National coverage on NPR.
Filtered through faux-pines, pre-eclipsed.
Stuart Davis (1892–1964) was an American.
The exhibition is unusual in its focus on Davis’s mature career and on his working method of using preexisting motifs as springboards for new compositions. From 1939 on, Davis rarely painted a work that did not make reference, however hidden, to one or more of his earlier compositions. Such “appropriation” is a distinctive aspect of his mature art.
Egg Beater No. 2, 1928, oil on canvas, Amon Carter Museum of American Art, Fort Worth. © Estate of Stuart Davis/Licensed by VAGA, New York, NY
Whitney audio on Egg Beater 4.
House and Street, 1931, oil on canvas, Whitney Museum of American Art, New York, Purchase. © Estate of Stuart Davis/Licensed by VAGA, New York, NY
W audio on House and Street.
Voyelle, Chapter 26, 2013
Silkscreen ink, gesso on wood, and wooden shelf
32 3/8 x 32 3/8 x 7 inches (82.2 x 82.2 x 17.8 cm)
Yellow Poinciana via USF Herbarium
Malcolm X, December 1964.
A private exhibition and silent auction of curated protest signs from local artists to benefit the ACLU of Florida.
August 11, 2017, The Standard, Miami Beach.
Cristina Gonzalez & Books Bischof
Extra Virgin Press, in its first community based project, has asked Miami artists and writers to offer views on our common home in the form of literary broadsheets.
Exhibition at the Laundromat Art Space opens on Saturday, August 19, 2017 from 6 to 10 PM through Sunday, August 20, 2017, located at 5900 NE 2nd Avenue Miami, Florida 33137.
Exhibition of Home/s Portfolio continues at Extra Virgin Press from September 1 through October 31, 2017, located at the Emerson Dorsch Building, 5900 NW 2nd Avenue Miami, Florida 33137.