Herzog & de Meuron ( via Critical Miami)
Now we’ll start making our specific architectural demands. First, we need to define the functions and programme for this new building.
You've got to dig to dig it, you dig?
Herzog & de Meuron ( via Critical Miami)
Now we’ll start making our specific architectural demands. First, we need to define the functions and programme for this new building.
The Herald reported on recent development of the MAM‘s moves toward a new building. The Board of Trustees and Terence Riley went on a world tour studying museum buildings, taking notes on architects and creating their own short list. Because the Board is putting up the money to hire and pay the main architect, they will forgo a competition and they will simply hire one.
And so,
On Sept. 14, Riley plans to present the finalists’ names — and his single preferred choice — to a three-person selection panel. Panelists will debate, hear public comment and vote in an open session at the museum’s current downtown home.
At the selection meeting, Riley will discuss each finalist’s work ”and then explain in a convincing fashion hopefully to the public and the board why one particular candidate stands out in my mind,” he said. Riley said he has not settled on that name.
Once an architect is selected, Riley said he expects work to start ”the next day.” A conceptual design could be done in six months, with a final plan due in 2008.
This is potentially good. I hope the room will be packed with those who want to voice their opinions. There will be a building at Bicentennial and it will be built for a greater art-viewing public. My concerns are that we get a big ugly white elephant. I think this is an opportunity to erect a great civic building. Not a private and exclusive place, like a sport stadium or a condo or a club, but a truly public place, a place for the mass, a place for us all.

A magazine/journal (a bit more than a blog) based in Atlanta founded by Cinqué Hicks. It “highlights black artists and other visual creatives from around the world who push boundaries and push buttons.”
The feature article by Greg Tate is about Wangechi Mutu.
I really enjoy reading or listening to a good review. The works of critics like John Powers, Bob Mondello, Jerry Saltz, Micheal Kimmelman, Maurren Corrigan, A.O. Scott and Elvis Mitchell are very enjoyable. All of these critics ‘writings avoid five-star-systems and references to Caesar’s thumbs. At their best, the critiqued works are presented, taken apart, its inwards spread about; the works (film, art, music or literature) are seen as a whole, and seen within its discipline and against or as part of greater culture.
A.O. Scott’s review of Miami Vice is a good example. He referenced some plot details (Tubbs and Crokett are deep under cover), set locations (Miami, Haiti, Paraguay, The Dominican Republic standing in for Cuba), Michael Mann’s manly characters (Al Pacino in Heat, Tom Cruise in Collateral Damage; he doesn’t really write of their style), Mann’s usage of music and pyrotechnics as Wagnerian, some abstract sequences in the manner of Stan Brakhage, and Colin Farrell’s lack of presence in the movie.



There have been quite a few discussions, around here, about this exhibition; mainly revolving about the show’s art historical lineage. I beleive that will be the structure of the discussion at Locust Projects. There are some pictures here and blurb here.
Something features the works of Leyden Rodriguez-Casanova, Nortberto Rodriguez, Tom Scicluna and Frances Trombly.

LOCUST PROJECTS PRESENTS
TALK ABOUT SOMETHING
A PANEL DISCUSSION ABOUT SOMETHING
PANEL PARTICIPANTS INCLUDE:
PETER BOSWELL
LEYDEN RODRIGUEZ-CASANOVA
NORBERTO RODRIGUEZ
TOM SCICLUNA
MODERATED BY:
KATHLEEN HUDSPETH
FRIDAY, JULY 28TH, 2006
FROM 7:00 TO 9:00 PM
LOCUST PROJECTS
105 NW 23RD STREET
MIAMI, FLORIDA 33127
305.576.8570
WWW.LOCUSTPROJECTS.ORG
There will be about nine art fairs in Miami, this December.
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How should one buy a piano? I know we will for sure.

95 theses of Geek Activisism. (via)
Kehinde Wiley on YouTube.com. It was originally aired a couple months ago. (via)