Category: exhibition

  • Strange Natures

    Strange Natures features the work of three artists exploring themes of communal care, loss, resilience, and tenderness through the lens of South Florida’s ecology. While the artists use different mediums, they all engage in a process of world-building that feels both of and beyond our natural environment.

    The exhibition imagines how our connection to land will change depending on our collective response, whether care or indifference, to the exploitation of our natural ecosystems. By contemplating this relationship within the context of South Florida’s landscape, the artists explore versions of reality that oscillate between dystopia and utopia, present and future, the familiar and strange.

    Christine Cortes, Lee Pivnik, and Zoe Schweiger. Curated by Krys Ortega.

    Bakehouse Art Complex, April 10, 2025 – July 10, 2025.

  • poemas de sal y tierra

    We are proud to announce that ‘poemas de sal y tierra (poems of salt and soil),’ a curatorial partnership between FORGOTTEN LANDS and homework, opens Saturday, April 12th at 5pm and runs through May 31st.

    Featuring works by Nathalie Alfonso, Stephen Arboite, Jonathan Carela, Raymel Casamayor, Nicole Combeau, Adler Guerrier, Amanda Linares, Elisa Bergel Melo, Devin Osorio, Charlie Quezada, and Victoria Ravelo.

    “Cultural identity… is a matter of ‘becoming’ as well as of ‘being.’ It belongs to the future as much as to the past.” — Stuart Hall

    ‘poemas de sal y tierra (poems of salt and soil)’ is a collective living archive, an ever evolving space where sentiment, symbolism, and memorabilia come together to be held, celebrated, reimagined, and shared. The gallery space functions like a diary written in prose, where the artworks serve as entries–preserving feelings and memories beyond physical artifacts. Artists from the Caribbean and Latin America weave new layers of meaning into inherited stories, places and objects, transforming memory into an active conversation that continues to unfold.

    The exhibition explores the idea that we both come from and become the places we move through. Salt and soil, fundamental to land and sea, symbolize ancestral geographies. Through the use of various mediums–painting, drawing, sound, film, photography and sculpture– artists translate ephemeral histories, embodied knowledge and shifting landscapes into tangible artworks, much like poetry makes visible the invisible threads of our existence.

    Through their work, the artists transform fragments of themselves into an active, breathing record of resilience and reverence for their roots, lived experiences and their own sense of belonging. This exhibition is ultimately a reflection of how we collect, connect and preserve the intangible, and how we return to it for comfort, clarity, and renewal. Here, collective memory isn’t fixed; it shifts, grows, and evolves through each work.

    -curated by FORGOTTEN LANDS and homework


    April 12 – May 31, 2025
    7338 NW Miami Court, Miami FL, 33150

    FORGOTTEN LANDS has emerged as a leading force in contemporary Caribbean art, serving as a vital platform that amplifies voices across the diaspora and launches the careers of emerging artists. Their mission centers on illuminating the often-overlooked narratives of the Caribbean while weaving together the region’s rich historical tapestry.Founded in 2017, founders Cory Torres Bishop and Don Brodie initially conceived FORGOTTEN LANDS as a benefit exhibition in the aftermath of hurricanes Irma and Maria. What began as an immediate response to environmental disaster has evolved into a dynamic 501(c)(3) non-profit organization. Today, they forge meaningful collaborations with artists, galleries, institutions, and brands to create transformative projects spanning exhibitions, community events, artist talks, publications, and beyond.

    homework, founded by Aurelio Aguiló and Mayra Mejia, is a contemporary art gallery dedicated to innovative curatorial practices and fostering meaningful dialogue. By showcasing diverse artists through multidisciplinary exhibitions, homework aims to connect with global audiences, promote creative innovation, and challenge traditional artistic paradigms.

  • Park McArthur. Contact M

    The exhibition Park McArthur. Contact M brings together, for the first time, artworks made between the 2010s and 2020s. These artworks and the forms they take are guided by personal and social meanings of disability, delay, and dependency.

    Co-organized by mumok in Vienna and Museum Abteiberg, Mönchengladbach, the exhibition is a collaboration between both institutions and will be presented simultaneously at both locations. Questions of simultaneous experience and access to art and culture shape this project’s format and purpose.

    Curated by Matthias Michalka, mumok – Museum moderner Kunst Stiftung Ludwig Wien and Susanne Titz and Alke Heykes, Museum Abteiberg, Möchengladbach.

    March 15, to September 7, 2025.

    This audio guide is an artwork. This audio guide is an exhibition. It is titled
    Contact M and contains artworks made in the 2010s and 2020s by Park McArthur.
    Contact M was recorded in German and English.
    Some artworks are only exhibited here, in this audio guide. Some artworks
    were on view from March to September, 2025 at the Museum Abteiberg in
    Mönchengladbach, Germany and mumok in Vienna, Austria. Reading or listening
    to Contact M keeps it open as an exhibition.

    01_Contact_M_EN.mp3
  • The “F”shows—five exhibitions organized by the Studio Museum in Harlem between 2001 and 2018

    f

    Freestyle exhibition. April 28 – June 24, 2001. Curated by Thelma Golden with the support of curatorial assistant Christine Y. Kim.


    The Scholl lecture series, featuring the premier cultural creatives of our time, kicks off 2025 with one of the most influential people in the contemporary art world—Thelma Golden, Ford Foundation director and chief curator of the Studio Museum in Harlem. Streamed live on January 31, 2025.

  • object of importance but little value, too

    mel bokner (notes on value)
    [NAME]

    Saturday, February 8, 5 – 7pm. On view through April 5, 2025

    Join us on Saturday, February 8, 2025 from 5 – 7 pm for the opening reception of mel bokner (notes on value), an exhibition featuring over twenty five 8.5 x 11in drawings. All drawings—in disregard of the consensual magic that subtends the external determinates that structure their current value—will be for sale at $250 during the course of the exhibition.

                     Dennis Balk              Kitty Brophy                   Yamel Molerio            

    Alyssa Andrews                                   Paul Mullins                          Cynthia Cruz

              Avi Young                    Beatriz Monteavaro              Kevin Arrow                  

    Adam Putnam                 Tonel (Antonio Eligio Fernández)             Jennifer Printz                          

                   Lucía Aquino                 Sue Montoya                                 Melissa Wallen                      

    Rosemarie Chiarlone            Brigette Hoffman           AdrienneRose Gionta        

                Sebastian Restrepo                       Bhakti Baxter                      Tara Long        

         Robert Chambers                 Nicole Doran                                Yerrie Choo  

               Zachary Balber                              Corie Sharples                  Justin H Long

    Ryan Foerster               Dona Altemus                               Sarah Viviana Valdez

               Onajide Shabaka                  Clifton Childree                 Adler Guerrier          

         Roxana Barba                      Amanda Keeley               Ken Oliver Mercury    

          Jason Breeden                    Misael Soto                    Maitejosune Urrechaga

    Tony Kapel                Donna Torres                 Kayla Delacerda        Tom Scicluna      

           Alisa Pitchenik Charles         Daniel Joseph Martinez                Francisco Masó

     Jillian Mayer                      Mark Handforth                     Genesis Moreno

            Alejandro Valencia                  Sterling Rook                            Regina Jestrow

           Monica Lopez De Victoria                  Manny Prieres               Casey Jargo          

    Tom Mickelson           Hannah Buonaguro            Theo Shure                 Kerry Phillips

                 Jessica Gispert                 Liduam Pong               Westen Charles      

    Brooke Frank                Nickolas Peter Chelyapov               Claudio Marcotulli

            Charles Humes Jr.             Leo Castaneda                          Glexis Novoa  

                               Max Estenger                    Dino Felipe                         Lee Pivnik            

     Mary Griffin                              Karen Rifas                              Sean T Randolph                  


    untitled(object of importance but little value, too)ii
    untitled (object of importance but little value, too) ii, spray enamel on magazine paper, 12 x 20 inches, 2012
  • Art Loft on No Vacancy

    South Florida PBS‘s Art Loft on the recent art events, including the latest iteration of No Vacancy 2024.

    Art transforms some of Miami Beach’s most iconic places with “No Vacancy.” This juried art competition brings together 12 talented local artists to create site-specific public works to be displayed across 12 famed hotel properties. From lobby installations to outdoor alleys, this program reimagines public spaces as dynamic canvases for contemporary art. Among the excitement of Art Week Miami Beach and Art Basel, No Vacancy gives local artists a spot to shine on Miami Beach.

    Jeffrey Noble and Alison Matherly, the duo behind art collaborative, We Are Nice’n Easy welcome visitors to their installation entitled, “Soft Squeeze.” It’s a playfully giant yet thought-provoking inflatable sculpture suspended in an alleyway behind Esmé Miami Beach.

    At the Kimpton Surfcomber Hotel, artist Adler Guerrier presents “Objects, Landscapes and Things.” The multimedia work explores South Florida’s environment and temporality – all in a bright corner of the hotel lobby.

    Artist Magnus Sodamin takes over the lobby of the Faena Hotel with a contemporary work. Delicate rose-gold representations of Floridian wildlife are suspended in the grand space. While the imagery may be whimsical, the piece asks viewers to reflect on humanity’s fragile relationship with nature.

    The lobby of the Cadillac Hotel & Beach Club is home to artist Marielle Plaisir’s work, “Rhapsody for a Beloved World.” The work is a backlit collage that encourages joy and harmony, with the possibility for a more peaceful and inclusive world.

    Artist Dennis Scholl’s work is on view at the Hotel Croydon. The artist’s trademark ray-like dodecagon motifs are arranged in a 12-sided structure to represent time, memory, and the collective experiences we all share.

  • viewsandtraces

    Untitled, 2018 - Alder Guerrier (Installation View and Close Up)

    Adler Guerrier

    AG2015_1020206U_tiltingviewsandtraces
    Untitled (tilting views, marks and trace; 5th and Meridian), 2015
    Graphite, acrylic, enamel paint and xerography on paper. 71.5 x 48 inches.

    tilt : to move or shift so as to lean or incline

    Middle English tulten, tilten to fall over, cause to fall, from Old English *tyltan, *tieltan, akin to Old English tealt unstable, tealtian to totter

    “Tilt.” Merriam-Webster.com Dictionary, Merriam-Webster, https://www.merriam-webster.com/dictionary/tilt. Accessed 23 Dec. 2024.

  • A web of loss

    PXL_20241113_195254378
    View of Surfcomber Hotel

    Gauzy film between
    evergreens is a web

    of loss. Get closer. Reach
    to touch the shimmering

    gossamer and your finger
    pushes through. Remember

    filling that space with desire?
    Someone else might grieve

    the spider who abandoned
    this home; others grow anxious

    waiting for a deer’s walk
    to wreck it. But you—

    you grieve the net of thought
    spun inside your own womb:

    intricate and glossy and strong.

    Miscarriage, Christine Stewart-Nun?ez


    In the quiet, Vera could hear its sharp puffs of breath—low and fast—a complete and utter confusion. A denial. The eyes like blank boxes, but there, in their depths, a sense of something moving. A frantic dancing. Erratic. Vera felt her heart pumping awkwardly, palpitating. “Please wait,” Vera whispered.

    And then it died. Just like that, she felt it go. Something horrible and also strangely thrilling in it.

    Roughage, India Ennenga (Verso)