The very idea of this wild break-you-down love thrilled the young women because they imagined it as something akin to freedom, the submission enjoyed by the one who chose it, a reckless act of self-expenditure.
[…]
They looked long and hard …, expectant and dreaming of a way out.
A free ebook, via Verso and Lux–a socialist feminist magazine, examines the fight for abortion from the 1970s to the present, bringing together the voices of clinic defenders, health care providers, and the networks of feminist activists helping pregnant people obtain care from Mississippi to Mexico.
With contributions from: Jenny Brown, Naomi Braine, Verónica Cruz Sanchez of Las Libres, the National Indigenous Women’s Resource Center, Derenda Hancock and Kim Gibson of We Engage, Amelia Bonow of Shout Your Abortion, Barbara Winslow, Marian Jones, Jen Deerinwater, Raquel Reichard, Amy Littlefield and ReproJobs, Erin Matson and Shireen Rose Shakouri from Reproaction, Cheryl Rivera, Victoria Law, Marie Solis, Dr. Mary K. Bowman, Movimento di Lotta Femminile di Padova, Lizzie Presser, Arielle Swernoff, Mattie Lubchansky, and an introduction from Jessie Kindig.
pollen from the burst-open, canoe-shaped pods of the royal palms caught in the first imperious shafts of sunlight rising from the sea. One flower resembles a puff of red lint, another resembles a pig’s ear, every petal, in this light, painted with deep lucid particularity.
[…]
Who else is in the market for a pint of papaya juice, a scruple of compassion? Would it help if we could itemize every lost or misbegotten soul,
[…]
the slightest of clerical errors, one skewed letter in an ever-cascading text, so how useful can any catalogue of particulars be? Why do we even have them— hands, thumbs, a heart, this jawbone I hear click as the rusty joints swing open and closed,
Natalia Garcia-Lee‘s exhibition (April 22, 2022 – June 25, 2022), The Measure of Man, featured twelve grand oil on canvas renderings, a series of intimate oil gems, and a mixed-media installation titled The War Machine to interpret the tactical ‘complexities’ burrowed within the human psyche. Inspired by the findings of American psychologist Edward C. Tolman, and behavioral research of ethologist John B. Calhoun, the exploration of mammalian behavior and the cognitive reactions to both physical and societal structures provide the foundation on which the paintings emerge. The output of both Tolman and Calhoun serve as landing points in Garcia-Lee’s interpretation of the paradoxical nature of the human experience, assumed on the basis that living creatures are inherently alike.
The collection of paintings, drawings and collages are the artist’s first solo exhibition at LnS Gallery. In tandem with the show, a comprehensive exhibition catalogue will feature informative essays by Dr. Carol Damian, emeritus Professor of Art History at Florida International University, and former Director and Chief Curator of the Patricia and Phillip Frost Art Museum at Florida International University (Miami, Florida) and Melissa Diaz, Cultural Arts Curator at Deering Estate (Miami, Florida).
The First Death, 2021 oil on canvas 60 x 72 inchesLow Level Learning, 2021 oil on canvas 72 x 96 inches
The Witch hadn’t wanted any money and she looked at the two hundred pesos that Chabela put on the table with such disgust that Norma was sure she would burn it the moment they left the house, which they did immediately after the Witch handed them the potion, to Norma’s great relief. But once outside, on the dirt track that led back to Chabela’s, they heard the Witch calling after them from the kitchen door in that strange voice of hers, somehow both gruff and high-pitched at once, and Norma spun around and understood that the Witch was calling her, even though she’d already pulled her veil back down over her face: You have to drink it all! she shouted. You’ll retch but you have to drink it all! It’ll feel like your insides are being torn out, but hang in there . . . ! Don’t be afraid! You just push and push until . . . ! And then bury it!