Dig

  • Natsuko Zanma

    Infinity, exhibition and book by Natsuko Zanma, at Poetic Scape, 3 June – 16 July, 2023.

    For many years, Zanma has been producing photographic works, mainly with plants as her subjects. The photographs are repeatedly taken in places she has photographed many times in the past, such as her own garden or a botanical park she has visited for nearly 20 years. However, Zanma says that the locations are not always the same, as the season, time of day and her own state of mind changes.

    “I don’t know why, but the place in front of me is good enough , I don’t need other places”.?from her own notes on her work, same for the rest of quotations?

    Zanma was deeply moved when a friend told her about Giorgio Morandi, a painter who spent his life painting still lifes in his birthplace of Bologna. Instead of visiting different places, Zanma prefers to visit the same place over and over again, and “I want to be deeply involved (with the place), layer by layer”. This attitude has not changed since her student days.

    In several of her recent works, plants, which should be the main subject of the work, are placed on the periphery rather than at the centre of the work. Zanma says that what is visible to her has neither a main subject nor a background, she feels everything is equivalent.

    “The plants, which are often seen as the main characters, the background, the soil on the ground, the dead grass on top, the grains of the ground that no one pays attention to, the air, the light and my own presence as the photographer, all float in space at the same time and overlap”.

    For the past few years, we have been forced to live with restricted movement. These difficult times are coming to an end and people are returning to their days of hurriedly moving from one place to another. Meanwhile, Zanma has long ago shared a long time with the familiar places. And the moment she is aware of the beauty that slowly becomes visible as her body is accepted by the places, she feels a sense of welcome in the world.

    “What I want to say with photography is that you can choose what you see, and that the possibilities of what you see are endless, and it’s up to you to decide what you want to show yourself.”

    Space Cadet. fb.

  • AG2023_1066443a or shadow, imagination, and freedom

    AG2023_1066443a

    “There is a tree, by day,
    That, at night,
    Has a shadow,
    A hand huge and black,
    With fingers long and black.”

    Angelina Weld Grimké, Tenebris



    https://www.tumblr.com/garadinervi/731900778296573952/ursula-k-le-guin-1989-why-are-americans?source=share
    “To be free after all, is not to be undisciplined. I should say that the discipline of the imagination may in fact be the essential method or technique of both art and science.
    […]
    To discipline something, in the proper sense of the word, does not mean to repress it, but to train it–to encourage it to grow, and act, and be fruitful, whether it is a peach tree or a human mind. “
  • AG2023_1066708a

    AG2023_1066708a

    “Keep stealing, my friends! From life for fiction, and from fiction for life.” (ZS)

  • AG2023_1880845a or we profess to believe

    AG2023_1880845a

    “As long as we profess to believe … these moments of grace” (ZS)

  • IMG_20180829_231747_301b

    AG2023IMG_20180829_231747_301b
    Shot with whatever 2018 phone I had. Miami Beach, near ArtCenter South Florida.

    “… in times like these

    to have you listen at all, it’s necessary

    to talk about trees.”

    Adrienne Rich, What Kind of Times are These

  • foolish in its objectives but never in its choices

    My body, now that we will not be traveling together much longer
    I begin to feel a new tenderness toward you, very raw and unfamiliar,
    like what I remember of love when I was young —

    love that was so often foolish in its objectives
    but never in its choices, its intensities
    Too much demanded in advance, too much that could not be promised —

    As though it were that soul, my hand moves over you cautiously,

    not wishing to give offense
    but eager, finally, to achieve expression as substance:

    it is not the earth I will miss,
    it is you I will miss.

    CROSSROADS by Louise Glück via The Marginalian

  • AG2023_1077767a or still lacking a capacity

    AG2023_1077767a

    “The oceanic feeling for others. She was still beautiful. And still a stranger to vanity, still lacking any capacity for rage.” (ZS)

  • a time to feel the light

    “Before dawn, I buy a coffee at Tom’s Newsstand,

    then sit with your big Petit Larousse, La Fontaine,

    and my ardor. September is a time to feel the light,

    write, scratch out, write, nap, walk, begin again.”

    Henri Cole, 107 Water Street


    AG2023_1066398b
    AG2023_1066398b or a September moment

    lordly lantern

    tall neon doyen

    dear to

    orated tenderly on art or a trend

    learned (Eden Tyndale Lear Eeyore Yoda Erato Leander Leda Troy Dante Donatella Leontyne)

    ornately

    real

    annealed oleander

    lonely eye

    -Derrick Austin, André Leon Talley