Public Art Tour, PortMiami, led by Miami-Dade County Art in Public Places–celebrating 50 years.
talked to spend desire,
worn exhausted from regret.
Continue our relationship apart
under surveillance, torture
In Public, John Wieners.
In Public
Category: Miami
Miami, Florida
Stripped Bare
Source: The Mack Stripped Bare, 1999 – Institute of Contemporary Art, Miami
The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), Marcel Duchamp, 1915-1923. Oil, varnish, lead foil, lead wire, and dust on two glass panels. Philadelphia Museum of Art.
The Bride Stripped Bare by Her Bachelors, Even (The Green Box), Marcel Duchamp, 1934. Box containing collotype reproductions on various papers. Edition: 112/300 from a deluxe edition of 20 + regular edition of 300. The Metropolitan Museum of Art.
The Artist Stripped Bare. Review of Duchamp’s Leg, exhibition at the Center for the Fine Arts and Neo-Dada: Redefining Art 1958-62, to the Art Museum at FIU, by Judy Cantor-Navas, Miami New Times, February 8, 1996.
The Band Stripped Bare. Article on the C60, grunge band, by Georgina Cardenas. Miami New Times, July 10, 1997.
The Mack, a 1973 American blaxploitation crime drama film directed by Michael Campus, starring Max Julien and Richard Pryor. Wikipedia. IMDB. Brother’s Gonna Work It Out (The Mack/Soundtrack Version), Willie Hutch.
Stripped, Christina Aguilera, 2002.
Behind the Ixora
Support the Cultural Mission of Coral Gables Museum. Bid in their auction.
AG2024_1111648a
Pérez Art Museum Miami-Orange Barrel Media billboard project is live.
Il te tient il est plus fort que toi
Ogun’s Return (Once Again… Statues Never Die), 2022
Inkjet print on Canson Platine Fibre Rag
Framed: 60 1/4 x 79 7/8 x 2 1/4 inches / 153 x 203 x 5.6 cm
Edition of 6 + 2 APs
One of the edition is in the Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez, the John S. and James L. Knight Foundation, and the PAMM Ambassadors for Black Art.
“Mais soudain il te tient le poème
Comme si ta volonté n’importait pas
Il te tient il est plus fort que toi
Il est sous ta peau
Il se cache dans ton sang”
Entre minuit et l’éternité, Kettly Mars
AG2021_2030458a
I received a Miami Individual Artists Grant. “With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.”
After a competitive process involving a review panel and approval by the Miami-Dade County Cultural Affairs Council on March 20, 2024 and the Miami-Dade County Board of County Commissioners and Mayor, the County awards to the Artist one non-matching $3,000 Miami Individual Artists Grant (“Grant”). This Grant is awarded solely on the basis of the Grant Application (“Application”) submitted by the Artist, which is incorporated by reference into this Agreement, and in consideration for the Artist’s agreement to abide by the following terms and considerations set forth in this Agreement.
This Grant is to be used by the Artist according to their needs, pursuant to the activities described by
the Artist in the Application. Funding of the Grant is paid by the Miami-Dade County Department of
Cultural Affairs, through its Miami Individual Artists (MIA) Grants Program, with the support of the Miami-Dade County Mayor, the Board of County Commissioners, and the Cultural Affairs Council. This Agreement shall be in effect during the grant period of October 1, 2023 to September 30, 2024.
they often become almost extreme in their non-spectacularity, in their function not to picture the event, but rather display the everyday structures behind them.
Bruno Serralongue according to Joanna Warsza, Textwork.
Liberty 68 project
Screenprint, graphite, acrylic, collage on paper.
30 x 22 inches
Screenprint, graphite, acrylic, collage on paper.
30 x 22 inches
Vu Hoàng Khánh Nguyên, How we live like water
View of an artwork by Vu Hoàng Khánh Nguyên, part of their exhibition How we live like water, on display at Oolite Arts x Walgreens Windows, located on 67th Street and Collins Avenue in Miami Beach.
This artwork was removed in response to a letter that claimed it offensive.
We support Vu Hoàng Khánh Nguyên and stand in solidarity with the poetic aims of their practice.
Update: It is being covered. Miami NewTimes; Miami Herald; Hyperallergic; Diario Libre;