Category: language

  • The thin red line

    The Thin Red Line. 1998. Directed by Terrence Malick. Cinematography by John Toll. Music by Hans Zimmer.

    Related: … simple besideness

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    […] just for their beauty, and to say: we were here, at this moment in time, and this is what we made

    ZS
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    ‘Tis heard in spring

    When light and sunbeams, warm and kind,

    On angels’ wing

    Bring love and music to the wind.

    Love Lives Beyond the Tomb, John Clare
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    AG2022_2110701a

    Slow, careful, focused. Avoiding damage.

    James S. A. Corey, Tiamat’s Wrath (The Expanse Book 8)
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    L’imaginaire de mon lieu est relié à la réalité imaginable des lieux du monde, et tout inversement. L’archipel est cette réalité source, non pas unique, d’où sont sécrétés ces imaginaires : le schème de l’appartenance et de la relation, en même temps.

    Glissant, Édouard, Philosophie de la Relation, Paris, Gallimard, 2009.
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    AG-fieldguides-Document-080822-page005d

    i must be careful about such things as these. […] of the gentle wilderness i must set the precarious words.

    be careful, Ed Roberson

    Related : I must be careful

  • 10000 daffodils

    10000 daffodils–a will to adorn, a proclivity for the baroque.

    My garden has at least 10,000 daffodils because I wanted to redeem Wordsworth. It’s a story about being forced to memorize his poem, “I Wandered Lonely as a Cloud.” So I decided that to pay homage to Wordsworth, I would plant at least 10,000 daffodils.

    […]

    Sometimes, I have friends come over and we have a daffodil party, and we recite Wordsworth and drink champagne. It’s not Wordsworth’s fault that colonial education forced us to memorize a poem about a flower that we had never seen.

    Jamaica Kincaid, Harvard’s Crimson. 2017. via repeatingislands.

    Beauty is not a luxury; rather it is a way of creating possibility in the space of enclosure, a radical art of subsistence, an embrace of our terribleness, a transfiguration of the given. It is a will to adorn, a proclivity for the baroque, and the love of too much. 

    Saidiya Hartman

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    a coherence in things, a stability; […] something, immune from change, and shines out in the face of the flowing, the fleeting, the spectral

    Virginia Woolf