112-0127, a delight

112-0127

On Being with Krista Tippett, Ross Gay, On the Insistence of Joy (Original Air Date : July 25, 2019)

Tippett: Well, what also strikes me when you write about the garden is public space is also something you care about, you go around looking for, thinking about. I share that with you. And it strikes me that the gardening flows into that in interesting ways, because it’s also when you write about it — here’s a place where you’re writing about that it’s such a study in the interrelationship of things, and how if you put something here, it might not happen, and if you put it near this, it might not happen; but if you put these two things together — so there’s this kind of — there’s this real rigor and sophistication that goes into it. And then there’s also so much unexpected that happens.

Gay: Totally. And actually, when you said that, it made me think too, talk about public space, that — it’s also a thing that the orchard, you can always walk into the orchard. I want to say that because so much space becomes private these days — that to have a space that you can just go there, you just go there, no just go there — it’s a big deal.

Tippett: Well, just how the garden, the complexity — well, it is. It’s a little microcosm of wholeness and the complexity of wholeness and the interrelationship of things.

Gay: Yeah. Totally, right. And you’re constantly imagining, “Well, what if this was here? And what if this was here? And what if —” I’m always trying to think of ways to interact with bugs, say, that eat my plants, and “What if we had these things here? What if we invited these things into the garden?”

[…]

Tippett: I wanted to talk to you about justice and how you grapple with that reality, that aspiration, that concept. And there has been an evolution of that. You have brought together the idea of longing for justice and working for justice with also exalting the beautiful and tending to what one loves, as much as what one must fight.

Gay: Tending to what one loves feels like the crux. Yeah, I’m very confused about justice, I think. I feel like the way we think of justice is absolutely inadequate, often. Often. Not everyone. I am curious about a notion of justice that is in the process of exalting what it loves.

Tippett: So here’s something you wrote somewhere. You said, “I often think the gap in our speaking about and for justice, or working for justice, is that we forget to advocate for what we love, for what we find beautiful and necessary. We are good at fighting, but imagining, and holding in one’s imagination what is wonderful and to be adored and preserved and exalted is harder for us, it seems.”

Elswhere

TEXTE ZUR KUNST Issue No. 138 / June 2025 “Exhibition Politics”

195 CALL AND RESPONSE / Cecilia Bien on Christine Sun Kim at the Whitney Museum of American Art, New York (ACCESS RIDER Christine Sun Kim – Herunterladen via secession)

201 THE EXHIBITION IS ELSEWHERE / Barbara Reisinger on Park McArthur at mumok, Vienna, and Museum Abteiberg, Mönchengladbach


1100618~2.jpg

Three Years of Wonder - the James Webb Space Telescope Infographic
It’s been three years since we released our first science images, here’s a recap of the last three years of wonder!
Credit: NASA/Julia Shepherd

AG2025_1056101b or to have everything

AG2025_1056101b

Joan Didion, “Self-respect: Its Source, Its Power,” first published in Vogue, 1961.

people with self-respect have the courage of their mistakes. They know the price of things.

character—the willingness to accept responsibility for one’s own life—is the source from which self-respect springs.

To have that sense of one’s intrinsic worth which, for better or for worse, constitutes self-respect, is potentially to have everything: the ability to discriminate, to love and to remain indifferent. To lack it is to be locked within oneself, paradoxically incapable of either love or indifference. If we do not respect ourselves, we are on the one hand forced to despise those who have so few resources as to consort with us, so little perception as to remain blind to our fatal weaknesses. On the other, we are peculiarly in thrall to everyone we see, curiously determined to live out—since our self-image is untenable—their false notions of us. We flatter ourselves by thinking this compulsion to please others an attractive trait: a gift for imaginative empathy, evidence of our willingness to give.


One throbbing pulse is shaking
    All Nature’s mighty frame,— 
The child its toys retaking,
    The ember’d grate its flame; 
Love, and folly, and madness,
    Petty aims, and grand, 
And fame, and hope, and gladness—
    To each one what he plann’d.

Still, whether loving or sighing,
    In the bridal garb or pall, 
We’re only drifting, flying
    To the final goal of all: 
We all seek what is ours,—
    A lad the joys of youth, 
A bee the daintiest flowers,
    Whilst I am seeking truth!

Truth, Victor Hugo

AG2025_DSF6669a or des regards noirs

AG2025_DSF6669a

Paris Noir, podcast.

Parisian syncretism – Art critic and curator Franck Hermann Ekra discusses the multiple influences of Cote d’Ivoire artist Ouattara Watts and his painting Divination, exhibited here.

A new Black Paris map – Haitian photographer Henry Roy presents the context of Regards noirs (Black Looks), a series of photographs taken in 1996.


Visite de l’exposition Paris noir avec Alicia Knock et Éva Barois de Caevel. 15min 13s. Centre Pompidou, Paris.


Haiti Inter documents performance on the last day of the show.