Author: dig

  • Rita Dove reading her poems in the Montpelier Room, May 4, 1995

    Dove, Rita, Gertrude Clarke Whittall Poetry And Literature Fund, and Archive Of Recorded Poetry And Literature. Rita Dove reading her poems in the Montpelier Room, May 4. 1995. Audio. Retrieved from the Library of Congress, <www.loc.gov/item/95770167/>.

    Contents :

    From Mother love : Heroes ; Persephone, falling ; The narcissus flower ; Statistic : the witness ; Mother Love ; Breakfast of champions ; Persehpone in hell (section I) ; Wiederkehr ; The Bistro Styx ; Demeter mourning ; Exit ; Afield ; Lost brilliance ; Demeter, waiting ; Lamentations ; Used ; Missing ; Demeter’s prayer to Hades ; Her island — Evening primrose — Incarnation in Phoenix — The first book — Vacation.


    Heroes

    A flower in a weedy field
    make it a poppy. You pick it.
    Because it begins to wilt

    you run to the nearest house
    to ask for a jar of water.
    The woman on the porch starts

    screaming: you’ve picked the last poppy
    in her miserable garden, the one
    that gives her the strength every morning

    to rise! It’s too late for apologies
    though you go through the motions, offering
    trinkets and a juicy spot in the written history

    she wouldn’t live to read, anyway
    So you strike her, she hits
    her head on a white boulder,

    and there’s nothing to be done
    but break the stone into gravel
    to prop up the flower in the stolen jar

    you have to take along,
    because you’re a fugitive now
    and you can’t leave clues.

    Although the story’s starting to unravel,
    the villagers stirring as your heart
    pounds into your throat. O why

    did you pick that idiot flower?
    Because it was the last one
    and you knew

    it was going to die.



    Related : Louise Glück’s Persephone the Wanderer

  • San Antonio African American Community Archive & Museum (SAAACAM)

    SAAACAM opened its new exhibit space at La Villita, with exhibits Their Contribution Our Legacy and SNAP (on Eugene Coleman and his civic works). San Antonio Magazine. San Antonio Heron. SA Express-News (2019).

  • Creeping in Texas

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    Pink evening primrose, Oenothera speciosa, via Texas Highways.

    Found in a lot in Houston.

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    Habitat: Roadsides, […], prairie, disturbed ground, at generally low elevations.

    Habit/Form: creeping, erect, spreading


    East Texas by Kenneth Porter (Poetry (September 1943)) describes a leg of my trip, in reverse.


    EVENING PRIMROSE
    Poetically speaking, growing up is mediocrity.
    – NED ROREM

    Neither rosy nor prim,
    not cousin to the cowslip
    nor the extravagant fuchsia,
    I doubt anyone has ever
    picked one for show,
    though the woods must be fringed
    with their lemony effusions.

    Sun blathers its baronial
    endorsement, but they refuse
    to join the ranks. Summer
    brings them in armfuls,
    yet, when the day is large,
    you won’t see them fluttering
    the length of the road.

    They’ll wait until the world’s
    tucked in and the sky’s
    one ceaseless shimmer – then
    lift their saturated eyelids
    and blaze, blaze
    all night long
    for no one.

    Rita Dove (via UVA)
  • Between Islands and Peninsulas

    Terremoto‘s blog–Amanda Linares presents Between Islands and Peninsulas at Bakehouse Art Complex.

    Artist book Todo Sigue Igual (detail); photo by Pedro Wazzan, 2021

    […] the viewer is taken on their own journey, mirroring the one Linares represents in Between Islands and Peninsulas, an immigrant’s story that transports you over time, space, and destinations.

    Linares’ varied use of materials allows her to create works that are simultaneously delicate yet durable. She seeks to capture the contradictions of the human condition through materiality. In the artist books Todo Sigue Igual, Agua Salada, and Alternative Realities, she uses seemingly disparate mediums to convey the coexistence of the contradictory emotions and ideas. The artist books, constructed geographies of text and images, evoke the feelings of nostalgia, displacement, and disorientation Linares experienced during her own diaspora.

    Laura Novoa