Cada sonido es una forma del tiempo

Glenda León
La Lluvia
The Rain

2015
Monotipo, crayón y foto-grabado sobre papel Bunkoshi 60 g
Monothype, crayon and photo gravure on Bunkoshi paper 60 g


Every sound is a shape of time: selections from PAMM’s Collection is organized by PAMM Director Franklin Sirmans with PAMM Curatorial Assistant Fabiana A. Sotillo.
Participating artists include Abraham Cruzvillegas, Alfredo Jaar, Ellsworth Kelly, Glenda León, Helen
Frankenthaler, Jennie C. Jones, Jules Olitski, Julie Mehretu, Lawrence Weiner, Luis Camnitzer,
Lydia Okumura, Mark Bradford, Morris Louis, Nicole Cherubini, Richard Serra, Richard Dupont,
and Robert Morris.


Bienvenu Steinberg & C, May 26 – July 15, 2022.

in the way we are all supposed to think but almost no one does

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Mountains

2023 | USA | 95 mins | Haitian Creole, English, Spanish
Directed by Monica Sorelle
Written by Monica Sorelle & Robert Colom
Produced by Robert Colom, p.g.a.
Co-Produced by Tristan Scott-Behrends


Fredric Jameson in Critical Inquiry:

The Symbolic Inference; Or, Kenneth Burke and Ideological Analysis” (1978)

Ideology and Symbolic Action” (1978)

On Magic Realism in Film” (1986)

Culture and Finance Capital” (1997)

The Theoretical Hesitation: Benjamin’s Sociological Predecessor” (1999)

The End of Temporality” (2003)

Symptoms of Theory or Symptoms for Theory?” (2004)

History and Elegy in Sokurov” (2006)

The Square Peg in the Round Hole or the History of Spaceflight” (2008)

How Not to Historicize Theory” (2008)

Schematizations, or How to Draw a Thought” (2023)

Source: The Years of Jameson | In the Moment


Jameson wrote 17 pieces for the London Review. ( ‘Jameson thinks dialectically in the strong sense, in the way we are all supposed to think but almost no one does’)

I’m a traveler to all parts, And a newcomer to none

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Yo vengo de todas partes, y hacia todas partes voy, Amanda Linares, Piero Atchugarry, September 21 – November 2, 2024. Curated by Laura Novoa.

Yo soy un hombre sincero
De donde crece la palma,
Y antes de morirme quiero
Echar mis versos del alma.

Yo vengo de todas partes,
Y hacia todas partes voy:
Arte soy entre las artes,
En los montes, monte soy.

Yo sé los nombres extraños
De las yerbas y las flores,
Y de mortales engaños,
Y de sublimes dolores.

Yo he visto en la noche oscura
Llover sobre mi cabeza
Los rayos de lumbre pura
De la divina belleza.

[…]

A sincere man am I
From the land where palm trees grow,
And I want before I die
My soul’s verses to bestow.

I’m a traveller to all parts,
And a newcomer to none:
I am art among the arts,
With the mountains I am one.

I know how to name and class
All the strange flowers that grow;
I know every blade of grass,
Fatal lie and sublime woe.

I have seen through dead of night
Upon my head softly fall,
Rays formed of the purest light
From beauty celestial.

[…]Yo soy un hombre sincero, Jose Marti, translated by Manuel A. Tellechea


Also, at Piero Atchugarry, Women at Large, Nathalie Alfonso, Maria Theresa Barbist, Carolina Cueva, Carol Jazzar, Charo Oquet, Luna Palazzolo-Daboul, Chire Reagans, Carol Todaro, Denise Treizman. Curated by Dainy Tapia.

At Fundación Pablo Atchugarry, The55Project presents Tex(T), by André Azevedo, curated by Jennifer Inacio.

AG2024AG2024_imgscan20240920_23334596a or recognize and adore

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it would be that
but only if I knew how

    again

[…]

that one

      where something oddly music

            will pass through your

          night

                  and it will be me

             sweet me

AN

Also, (The Goddess Who Created This Passing World) via AN

[…] was I

Meant by her to recognize a painting

As beautiful or a movie stunning

And to adore the finitude of words

And understand as surfaces my dreams

Know the eye the organ of affection

And depths

– Alice Notley

And says it supremely well

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Shot in 2017(?), developed and scanned recently; AG2024AG2024_imgscan20240919_21194492a.

She is both detached and human, silent till she wants to say something, and then says it supremely well.

Vita Sackville-West, Virginia Woolf.

It seems like you could, but
you can’t go back and pull
the roots and runners and replant.
It’s all too deep for that.
You’ve overprized intention,
have mistaken any bent you’re given
for control. You thought you chose
the bean and chose the soil.
You even thought you abandoned
one or two gardens. But those things
keep growing where we put them—
if we put them at all.
A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,
twisting back down its upward course
a strong and then a stronger rope,
the greenest saddest strongest
kind of hope.

A certain kind of Eden, Kay Ryan

Cover virtually everything

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Adam Shatz, in LRB, the pager attack and Israel’s forever war.

Since 7 October, the Biden administration has given Israel virtually everything it has asked for, from F-15 fighter aircraft and white phosphorous bombs to diplomatic cover at the United Nations. Joe Biden and Antony Blinken have underwritten the destruction of Gaza

[…]

Let’s imagine a militant organisation, such as Hizbullah, had carried out a similar attack in Israel, detonating explosives in the phones of soldiers and reservists, and murdering Israeli children. The Americans would not have waited to ‘gather the facts’ before denouncing the attack. The response of much of the Western press has been striking, too, full of fascination for Mossad’s cloak-and-dagger ingenuity. What you won’t see in these accounts is the word ‘terrorism’, which is as taboo as the word ‘genocide’ when the perpetrator is Israel.

[…]

Israel hasn’t taken official responsibility for the attacks, but it is gloating. The short-term success can hardly be denied. The pager attacks have put Hizbullah and Iran on the defensive. They have distracted attention from the horrors Israel continues to visit on Gaza and the West Bank, from the obscenity of Sde Teiman, a torture and rape centre in the Negev where dozens of prisoners from Gaza have been murdered, and from the hostage ordeal, the biggest threat to Netanyahu’s premiership.


Terrorizing Haitians will not help you. (NPR) We have been threaten, subjugated to violence, lied to and about, mistreated, poorly served, mocked, derided, and yet, we are. We know love, community, and freedom.

Zadie Smith on The Ezra Klein Show

There’s the modification of the self but also the modification of the way you see others. One reason I’ve left a lot of platforms is I realized they were changing how I felt about other people. I was being exposed to parts of them that I didn’t like.

I think it’s important to be a bit more forgiving when they’re being those people online. I see that too — people I love, I see them online, and I’m like, who are you? This is not the same person I hang out with. This is a different person. But it’s really important to take the responsibility and the blame off individuals. It’s a behavior modification system. It’s meant to do that. It’s really well designed. People aren’t terrible. The system is terrible. You want to lift that off people, that sense of guilt or shame, and make it more about anger — anger toward the people who created this.

In an older essay about the film “The Social Network,” you wrote: “I am dreaming of a Web that caters to a kind of person who no longer exists. A private person, a person who is a mystery, to the world and — which is more important — to herself.” That really connected for me, that idea of mystery as something we actually might want to cultivate. I’m curious to hear you unpack that word — not just what is unknown, but what space is offered by mystery.

Technologies aren’t neutral. They are a philosophy and an ideology. The technology of these algorithms is the idea that everything in the world can get classified. And that’s not just a practical matter. That’s a philosophy — that there’s nothing in the world that cannot be organized, classified and labeled. And I just don’t believe that. But I also still dream of a peer-to-peer internet. And there are interesting clues as to the parts of the internet which are genuinely joyful and fantastic, of how we might go forward.

This episode (podcast) …

Mentioned:

Feel Free by Zadie Smith

“Fascinated to Presume: In Defense of Fiction” by Zadie Smith

Amusing Ourselves to Death by Neil Postman

“Generation Why?” by Zadie Smith

Book Recommendations:

The Director by Daniel Kehlmann

The Rebel’s Clinic by Adam Shatz

The Diaries of Virginia Woolf

You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.