AG2024_1100126a or increased amount of pleasure

AG2024_1100126a

Merve Emre, in the New Yorker, on Freud’s ideas through many biographies.

An enthusiastic popularizer of his ideas, he imagined his audience as anyone who had not managed to turn “his wishful phantasies into reality”—not titans of industry or artists but ordinary people who longed for more than what they had. The act of attending to their substitutions—of fantasizing—provided a daily experience of creativity, surprise, humor, and interpretive activity. One needed to have only the “courage and determination,” Freud urged, to heed the minor poetry of the unconscious.

[…]

The greatest testament to the human sense of “oneness” is civilization itself, man’s “mastery over space and time” in the form of shared aesthetic and political projects—beauty, order, religion, nationhood.

Yet civilization had not “increased the amount of pleasure” that men could “expect from life.”


It’s going to hurt for a while.
It’s going to have to.

[…]

It’s going to be hard
to end soon.

It’s going to wipe out
your entire wildlife.

It’s going to be remembered fondly, your heart
unable to keep its hands to itself.

[…]

It’s going to make your metaphors make you,
even if you don’t want to.

[…]

It’s going to cost you.

This Living, Amber Tamblyn in newyorker

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AG2024_1960237a

Green. Varieties. Shades of. A name. A new deal. A proposal.


chartreuse buds beading above moss
dappled shamrocks
fragrant healing of sage, laurel,
mint, basil, thyme, rosemary, myrtle
amid the tall wonders of juniper
pine, olive, pear
even the meeting of sea and river—
the sky, an intermingling of viridian and chetwode horizons, 
and cerulean clarity—
offers its green seafoam, 
its seaweed pats, 
the crocodile at the edge of a freshwater marsh
its teeth open gritted in green
against the backdrop of hunter rainforest
dripping in green

making life on a palette, Raina J. León

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AG2024_1960350aa

Well did he mould her for beauty;
Gave her the wish that is brave 
          With understanding. 

“O Pan, avert from his maiden
Sorrow, misfortune, bereavement, 
Harm, and unhappy regret,”

Sappho


« L’imaginaire de mon lieu est relié à la réalité imaginable des lieux du monde, et tout inversement. L’archipel est cette réalité source, non pas unique, d’où sont sécrétés ces imaginaires : le schème de l’appartenance et de la relation, en même temps. »

Glissant, (Philosophie de la Relation, 2009).

Art viewing, in a mini-reality

In general, symbolic consistency is a function of tacit buy-in, collective identification, and repetitive social practices. We learn to speak and write, and we observe institutions coordinating and responding to language as though it is held in common. To say that the symbolic is in decline or disarray is thus to mark the loss of this effective common, to find that the authority backing the use of signifiers and grounding their felicitous signification across differences in context and groups has dissipated. Words drift freely and, as a result, fail to secure an order of stable interpretation; to the extent that interpretations held in common can provide defenses against traumatic antagonisms, the loss of functional meaning harbingers intensified encounters with the unassimilable.

[…]

This wholly irrational dynamic points to the dimension of enjoyment and desire: symbolic systems have changed, and the medium of language has undergone transformation, leaving individuals jammed in their own sovereign mini-reality, identification and projection, imaginary unbound.

AK

193 Gallery at Arco Madrid, March 2024.

193 Gallery is delighted to be taking part for the first time in the ARCOmadrid fair, with a booth featuring works by April Bey, Jean-Marc Hunt and Adler Guerrier. In addition, the works of artist Adler Guerrier will be featured in the programme “The shore, the tide, the current: an oceanic Caribbean”, curated by Carla Acevedo-Yates and Sara Hermann Morera, with the architectural design of Ignacio Galán, Álvaro Fidalgo and Arantza Ozaeta. Discover our booth 7C28, from March 6th to 10th.

Outside wall of the booth of 193 Gallery at Arco, featuring Untitled (Field Guide–an ordering of imaginaries into new geographies perceived in the present) i-v and Untitled (whispered intelligence, calling away despair).

Installation views of exhibitions and art fair presentations. Tumblr-ed.

Similar to Contemporary Art Library.