Something at LP

There have been quite a few discussions, around here, about this exhibition; mainly revolving about the show’s art historical lineage. I beleive that will be the structure of the discussion at Locust Projects.  There are some pictures here and blurb here.
Something features the works of Leyden Rodriguez-Casanova, Nortberto Rodriguez, Tom Scicluna and Frances Trombly.

Something

LOCUST PROJECTS PRESENTS

TALK ABOUT SOMETHING
A PANEL DISCUSSION ABOUT SOMETHING

PANEL PARTICIPANTS INCLUDE:
PETER BOSWELL
LEYDEN RODRIGUEZ-CASANOVA
NORBERTO RODRIGUEZ
TOM SCICLUNA

MODERATED BY:
KATHLEEN HUDSPETH

FRIDAY, JULY 28TH, 2006
FROM 7:00 TO 9:00 PM

LOCUST PROJECTS
105 NW 23RD STREET
MIAMI, FLORIDA 33127
305.576.8570
WWW.LOCUSTPROJECTS.ORG

atget

I stumbled upon a book discussing Eugene Atget and his photographs, at the library. The Miami Beach regional branch of the library is very nice. Many of the books on the shelf are still new.

Atget’s photographs of Parisian street scenes are very intriguing. Apparently, they are his most ‘famous’ images. Atget seem to have capture the city’s stillness and poise; the moment before the city is fully awake and engaged. I can image his routine which would lead him and his camera on a sineous path throughout Paris; chasing the light, attuned to the moment and poise to capture the next shot.

Here are two images, probably shot the same day( at least the same year, 1924). The websites that I snatched these images from are calling the building in the background “the parthenon.”

eugeune atget pariseugeune atget paris 1924

Correction: I misidentified the building in the imgaes as the ‘parthenon,’ it’s clearly identified as the ‘pantheon’. My architectural education didn’t thoroughly cover France of the 18th century; though, it did introduced me the works of Boullee, Ledoux and Lequec. Pantheon to me refers to a Roman temple, but it makes total sense that in the Neoclassical period that a building partly modelled on the Roman Pantheon would be designed and build in Paris. It pretty much functionned as a temple of great men of France–serving as a burial place to Voltaire, Rousseau, Hugo, Dumas and the Curies(Marie being the first woman buried there).

a stage for one

I was really moved when I first saw Gean Moreno‘s Black Zodiac, currently at The Moore Space ,as part as, of Hanging by a Thread. I did not noticed the piece during the night of the opening. It must have been because the place was packed and many gallery-goers used the piece as an impromptu bench. I will talk more about hanging by Thread in my next post.

Black Zodiac struck me as an stage/altar piece dedicated to punk. The installation could function as a stage for one to play a very dark, gritty, and underground–that is un-pop, brand of music. And simultaneously, it exists as a quiet (aurally) altar, installed in a basement or garage, inexhibiting the renmants and fetishes of an era.

Black Zodiac by Gean Moreno at The Moore Space

Black Zodiac by Gean Moreno at The Moore Space

Black Zodiac by Gean Moreno at The Moore Space

I can’t resist to say that I want this installation to be a less clean and be lit diffirently and to smell of beer and sweat.