Somehow greater than the sum of the parts; utopia.
Category: art
Utopia
Utopian projections are spatialized operators that offer possible transformations of place, perception and society. A flower bed at a writer’s residency in Thomassin can be such a site.
Utopia by Thomas More, supplement by Ursula K. Le Guin, introduction by China Miéville.
China Miéville: The Limits of Utopia – 2014 Nelson Institute Earth Day Conference
Archaeologies of the Future : The Desire Called Utopia and Other Science Fictions by Fredric Jameson.
Longevity as Class Struggle Part 2, Chapter 7
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The Last Angel of History, produced by the Black Audio Film Collective, directed by John Akomfrah.
Fredric Jameson makes the case that The Wire holds multiples utopian spatialized visions. 2015.
Essay – Realism and Utopia in The Wire, Criticism, Vol 52, No 3-4, Summer/Fall 2010.
Mirrored by Slavoj Žižek – The Wire or the clash of civilisations in one country, 2012; via progressivegeographies.com
An American Utopia: Fredric Jameson in Conversation with Stanley Aronowitz, 2014.
Hippie Modernism: The Struggle for Utopia, Walker Art Center. Review in Panomara.
Utopia Is No Place: The Art and Politics of Impossible Futures, also at Walker.
Gilbert & Sullivan – Utopia, Limited; or The Flowers of Progress, 1893. Libretto.
The first 50 seconds is utopia.
D’Oyly Carte Opera Chorus
Royal Philharmonic Orchestra
Conductor: Royston Nash
Recorded in 1975
Anahid Nersessian, Utopia, Limited: Romanticism and Adjustment (Harvard UP, 2015). Review.
… formal and political practices of renunciation and self-containment.
Stuart Davis: In Full Swing
Exhibition organized by the National Gallery of Art, Washington, and The Whitney Museum of American Art, New York.
Stuart Davis (1892–1964) was an American.
The exhibition is unusual in its focus on Davis’s mature career and on his working method of using preexisting motifs as springboards for new compositions. From 1939 on, Davis rarely painted a work that did not make reference, however hidden, to one or more of his earlier compositions. Such “appropriation” is a distinctive aspect of his mature art.

Egg Beater No. 2, 1928, oil on canvas, Amon Carter Museum of American Art, Fort Worth. © Estate of Stuart Davis/Licensed by VAGA, New York, NY
Whitney audio on Egg Beater 4.

House and Street, 1931, oil on canvas, Whitney Museum of American Art, New York, Purchase. © Estate of Stuart Davis/Licensed by VAGA, New York, NY
W audio on House and Street.
…a correlation,

RHQuaytman
Voyelle, Chapter 26, 2013
Silkscreen ink, gesso on wood, and wooden shelf
32 3/8 x 32 3/8 x 7 inches (82.2 x 82.2 x 17.8 cm)
We will join Malcolm

Malcolm X, December 1964. On youtube with not-so-great-audio, 32 minutes 53 seconds.
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The Words of El Hajj Malik El-Shabazz on extremism.
Related : Butler on protest; on how the state and contemporary discourse identify non-violence, protest, boycott and resistance.
Mobilize
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A private exhibition and silent auction of curated protest signs from local artists to benefit the ACLU of Florida.
August 11, 2017, The Standard, Miami Beach.
Participating Artists
Adler Guerrier
Alan Gutierrez
Alessandra Mondolfi
Amanda Keeley
Antonia Wright
Autumn Casey
Bhakti Baxter
Brian Butler
Corrie Rice
Cristina Gonzalez & Books Bischof
Karen Starosta-Gilinski
Kelly Breez
Loriel Beltran
Melanie Oliva
Patricia Engel
Rodrigo Londono
Stuart Sheldon
Susan Lee-Chun
Typoe
Westen Charles
Home/s portfolio by Extra Virgin Press
Home/s:
Extra Virgin Press, in its first community based project, has asked Miami artists and writers to offer views on our common home in the form of literary broadsheets.
Edwidge Danticat & Laura Tan
Denise Duhamel/Maureen Seaton & Michelle Weinberg
Michael Hettich & Tom Virgin
Mia Leonin & Adler Guerrier
Campbell McGrath & Pip Brant
Exhibition at the Laundromat Art Space opens on Saturday, August 19, 2017 from 6 to 10 PM through Sunday, August 20, 2017, located at 5900 NE 2nd Avenue Miami, Florida 33137.
Exhibition of Home/s Portfolio continues at Extra Virgin Press from September 1 through October 31, 2017, located at the Emerson Dorsch Building, 5900 NW 2nd Avenue Miami, Florida 33137.
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago
“Relational Undercurrents: Contemporary Art of the Caribbean Archipelago”—curated by Tatiana Flores (Department of art History, Rutgers University) and supported by Getty’s Pacific Standard Time: LA/LA—will be on view from September 16, 2017 to January 28, 2018 at the Museum of Latin American Art (MoLAA) in Long Beach, California (628 Alamitos Avenue).
softly yet effectively in that …
New Work: Park McArthur, exhibition at SFMOMA, April 1–August 27, 2017, …
which examines how forms of commemoration and sites of congregation, including museums, create meaning and influence memory. She considers hidden histories and issues of access through explorations of materials, markers, and social spaces.
softly yet effectively in that via a manual.








