AG2023_1033871a or in that game is all

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“the glory of the garden” (RS)


Legna Rodríguez Iglesias, Fácil, via theverseverse

EASY

You touch a woman
and she trembles
you spit her out and she comes out
covered in saliva
you can destroy
a woman
how do you destroy her?
easy
touch her
spit her out
touch her
spit her out
between one thing and another
tell her that all of a sudden
you have begun to love her
that simply
you just love her
and that’s it
finally touch her
and spit her out.

Also, An Interview with Legna Rodríguez Iglesias about Her Book My Favorite Girlfriend was a French Bulldog by Amanda Uhle (2020). “… I cannot conceive a piece without laughter or play. In that laugh and in that game is all the sadness, all the restlessness, all the anguish in the world.”

Founded in 1878, Translated by Serafina Vick.

Rum produced and matured in Cuba
is pleasing to the throat
of the man produced and matured in Cuba
the label of authenticity
that they put on the bottles
has a woman with a sword
and a lovely dress
that seduces men and women
white rum or dark rum
is pleasing to the throat
of the white man or the dark man
but the knot in the throat
no one can get rid of.

AG2023_1033761a or words submerged in reveries

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… A good day, then;
the voice as fresh as I remember.
I close my eyes to savor it

[…]

No wonder Orpheus, when he heard
the voice he’d played his lyre for

in the only season of his life that mattered,
could not believe she was anything
but who she’d always been to him, for him. . . .

Eurydice, Turning written by Rita Dove (Playlist for the Apocalypse); On Being 041122, read by Pádraig Ó Tuama.

“This, I think, is one of the intelligences of this poem, which is to find a way to allow yourself to change and, perhaps, to look for the stories that will support that.” Pádraig Ó Tuama.

Maya Rossana Cú Choc, Poesía De Lo Propio, 2005(?)

Nací mujer
predestinada
al llanto

                        desde siempre
                        bebí palabras
                        sumergidas en sueños

en mis dos países
hubo muros que
aún quiero derribar

                        -botar piedras de siglos
                        no es fácil
                        para cuatro niñas
                        de cinco años –

en mis dos países
aprendía a amar
a las de mi piel

                        de mi voz
                        de mi cuerpo
                        de mis lenguas

nunca encontré
mi camino
lo sigo buscando
                        nací mujer
                        nací sola
                        crecí sola
                                    sigo
                                                  sola


bebí palabras sumergidas en sueños — I drank words submerged in dreams

en mis dos países hubo muros que aún quiero derribar — in my two countries there were walls that I still want to tear down

Poem via wp and 23 Bienal de Arte Paiz (13-30 July 2023, Francine Birbragher-Rozencwaig and Juan Canela, curators).

AG2023_1033826a or quetzal

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Heterotopias, place that opens behind the surface, holds an over-there-ness, represent a “reservoir of imagination” (MF). Within the fold. A garden as a microcosmic world build out of the juxtaposition or arrangement of elements. Place with temporal shifts and/or fragments. A cruise ship. An airport.


n54_w1150
FIGURE 49
Plate: Calurus resplendens
Accepted: Pharomachrus mocinno
Common: Resplendent Quetzal

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L’imaginaire de mon lieu est relié à la réalité imaginable des lieux du monde, et tout inversement. L’archipel est cette réalité source, non pas unique, d’où sont sécrétés ces imaginaires : le schème de l’appartenance et de la relation, en même temps.

Glissant, Édouard, Philosophie de la Relation, Paris, Gallimard, 2009.

“the imaginary of my place is related to the imaginable reality in all places …”


Releted(?) : heterotopias–“In Of Other Spaces Foucault coined the term “heterotopias” to signify “all the other real sites that can be found within the culture” which “are simultaneously represented, contested, and inverted.” For Foucault, heterotopic spaces were first of all spaces of crisis, or transformative spaces …”

Conclusio and Marche

Nicholas Britell, Song of Hal: Conclusio in C Minor, The King, 2019.

Nicholas Britell, Marche – Agincourt, The King, 2019.


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“The order that matters most is not spatial but temporal […] time itself as patterns, recurrences, the rhythmic passage of days, […] lunar cycles and the tides, birth and death” (RS)

Shine your light for the world to see

January 19, 2023, Joey Bada$$ covers Yasiin Bey’s ‘UMI Says.’

Umi said shine your light on the world
Shine your light for the world to see

[…]

I want black people to be free, to be free, to be free
All my people to be free, to be free, to be free
All black people to be free, to be free, to be free



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