More of … the legible and the opaque

AG2019_1840174a
Robert Chambers
Aniconic Objects, 2019
Fiber, composite, basalt, and clay
3 x 4 x 7 feet
Courtesy of Emerson Dorsch Gallery
184-0210
Robert Chambers
Aniconic Objects, 2019
Fiber, composite, basalt, and clay
3 x 4 x 7 feet
Courtesy of Emerson Dorsch Gallery
AG2019_1840190a
Tana Oshima
Masquerade, 2019
Pencil and ink on paper
8.5 x 11 inches
Courtesy of the artist
AG2019_1840208a
Irina Dakhnovskaia-Lawton
David’s Lake, 2003
From the series Wondering about Pictorialism
Polymer photogravure
2 x 3 inches
Printed on 9 x 9 inches Fabriano paper

Between the legible and the opaque: Approaches to an ideal in place

On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.

The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.