Dig

  • The Devil is in the Details – Curated by Jesus Fuenmayor / KaBe Contemporary / Thursday, 17 September 2015

    KaBe Contemporary presents, The devil is in the details group exhibition curated by Jesus Fuenmayor.

    September 17 –  November 20, 2015.

    Ivan Argote, Arocha + Schraenen, Lothar Baumgarten, Matthew Buckingham, Elena Damiani, Adler Guerrier, Jorge Pedro Nunez, Edgar Orlaineta, Laercio Redondo, Matheus Rocha Pitta, Sergio Vega.

    “The devil is in the details”, curated by Jesus Fuenmayor, will be on view from September 17th to November 20th, 2015 and includes 25 pieces by 11 internationally recognized artists who share a common experience of dealing with historical issues and historiographic methodology as part of their practices, which have become an ever-present and driving force in contemporary art. The exhibition overlaps geographically and chronologically with artists of different generations from Germany, Brazil, Venezuela, Mexico, Argentina, Belgium, Colombia, Haiti, Peru, and USA, most of them emigrants who have found new places for the development of their careers.
    The exhibition departs from the famous proverb “God is in the details” that has been attributed to such prominent figures as Aby Warburg and Mies van der Rohe. Warburg, who is widely considered the founder of modern art historiography on account of his well known Mnemosyne Atlas, use the proverb as his motto and his intended meaning was to highlight the importance of hard labor for reaching one’s goal as an art historian. On the other hand, Georges Didi-Huberman offers a more in depth interpretation of Warburg’s phrase and dialecticizes it in the following way: “a little devil always nestles in the (Warburg) atlas: that is, in the space of ‘intimate and secret liaisons’ between things or between figures. A devilish genie lies somewhere in the imaginative construction of the ‘correspondences’ and the ‘analogies’ between each particular detail.” As the curator of the exhibition Jesus Fuenmayor says, “I want this tribute to engage the famous proverb in its inverted sense: ‘The devil is in the details’ pretends to point towards those details’ appearances in a work of art that unexpectedly allow viewers to comprehend the work (and the history) in a different way, even when this reading betrays our expectations or completely twists a work’s initial intention.” Fuenmayor’s intends to draw attention to what Roland Barthes used to call the “Punctum”, that detail in an image that escapes its own structure, “shooting out like an ‘arrow’ towards the viewer”, as Barthes posited it.
    The artists selected for this exhibition have turned to the representation of history not just as material itself but also as means by which to criticize how history is constructed. They are not just interested in the past tense or simply reviving archival strategies, but in putting the past in relation to the present and the future, creating overlapping temporalities that bring disparate moments together. With their constant recourse to montage, collage, assemblage and other politically loaded artistic gestures, the artists in this exhibition demonstrate how much room remains open for debate, dialogue and speech; sometimes we just need to pay attention to the details.

    About the Curator
    Jesus Fuenmayor is a curator based between New York and Gainesville. Fuenmayor has been the Director of CIFO, from 2012 to 2015. He was also the Director of Perife?rico Caracas, a contemporary art space from 2005 to 2012, where he organized more than 30 exhibitions. He was the advisor for “Ciudad Sensorial”, a program of urban interventions by artists which he founded for the Sucre Municipality in Caracas. He was an advisor to Museo Jacobo Borges, Caracas, 1992-1995; associate curator at Espacio 204, Caracas, 1995-1997 and held a post as a curator for the Museo Alejandro Otero, Caracas, in 2004.

    About KaBe Contemporary
    Founded in December 2009, KaBe Contemporary has been at the vanguard of Miami’s growing contemporary art scene. Located in the burgeoning Wynwood Arts District, KaBe has showcased a variety of emerging and established international contemporary artists. KaBe has produced shows featuring diverse practices such as painting, photography, video, sculpture and installation.

    KaBe Contemporary •
    223 NW 26th St. Miami FL 33127
    P. +1 305 573 8142
    F. +1 305 573 8144
    www.kabecontemporary.com
    news@kabecontemporary.com

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  • Details, Decorations, Designs

    I’m leading a tour through downtown Miami, tomorrow, during Art Days 2015.

    “Details, Decorations, Designs as found in Downtown Miami Architecture.”

  • CALLS FORTH THE RICHES

    Locust Roundtables:

    Tuesday, September 8, 7-8:30pm

    ADLER GUERRIER
    CALLS FORTH THE RICHES

    “If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor indifferent place.” – Rainer Maria Rilke, Letters to a Young Poet, 1903.

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    Image: Adler Guerrier, Cache of Riches (work in progress), 2015

    John Banville on Rilke in NYRB.

    For the sculptor, work was everything: Il faut travailler—toujours travailler was his motto. As for inspiration, Rilke wrote, the mere possibility of it he “shakes off indulgently and with an ironic smile, suggesting that there is no such thing….” These assertions must have struck Rilke like thunderbolts. Suddenly it was not the emotion or the idea that mattered, but the thing.6 Rodin was, above all, a maker of things:

    And this way of looking and of living is ingrained so firmly in him because he attained it as a craftman; as he was achieving in his art that element of infinite simplicity, of total indifference to subject matter, he was achieving in himself that great justice, that equilibrium in the face of the world that no name can shake. Since he had been granted the gift of seeing things in everything, he had also acquired the ability to construct things; and therein lies the greatness of his art.

    …It was Rodin, so the story goes, who urged Rilke to take himself to the Jardin des Plantes in Paris and pick one of the animals in the zoo there and study it in all its movements and moods until he knew it as thoroughly as a creature or thing could be known, and then write about it. The result was “The Panther,” one of Rilke’s early masterpieces…

  • Rita Dove

    Six Pages on Rita Dove (1989)

    A portrait of Pulitzer Prize winner Rita Dove in her hometown of Akron, Ohio, filmed by Ohio Educational Television from 1987 to 1989.

    At Poetry Foundation; Parsley; Reverie in Open Air; at the Key West Literary Seminar, 2011.

    On The Eviction by Ray Grathwol, part of Inside|Out Tour Akron, OH.

  • psuedo press release

    Great feminist tools – language, criticality, …

    “LES FÉMINISTES ONT LA DOULEUR DE VOUS FAIRE PART DE LA NOMINATION DE” …

    via Le Beau Vice

  • Cléo from 5 to 7

    Cléo from 5 to 7 by Agnès Varda, 1962; cinematography by Jean Rabier. CC release with essays by Molly Haskell and Adrian Martin.

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  • all aboard(?) miami

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    image found outside of grand central, it may also be in the state historical photo archive.