AG2023_1078357a or lies within something of another nature

AG2023_1078357a

Untitled (Field Guide; “what’s not found at once, but lies within something of another nature”) ii, 2023. Graphite, colored pencil, gesso, enamel paint, gouache, collage, pigment print on paper. 75 x 54 cm

Denise Levertov, “Pleasures”. (I like to find/  what’s not found / at once, but lies …)


Hard luck and trouble
Been my only friend
I’ve been on my own
Ever since I was ten

[…]

You know wine and women
Is all I crave
A big legged woman
Gonna carry me to my grave

[…]

[Chorus]
Born under a bad sign
I’ve been down since I began to crawl
If it wasn’t for bad luck
I tell ya, I wouldn’t have no luck at all

[Outro]
Yeah, I’m a bad luck boy
Been havin’ bad luck all of my days, yes

AG2023_1078353a or Rose Freedom is near

AG2023_1078353a

Untitled (Freedom is near, Rose, Night), 2008-2023.


““The night time is the right time,” a time to reveal and fulfill desire, a time to dream, the world of the unknown, the hallucinatory.”

“Yes, “it’s always night,” which is why we absolutely need light”

“they had to camouflage their boldness”

– Kelley, Freedom Dreams

Sallisa Rosa, Topografia da Memória

A Gentil Carioca is pleased to announce Topografia da Memória, an installation by Sallisa Rosa commissioned by Audemars Piguet Contemporary, curated by Denis Pernet and Thiago de Paula Souza. The work explores the theme of memory and is made up of more than 100 ceramic pieces handmade from collected clay, arranged in such a way as to create an environment for visitors to explore.

Topography of Memory will be on display until December 17, 2023 at the Collins Park Rotunda. In 2024, the work will be presented in Brazil, where it will be exhibited at the Pinacoteca de São Paulo between March 16 and July 28.

Topography of Memory.

Yonamine, Galerie Michael Janssen

Yonamine, It‘s expensive to be poor, 2022, Mixed Media and silkscreen on canvas, 200 x 180 cm.

Source: Galerie Michael Janssen


PARLA_MUTE, PR text by Jose Falconi–“… prepare yourself to contemplate (and enjoy) the critical difference that separates iteration from repetition because YONAMINE will stage a show on such a gap. When you get to the show don’t mind the gap: he inhabits it, it is his favorite place, his most fertile locus”

Document-111323-page010 or only generously given

Document-111323-page010

“… cannot be earned, merited or deserved, only generously given”

“There was a bracketed place in her brain where things were both true and not true simultaneously. […] Live two lives. Escape and be at home” (ZS)

“we must tap the well of our own collective imaginations” (RK)

“… it lies in patterns of meaning, in invocations of values, and in connection to the life the reader is living and the world she wants to see.” (RS)