Tag: bakehouse

  • Bakehouse Rising, vol. 4 | December 2019

    A newsletter featuring interviews led by Nicole Martinez, with Morel Doucet and with Adler Guerrier.

    Screenshot_2019-12-09 Bakehouse Rising vol 4 December 2019

    You might say that Haitian-born, Miami-based artist Adler Guerrier is a cultural anthropologist of sorts. Interested in place as a subject matter – both its aesthetic qualities and the role a society plays in shaping it – Guerrier employs photography, collage, and painting to illustrate the complexity of local terrain. Numerous themes frequently come to the fore – lush foliage, worn photographs, and gentle pastels excavate Miami’s Caribbean sensibility. Guerrier selects these motifs, which initially appear as nostalgic, as present interpretations of how this place came to be made. He layers them into one another to mirror the many cultures and customs that overlap in Miami.

    Nicole Martinez, Bakehouse Rising, volume 4.
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    A studio view, 120519.

  • Installation shots of Between the legible and the opaque

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    Robert Chambers, Alice Quaresma, Cristina Victor, Jenny Brillhart.
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    Marielle Plaisir, Robert Chambers, Gerbi Tsesarsakia, Lucia Del Sanchez, Marron et Masqué, Jude Broughan, Tana Oshima.

    Bakehouse. Photos by Mateo Serna Zapata.

  • An opening

    … is an unveiling and a reading and a tempering and a maturing. This part of an exhibition has begun. Let’s see how it performs.

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  • It’s quite … legible

    Between the legible

    The show opens today, at the Bakehouse.

  • More of … the legible and the opaque

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    Robert Chambers
    Aniconic Objects, 2019
    Fiber, composite, basalt, and clay
    3 x 4 x 7 feet
    Courtesy of Emerson Dorsch Gallery
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    Robert Chambers
    Aniconic Objects, 2019
    Fiber, composite, basalt, and clay
    3 x 4 x 7 feet
    Courtesy of Emerson Dorsch Gallery
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    Tana Oshima
    Masquerade, 2019
    Pencil and ink on paper
    8.5 x 11 inches
    Courtesy of the artist
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    Irina Dakhnovskaia-Lawton
    David’s Lake, 2003
    From the series Wondering about Pictorialism
    Polymer photogravure
    2 x 3 inches
    Printed on 9 x 9 inches Fabriano paper

    Between the legible and the opaque: Approaches to an ideal in place

    On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.

    The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.

  • Between the legible and the opaque: Approaches to an ideal in place

    On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.

    Jude Broughan
    Pool II, 2019.
    Pigment print, silkscreen print, monoprint, and thread on paper.
    16 x 14.5 inches .
    Nicole Maynard-Sahar
    Untitled (after Delacroix), 2019
    Oil on Arches paper
    Six panels, 30 x 22 inches/panel
    Jenny Brillhart
    Floors and days, 2019
    Paint on yupo paper
    20 x 26 inches
    Juan Matos
    Nina corriendo en su tutú, 2019
    Las trenzas de Nina, 2019
    From the series Episodios de la lucha clandestina en La Habana.
    16 x 24 inches

    The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.