A kickstarter campaign to support a community park in North Miami that helps neighbors with flooding and climate adaptation; the winning design from a competition hosted by New York-based Van Alen Institute, in partnership with the City of North Miami.
The exhibition frames the temporal—and the assorted markers of change through which we observe the terrain of everyday life —by presenting works that variously, yet collectively, produce knowledge through discourses on place, landscape, language, abstraction, and embodied presence. With a focus on expressed murmurings, both felt and clearly distinct, the exhibition proposes an attentive poetics, leading the viewer to consider the construction of landscape, the register of its reshaping and the nature of its textured holdings.
The exhibition features works by: Cecilia Bonilla, Amanda Bradley, Adler Guerrier, Quisqueya Henriquez and Pepe Mar, Kathleen Hudspeth, Legna Rodríguez Iglesias, G. A. Jakubovics, Rolf Julius, T. Eliott Mansa, Cinthia Marcelle, Marron et Masqué, Terence Price II, Karen Rifas, Anastasia Samoylova, and Onajide Shabaka.
invitation.
“Terrain is a relation of power, with a heritage in geology and the military, the control of which allows the establishment and maintenance of order. As a ‘field’, a site of work or battle, it is a political-strategic question.” Elden, S. Land, Terrain, Territory. Progress in Human Geography, 2010;34:799-817.
FeCuOp: Antenna FRIDAY, OCTOBER 11, 6-8:30PM Closing event featuring a performance by Ivonne Batanero in partnership with Miami Light Project and a performance by special guest Amanda Crider
Robert Chambers Aniconic Objects, 2019 Fiber, composite, basalt, and clay 3 x 4 x 7 feet Courtesy of Emerson Dorsch Gallery Robert Chambers Aniconic Objects, 2019 Fiber, composite, basalt, and clay 3 x 4 x 7 feet Courtesy of Emerson Dorsch Gallery Tana Oshima Masquerade, 2019 Pencil and ink on paper 8.5 x 11 inches Courtesy of the artist Irina Dakhnovskaia-Lawton David’s Lake, 2003 From the series Wondering about Pictorialism Polymer photogravure 2 x 3 inches Printed on 9 x 9 inches Fabriano paper
Between the legible and the opaque: Approaches to an ideal in place
On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.
The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.
On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.
Jude Broughan Pool II, 2019. Pigment print, silkscreen print, monoprint, and thread on paper. 16 x 14.5 inches . Nicole Maynard-Sahar Untitled (after Delacroix), 2019 Oil on Arches paper Six panels, 30 x 22 inches/panel Jenny Brillhart Floors and days, 2019 Paint on yupo paper 20 x 26 inches Juan Matos Nina corriendo en su tutú, 2019 Las trenzas de Nina, 2019 From the series Episodios de la lucha clandestina en La Habana. 16 x 24 inches
The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.