Between Islands and Peninsulas

Terremoto‘s blog–Amanda Linares presents Between Islands and Peninsulas at Bakehouse Art Complex.

Artist book Todo Sigue Igual (detail); photo by Pedro Wazzan, 2021
[…] the viewer is taken on their own journey, mirroring the one Linares represents in Between Islands and Peninsulas, an immigrant’s story that transports you over time, space, and destinations.

Linares’ varied use of materials allows her to create works that are simultaneously delicate yet durable. She seeks to capture the contradictions of the human condition through materiality. In the artist books Todo Sigue IgualAgua Salada, and Alternative Realities, she uses seemingly disparate mediums to convey the coexistence of the contradictory emotions and ideas. The artist books, constructed geographies of text and images, evoke the feelings of nostalgia, displacement, and disorientation Linares experienced during her own diaspora.

Laura Novoa

TIS03

TIS03 is twelve books by twelve artists, sold both as a box set and as individual titles.

Sasha Arutyunova / Shelter

Tim Carpenter / A month of Sundays

J Carrier / The Folly

Nelson Chan / Quicksand

Rose Marie Cromwell / Eclipse

Tenzing Dakpa / Dungkhar

Adler Guerrier / Sheltering in, so we can begin again

16cm x 24cm
softcover
48 pages
ISBN 978-1-943146-23-9

Will Matsuda / The Potter Becomes The Pot

Yael Malka / The Views

Andrea Modica / 2020

Aaron Turner / Black Alchemy: if this one thing is true

Carl Wooley / Beforetimes

Space out: Time is Art

Art Factory Project announced their inaugural exhibition, Space out: Time is Art curated by Adriana Herrera.

February 25 – April 30, 2021.

Spaced Out: Time is Art gathers a set of paintings, photographs, collages, sculptures, and other tridimensional works created during the pandemic by twenty artists residing in Miami and four guests from different cities of the continent of America: Buenos Aires, Santiago de Chile, Salvador, and New York. The dialog between multiple visions that configure different exit doors, further stresses the point that it is not only possible but also necessary to counter the freedom of artistic imagination to the current oppressive atmosphere. 

The inquiry into the practices developed during 2020, the year in which the world was unexpectedly transformed, and we crossed, as never before, the threshold of post-truth, has led me to witness the “zeitgeist” or the spirit of the times: a good part of the collected works reiterates creative models and cultural visions that specifically respond to this period. Artistic creation is itself a way of giving time to the tasks of the imagination and, for those who live and work in isolated studios, the restrictions of the pandemic did not radically alter their routines but rather reaffirmed their dedication to creation. But it is no less true that numerous works emerge or were reoriented towards modes of reflection and transformative response to the challenges of the present. There is, for instance, a reiterated coincidence in the perceived fragility of the definitions of urban space, as much as a reaffirmation of our own subjective and sensitive presence through means of gestures; and without a doubt, a renewed awareness of the urgency of directing our gaze —and our steps— towards those animal and plant kingdoms being displaced by our voraciousness and our speed. 
 

Adriana Herrera, Curator.

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There’s something very healing about taking what is inside and bringing it to the outside. All forms of art and ritual can do that. It gives us an opportunity to see, to know, and to be in relationship with what is inside, whether it be our organs, our intentions, or our feelings. The process of finding form is healing in and of itself.

Janine Antoni via BOMB #154.