Category: exhibition

  • Folding Suns or in debt to promises

    Adler Guerrier, Untitled (…whispered intelligence lurking in the leaves; Painted Bunting), 2020-2024. Photo collage, 71 1/2 x 46 1/2 inches. Courtesy of the artist and Marisa Newman Projects.

    Folding Suns connects artists from the Western New York Region with those from Puerto Rico and the American South; it poses sun and water as real and metaphorical binding agents across geography, time, and identity.

    Curated by: Pablo Guardiola

    Pablo Guardiola is a visual artist. His work points to different modes of narration and how these are perceived and understood. Recently he curated with Yina Jiménez Suriel, one month after being known in that island (ways of working in the Caribbean). He is co-director of Beta-Local, an arts non-profit dedicated to support and promote contemporary art practices and aesthetic thought in Puerto Rico.

    Featured Artists:

    Genesis Baez
    Chango4
    Claudia Caremi
    Adler Guerrier
    Gregory Halpern
    Ahndraya Parlato
    Silas Rubeck
    Paul B. Thulin

    The Buffalo Institute for Contemporary Art, August 02, 2024 – September 21, 2024.


    AG2024AG2024AG2024_1089181aaa

    The Guggenheim Bilbao was hardly the first iconic building, but it was the first to be credited with a measurable economic spin-off. And while that temporarily elevated the status of architects to near deities, it proved detrimental in the long run. After the Guggenheim, architecture was never quite the same. A single building had defied all expectation, only for expectations to defy all of architecture ever since. Economic success became the measure of architecture’s quality, to which architecture, in turn, had no choice but to apply itself. Architecture found itself in debt to promises it didn’t make and ultimately can’t fulfill. After Bilbao, ambitious museum projects could only fail. And they did.

    architect, verb The New Language of Building, Reinier de Graaf
  • Dedication

    IMG_20220913_171408_101
    Installation view shot via a phone camera by Caryl Ivrisse-Crochemar, 2022.

    Long may your glowing, useful days 
    Shine forth their bright illuming rays, 
    And to gloomy lives always 
        A happy thrill. 

    Lucian B. Watkins

  • Small book published by Marisa Newman Projects

    Adler Guerrier – wanders a never fixed nor dormant landscape by Marisa Newman Projects. Essay by Leslie M. Wilson. Designed by Masha Marchenko. Published via Blurb, 7×7 inches, 20 pages, ISBN: 9798331189266.


    Related: Nested in a Place of Becoming, 2022.

  • Weathering, and other ways to survive

    The specificity of place and terms that do the work of aggregation like ‘landscape’ and ‘garden’ and ‘yard’ give way to radical individualization. Here, we spy flowers as if awakened protagonists, independent of their role in a ‘scenic’ and ‘idyllic’ place. In the dark, they are only themselves.

    Leslie M. Wilson, Weathering, and other ways to survive. (Marisa Newman Projects)

    AG2024_1101014a
  • The meaninglessness of borders.


    Architecture and Cities: A Verso Bookshelf. Key reading on our cities and the geography of inequality, politics, and identity. (2018).

    Also, a list for architects, by Michael Sorkin.

  • AG2024_1111273a

    AG2024_1111273a

    the 400th anniversary of the Dutch founding of a colony that would give rise to New York

    SN-2
    circa 1660

    nyhistory. newamsterdamhistorycenter.

  • AG2024_1100988a or habit assiduously maintained

    AG2024_1100988a

    Imagination, too, is old habit, assiduously maintained despite consequences.

    Secret and Invisible Folds into the Visible

    you can separate pleasure from disgrace

    (Elisa Gonzalez)


    Kenneth Noland, Inflorescence, 1972. To Weave the Sky: Textile Abstractions, El Espacio 23.
  • AG2024_1101000a1 or echoes guide

    AG2024_1101000a1

    Survival, in fact, is about the connections between things. […] reality cannot be deprived of the “‘other echoes that inhabit the garden.’ Said.