluna.

Between a view and a milestone, curated by Angelica Arbelaez, presents works by ArtCenter/South Florida’s studio residents that offer contemplative meditations on place. While place can imply a certain level of geographic specificity, determining placehood can be difficult and requires certain physical and intangible elements to make it so. The exhibition’s title refers to a visual device used in landscape painting, in which the painter includes an object in the foreground as a means of framing the view of the landscape. Places call for this sort of demarcation, but they also call for a more emotive connection that is highly dependent upon the individual occupying it. Places are felt as much as they are physically constructed.

In this exhibition, perspective– both spatial and interpretive– plays an important role in framing the places these works address. A video game finds its protagonist navigating through an amorphous landscape that simultaneously inspires awe and dread. A set of sculptures comprised of materials native to Miami’s urban topography are used to further investigate ideas of mobility and labor. A lone figure in a grassy field desperately bobbing for apples to the sound of a mournful poem considers how recent events and contentious histories can oftentimes define the places we live in. The works in this exhibition attempt to understand the evocative nature of place and invite more nuanced explorations of time, memory and identity.

Leo Castaneda

[Press Release] Adler Guerrier: Deployed, Conditional, & Limited Utopia

Adler Guerrier: Deployed, Conditional, and Limited Utopia
September 28 – November 21, 2017
Opening Reception, Thursday, September 28th, 6 – 9 PM

David Castillo Gallery presents Deployed, Conditional, and Limited Utopia, a solo exhibition by Adler Guerrier.

Deployed, Conditional, and Limited Utopia builds a visual topography of the urban, subtropical conditions of Miami, reflecting upon these distinct environments as evidence of the cultural and political landscapes of the city. Human activity, and the turns of economic booms and busts, are insinuated throughout the works as artifacts-semi-manicured yards, chain link fences, power lines, pavement-hidden among rich vegetation; subjects that are treated as background. Guerrier, in many ways, plays the role of cultural cartographer, and the images themselves, physically folded, unfolded, and then displayed on the wall, have the look of maps laid out with landmarks noted in painted squares.

The architectures of Guerrier’s images are weighted with the politics of place and the conditions which bear that space’s values and outcomes. Impasse becomes an evocative theme within this selection of works on paper and photographs, where barriers hinder movement and subjects are captured through the blurred foregrounds of covering leaves. A flowering plant growing up and over a wall trespasses upon the photographer’s space, and ideas of things hidden, and things breaking through, build upon a narrative of transformation, both urban and social. For Guerrier, these concepts are seeded by the ideologies of the American Civil Rights Movement, where Martin Luther King Jr. and Malcolm X reflected upon the possibilities of the present as a catalyst towards building better outcomes. In a public debate at the Oxford Student Union in 1964, Malcom X famously commented: “…I, for one, will join in with anyone-I don’t care what color you are-as long as you want to change this miserable condition that exists on this earth.”

To deploy Utopia is to bring it into effective action. And in this body of work Guerrier treats the Utopian impulse as an extension of both built and natural environments. These notions are reflected in the writings of French philosopher Henri Lefebvre, who imagined space as socially co-created alongside its physical construction, and imprinted upon by the populations which share in its development. Architecture, in the context of Lefebvre’s work, is an intrinsically political apparatus, and Guerrier treats these sites as ideological spaces that can be socially reimagined and recontextualized in the same vein.

The act of seeing, or acknowledging, can be revolutionary and transgressive; and in Deployed, Conditional, and Limited Utopia we see Guerrier’s gaze, how he witnesses and reinterprets Miami, home, and Utopia as the interconnected components in his personal concept of place. To look is everything; to see the possibility of these everyday, and sometimes degraded, sceneries is a first step in deploying action.

Adler Guerrier was born in Port-au-Prince, Haiti and lives and works in Miami, FL where he received his BFA from New World School of the Arts. Current exhibitions of the artist’s work include Pacific Standard Time’s “Relational Undercurrents: Contemporary Art of the Caribbean Archipelago,” at MOLAA, Long Beach, CA. Recent exhibitions include Fondation Clement, Martinique, France; History Miami Museum; and Barnes Foundation “Person of the Crowd: Contemporary Art of Flanerie” among others. He was a 2015 recipient of an Andy Warhol Foundation grant through its re-granting program. Guerrier’s solo exhibitions include PAMM Miami (2015). He has exhibited work at Vizcaya Museum and Gardens, Miami, FL; The Bass Museum, Miami Beach, FL; Harn Museum of Art, Gainseville, FL; and the 2008 Whitney Biennial among many other exhibitions. His works can be found in public collections including ICA Miami, PAMM Miami, and the Studio Museum in Harlem among others.

About David Castillo Gallery

Follow us on Facebook, Twitter & Instagram

David Castillo Gallery
info@davidcastillogallery.com
+1 305 573 8110 Telephone
http://www.davidcastillogallery.com

420 Lincoln Road
Miami Beach, Florida 33139
United States

Flooded Sanctuaries

Flooded Sanctuaries
ArtCenter’s Project 924
924 Lincoln Road
Miami Beach, FL 33139

“Flooded Sanctuaries” opens to the public March 1st from 7PM-10PM and will remain on view through March 19th, 2017.

Organized by Sergio Vega, ArtCenter/South Florida Visiting Artist

Featuring works and performances by ArtCenter Studio Program Residents: Loren Abbate, John Henry Dale, Veronica Fazzio, Juan Pablo Garza, GeoVanna Gonzalez, Adler Guerrier, Alan Gutierrez, The Inertials, Elite Kedan, Laura Marsh, Jessica Martin, Portable Editions, Laurencia Strauss, and Joshua Veasey.