via James Herring Raku class at Ceramic League of Miami.
You've got to dig to dig it, you dig?

The Porch is the Tree is the Watering Hole will be open to the public on Thursdays and Saturdays from 11AM – 2PM starting Saturday, December 12 through May 29, 2021.
African American Research Library & Cultural Center
2650 NW 6th Street, Fort Lauderdale.
Viewed through the lenses of art, architecture, photography, and poetry, The Porch is the Tree is the Watering Hole is a dynamic exploration of space and community within the African diaspora. Highlighting the Black experience in Black neighborhoods, the exhibition celebrates the history of the Sistrunk community with works by: Germane Barnes, Darius V. Daughtry, David I. Muir, Adler Guerrier, Olalekan Jeyifous, Adrienne Chadwick, Marlene Brunot, and George Gadson. The exhibition is curated by Dominique Denis.
via David Zwirmer‘s Luc Tuymans, Good Luck, October 27—December 19, 2020, Hong Kong.
Re: Luc Tuymans, Superstition, January 15–February 26, 1995, Renaissance Society.
Saturday, November 28, 2020 4PM – 5PM EST
Specialist in African Diasporic and Caribbean Art Histories Erica Moiah James talks with Port-au-Prince-born, Miami-based visual artist Adler Guerrier about the relationship his work has with the city he’s chosen to call home, as well as his latest public art installation, Claimed for Living, for Love and Trouble, currently installed in the Miami Design District.


Hartt’s ongoing inquiry into the ideological implications of the built environment engages a variety of media. Shot in both Athens and Detroit, the footage, set to a score by Sam Prekop, is montaged so that the locations become indiscernible and a hybrid city-state emerges.
via moca toronto
The score. Installation at David Nolan.
Also, via Argos.

A print by Willie Birch from P5forNOLA.
Wildflowers in the Artist’s Backyard, 2009/2020
Print, 11 x 14 inches, Edition of 54+2 AP
Willie Birch is best known for his large-scale grisaille charcoal drawings that feature everyday scenes and settings in New Orleans. The works have an arresting graphic quality and capture the dynamism, tenderness, ritual, and quotidian aspects that define life in the city; each work revels in details while hinting at a larger cosmology.
In this drawing, abundant flora weaves through a chain-link fence. It is dark and densely rendered, and despite the tightly cropped framing of the image it is replete with symbolism and nuance, from the diamond pattern of the fence to the careful detailing of each plant species.