Tag: donated

  • AG2026_1211969a or a continuity


    Solvent transfer, graphite, colored pencil, ink, gouache, acrylic, and enamel paint on paper. 18 x 12 inches. 2026. Donated to Locust Projects’ Art Auction.


    Melvin Edwards’s obituary. (Frieze)

    “His travels to Ghana, Nigeria, Togo and Benin informed his understanding of sculpture as a form of cultural continuity, leading him to create public works that fused African traditions with contemporary abstraction?. “

  • Untitled (Madame 0310)

    untitled(madame) 0310
    solvent transfer, graphite, watercolor, and collage on paper. 11″x15″ 2010

  • AG2024_1100377a

    AG2024_1100377a
    Untitled, 2024
    Gouache, colored pencil, acrylic, gesso, paper, and solvent transfer on paper.
    15 x 11 inches

    Moira Donegan in Conversation with Merve Emre on The Critic and Her Publics; New York Review and Lithub.

    “In this sentence—“that a new majority, adhering to a new ‘doctrinal school,’ could ‘by dint of numbers’ alone expunge their rights”—that “dint of numbers” is a scathing phrase. Justices on the Supreme Court are not as mean to one another as I sometimes, as a court observer, would hope they would be. When there is a pointed line like that, it’s something to pay attention to. She’s saying what we all know, which is that the law does not support this decision, the facts do not support this decision, the will of the people does not support this decision, and the spirit of our constitution does not support this decision. You are not doing it because you have real legitimacy to do it. I think that’s a tricky conundrum we find ourselves in as feminists and as Americans: we’re facing organs of political power that cannot be moved by threats to their legitimacy, that are content to be seen as illegitimate in the eyes of the public so long as they have numbers.”

  • Neither rosy nor prim; prefers the chorus to the heap of disturbance

    AG2023_1045245a

    Untitled (Neither rosy nor prim; prefers the chorus to the heap of disturbance) 


    Locust Projects BINGO BASH!, June 9, 2023.


    EVENING PRIMROSE
    Poetically speaking, growing up is mediocrity.
    – NED ROREM

    Neither rosy nor prim,
    not cousin to the cowslip
    nor the extravagant fuchsia,
    I doubt anyone has ever
    picked one for show,
    though the woods must be fringed
    with their lemony effusions.

    Sun blathers its baronial
    endorsement, but they refuse
    to join the ranks. Summer
    brings them in armfuls,
    yet, when the day is large,
    you won’t see them fluttering
    the length of the road.

    They’ll wait until the world’s
    tucked in and the sky’s
    one ceaseless shimmer – then
    lift their saturated eyelids
    and blaze, blaze
    all night long
    for no one.

    Rita Dove (via UVA)
  • Untitled (Poincianas often indicate the condition)

    AG2017_1120270poincianas

    Untitled (Poincianas often indicate the condition) 2017

  • Untitled (Poincianas indicate some of the conditions)

    112-0156
    Untitled (Poincianas indicate some of the conditions) 2017

  • Untitled(Lincoln Road sketch ii)

    AG2016_1040444
    Untitled(Lincoln Road sketch ii)
    2016

  • Untitled (Blue Harmony)

    AG2005-UntitledBlueHarmony_ii
    Untitled (Blue Harmony), 2005

    THE RUSH PHILANTHROPIC ARTS FOUNDATION “ART FOR LIFE” CHARITY ART AUCTION
    Hosted by Russell Simmons, Danny Simmons, David Martin, & Jorge M. Pérez

    THURSDAY, DECEMBER 3, 2015 6.30 pm-9.30 pm (Live Auction at 8.00 pm)
    Park Grove Sales Gallery
    2701 South Bayshore Drive, Floor 7
    Coconut Grove, Florida 33133

    wpid-20151119143651.jpg
    A diptych framed individually.