In 2008, Newman Popiashvili Gallery presented Blck, Red & Tang.
wanders a never fixed nor dormant landscape opens soon.
You've got to dig to dig it, you dig?
In 2008, Newman Popiashvili Gallery presented Blck, Red & Tang.
wanders a never fixed nor dormant landscape opens soon.
Confluent inchoate figures marshal some fixity or rather a persistency within the formless.
New York Martinis. Tempting!
I seek for rhythmic whisperings
Where noises bandy—
For life I listen wistfully
In footless banter.
I cast wide nets and tentative
In lakes of sorrow.
I go toward final tenderness
By pathways sordid.
I look for dewdrops glistering
In falsehood’s gardens.
I save truth’s globules glistening,
From dust-heaps garnered.
I fain would fathom fortitude
Through years of wormwood—
And pierce the mortal fortalice,
Yet live, a worldling.
My cup, through ways impassable,
To bear, untainted;
By tenebrous bleak passages
To joy attaining.
Zinaida Gippius, translated by Babette Deutsch and Avrahm Yarmolinsky
What must be valued
I’m learning,
in clarity and in error,
are spaces
where
feelings are held.
Spaces, Jenny Johnson
The Haiti That Still Dreams. The country is being defined by disaster. What would it mean to tell a new story? By Edwidge Danticat. New Yorker, April 23, 202
“Nou se wozo / Menm si nou pliye, nou pap kase.” Even if we bend, we will not break.
Those in the show, beginning in 1954, are flurries of impulsive line in pencil, crayon, or paint—sometimes mostly erased or overlapped with white house paint—which seem barbarically formless, yet are perversely graced with sensitive touch and texture. Like Zen koans, these drawings not only defy comprehension but stop it dead.
[…]Twombly’s best works are permanently embroiled in the present tense of their making; they would be just as fresh if created today or tomorrow.
Peter Schjeldahl, Drawing Lines, 2005
Mary Jacobus, Tate Papers Autumn 2008.
Target the Sun, Ramin Djawadi, 3 Body Problem (Soundtrack from the Netflix Series).
when a gaze picks out
the shape of a deer
from the surrounding moor
it is as if something
within the deer
an embarrassment of content
had risen to the surface
[…]
Flight Across the Heather, Thomas A. Clark
For the sword outwears its sheath,
And the soul wears out the breast,
And the heart must pause to breathe,
And love itself have rest.
So We’ll Go No More a Roving, Byron