Galerie Monnin at Atlantic ArtHouse-The Open Boat, December 7-10, 2023, Villa Paula, 5811 N Miami Avenue, Miami.
“La compréhension …”
.
Jean-Louis Senatus
AG2023_1077843a or will love its darkness still
“… is everywhere
forming invisible haloes around everything”
Alicia Ostriker.
“… shine as it will, The world will love its darkness still.”
Richard Crashaw
AG2023_1077909a or sumptuous scents of brevity
“Dark like an armpit, bloody like a heart”
Joyce Mansour. Translated by Emilie Moorhouse
“… dampen with the sumptuous scents
of time, of brevities . . . and I have sung of
festive tendencies turned upside down.
But can’t you do something about death,
Lord, about limits, about all that ends?
César Vallejo. Translated from the Spanish by Yvette Siegert.
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“… the absence
I won’t imagine—the dark keeps going
without time so it can’t hold words”
Jennifer Kronovet
Jacqueline Utley
Jacqueline Utley, Flowers Looking Care, 2021. Oil on linen. 40 x 30 cm, 15 3/4 x 11 3/4 in. via Niru Ratnam at Untitled Miami.
Oil on linen
35 x 25 cm
Oil on linen
30 x 22 cm
Think of those flowers that you plant, Ashish Avikunthak, Emma Cousin, Milly Thompson, Jacqueline Utley, 5 July – 12 August 2023.
IMG_20231204_122157_HDR
“somewhere deeper, past language, it was marked.”
“a dignity hard won: a dignity in need of constant vigilance and protection.’ (ZS)
“not places at all but abstractions” (JD)
Sallisa Rosa, Topografia da Memória
A Gentil Carioca is pleased to announce Topografia da Memória, an installation by Sallisa Rosa commissioned by Audemars Piguet Contemporary, curated by Denis Pernet and Thiago de Paula Souza. The work explores the theme of memory and is made up of more than 100 ceramic pieces handmade from collected clay, arranged in such a way as to create an environment for visitors to explore.
Topography of Memory will be on display until December 17, 2023 at the Collins Park Rotunda. In 2024, the work will be presented in Brazil, where it will be exhibited at the Pinacoteca de São Paulo between March 16 and July 28.
Topography of Memory.
Yonamine, Galerie Michael Janssen
Yonamine, It‘s expensive to be poor, 2022, Mixed Media and silkscreen on canvas, 200 x 180 cm.
Source: Galerie Michael Janssen
PARLA_MUTE, PR text by Jose Falconi–“… prepare yourself to contemplate (and enjoy) the critical difference that separates iteration from repetition because YONAMINE will stage a show on such a gap. When you get to the show don’t mind the gap: he inhabits it, it is his favorite place, his most fertile locus”