Our relationship to this domain–beauty

Merve Emre with László Krasznahorkai (New Yorker)

Everything that is beautiful—whether natural or created by human beings, whether created by God or by life itself—exists in an inviolable domain, which never changes. Only we change, only our relationship to this domain changes, our chances of connecting to it change. In the Renaissance, our chances improved, and now in our modern age they have been ruined, our chances of making this perfect beauty appear, of stepping into relation to it, for it to hold our souls.

[…]

The first movement of despair, when a person is uncertain, when they feel frail, is to start looking for a form that will free them from this uncertainty, and then these political ideologies start coming very easily, without any kind of serious philosophical background, or even without any philosophical background whatsoever.


I don’t need anything from here.

László Krasznahorkai, translated, from the Hungarian, by Ottilie Mulzet.


Red International and Black Caribbean, Communists in New York City, Mexico and the West Indies, 1919-1939, Margaret Stevens

Good habits for eye care. (CNET) The American Optometric Association recommends using the 20-20-20 rule to prevent computer vision syndrome. Every 20 minutes, look at something at least 20 feet away for 20 seconds.


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AG2026_1155927a

I am only the place where


Proton guides us through Google Photos. (2024)

this city’s brute capacity for gathering” Nick Laird (New York Elasticity) via Under the Banner of New York, Zadie Smith.


Inside us live innumerable others;
If I think or feel, I do not know
Who is thinking or feeling.
I am only the place
Where feeling and thinking happen.

I have more than one soul.
There are more I’s than just I myself.
And yet I remain completely
Indifferent to them all.
I silence them: I speak.

The crisscrossing impulses
Of what I feel and don’t feel
Argue inside the person I am.
I ignore them. They dictate nothing
To the me I know I am: I write.

219, Ricardo Reis, translated by Margaret Jull Costa and Patricio Ferrari

Invitation to a dispensary

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AG2025-193G_comesitwithus-Document071025-page001


Banana est sous licence CUTE (Conditions d’utilisations typographiques engageantes), dessinée par Clara Bougon en 2023.


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AG2025-193G_comesitwithus-Document071025-page002


Banana. Velvelyne is a typeface designed for the Velvetyne website in 2023 by Manon Van der Borght and Mariel Nils. It is now available published under CUTE licence, written by Bye Bye Binary.


Looking toward Morne Tranchant, 1927

Image from page 33 of “Bulletin – United States National Museum” (1877)

Smithsonian Institution

United States National Museum

Buttetin 155

THE BIRDS OF HAITI AND THE DOMINICAN REPUBLIC

by

ALEXANDER WETMORE

Assistant Secretary, Smithsonian Institution

AND

BRADSHAW H. SWALES

Honorary Assistant Curator of Birds United States National Museum

January 27, 1931

AG2018-O_1480671a or become a menace

AG2018-O_1480671a

How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number? 
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?

I must become a menace to my enemies.

I must become a menace to my enemies, June Jordan


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