de Botton is a fan of Heidegger
What is art for?
Alain de Botton preaches in theguardian.com
Carlos Martiel
Carlos Martiel, Sentence at Cannonball.
Sky’s the limit
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Jude Broughan
Cambridge Wellington Electric, 2013 via
Cristina Lei Rodriguez
Cristina Lei Rodriguez, Limestone Bearing Gold Veins, 2014. Bass Museum.
Aramis O’Reilly
Water from the Hill, 1987-88. via MDC Museum of Art, Cintas exhibition.
[Press] At Perez Art Museum Miami, Adler Guerrier’s singular view of the city
Anne Tschida for the Miami Herald
There is a story unfolding in Adler Guerrier: Formulating a Plot, the Miami artist’s solo exhibit at the Pérez Art Museum Miami. As the title suggests, however, it is not entirely finished, and it may never be. But it is an emerging tale of urban life and at times an uneasy existence, specifically that of Miami.
The somewhat obscure narrative starts physically on the left-hand side of the exhibition space, and it unfolds as you move through the photographs, collages, drawings, videos and sculpture, often with bits and pieces of text peeking out, that Guerrier has created since 1999. The journey ends up in the middle of the room, which is pierced with a huge site-specific installation. This is the first museum survey of Guerrier’s work, which marks another fascinating journey.
