Dig

  • AG2025_1178258a is one thing, and nothing

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                  All modesty is false modesty
    when it comes to poems,
                  or to the silence
    in which poems begin
                  before they are words,
    when they are still daisies
                  at the foot of the dead Christ
    in an anonymous painting,
                  13th century. Not to know how to live
    is one thing, and nothing
                  to be ashamed of.
    But not to know
                  how to sit in front of those daisies
    with tears in my eyes:
                  what a waste that would be.

    Not to know how to live, Jim Moore


    A raunchy, spiky take on how poetry can teach us to have better sex, dispensing pleasure and provocation in equal measure.

    “Poetry is sex’s best translator,” writes Anahid Nersessian in this witty, provocative tour through the history of erotic verse. If poetry is uniquely able to capture the intricacies (and indelicacies) of sex, then it stands to reason that it can teach us a thing or two about how to have it better—while also shedding light on the state of our sexual psyches today.

    How to Have Sex in a Poem begins with a startling premise: Sex is everywhere in contemporary poetry, but positive depictions of it are few and far between. It’s critiqued, not celebrated—and while it may be fair to say our sexual lives and politics are often lacking, this only identifies the problem. Nersessian turns to a rich (and often blush-worthy) countertradition of erotic poetry that revels in sex of all kinds —dirty, anonymous, polymorphous—without ignoring its pitfalls. Beginning with a Sumerian priestess’s ecstatic depictions of orgasm, this book introduces us to the work of a Chinese courtesan who flaunts the freedoms of her trade, a Welsh bard who composes odes to her “quim,” and an earl who writes of how “Signior Dildo” took London by storm. It explores how Milton cataloged the sex lives of angels, and shows how Shakespeare’s use of indirection created the template for contemporary love poetry. It also vindicates the work of modern poets like Bernadette Mayer who defiantly ignored the conventions of what sex in verse is supposed to look like. The result is a manual in the form of a polemic, one that shows us how we can read and imagine our way to better sex.

    FSG Originals. ISBN : 9780374616670. On Sale : 02/02/2027

  • Then you hold life … between your palms

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    The Thing Is, Ellen Bass

    to love life, to love it even
    when you have no stomach for it
    and everything you’ve held dear
    crumbles like burnt paper in your hands,
    your throat filled with the silt of it.
    When grief sits with you, its tropical heat
    thickening the air, heavy as water
    more fit for gills than lungs;
    when grief weights you down like your own flesh
    only more of it, an obesity of grief,
    you think, How can a body withstand this?
    Then you hold life like a face
    between your palms, a plain face,
    no charming smile, no violet eyes,
    and you say, yes, I will take you
    I will love you, again.


    “crouched low and smiling”

    Songs (IV), E. E. Cummings

  • AG2026_1222307a or goes out

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    Goes out,

    comes back—

          the love life of a cat.

    [goes out comes back] by Kobayashi Issa, translated by by Robert Hass.


    Mosquito at my ear—

    does he think

          I’m deaf?

    [mosquito at my ear] by Kobayashi Issa, translated by by Robert Hass.


    From Screen to Paper: A Short Story About Why Artmedia Was Born by Gady Alroy.

  • You might as well love

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    The Facts of Life, Pádraig Ó Tuama

    That you were born

    and you will die.

    That you will sometimes love enough

    and sometimes not.

    That you will lie

    if only to yourself.

    That you will get tired.

    That you will learn most from the situations

    you did not choose.

    That there will be some things that move you

    more than you can say.

    That you will live

    that you must be loved.

    That you will avoid questions most urgently in need of

    your attention.

    That you began as the fusion of a sperm and an egg

    of two people who once were strangers

    and may well still be.

    That life isn’t fair.

    That life is sometimes good

    and sometimes even better than good.

    That life is often not so good.

    That life is real

    and if you can survive it, well,

    survive it well

    with love

    and art

    and meaning given

    where meaning’s scarce.

    That you will learn to live with regret.

    That you will learn to live with respect.

    That the structures that constrict you

    may not be permanently constricting.

    That you will probably be okay.

    That you must accept change

    before you die

    but you will die anyway.

    So you might as well live

    and you might as well love.

    You might as well love.

    You might as well love.

    .

    This poem appeared in Sorry For Your Troubles by Pádraig Ó Tuama, published by Canterbury Press Norwich, 2013.

  • AG2026_1233097b or a moral allegiance to the world

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    Sandrine Bergès on philosophy‘s rigid and also porous spheres for public life and the home, via readings of Aristotle, Hierocles, and Musonius Rufus. (aeon)

    Hierocles the Stoic is famous among ancient philosophers for his account of Stoic oikeiôsis – moral development – as a progression through concentric circles starting from the desire for self-preservation to cosmopolitanism. Stoic moral development consists in first making oneself ‘at home’ in one’s body, then we reach out to those in the circles closest to us: parents and siblings, then to those farther from us – our other relatives and neighbours, our countrymen and women – and finally to the whole world. The concentric circles are important because they offer a clear and vivid explanation of what the Stoics mean when they declare that they owe moral allegiance to the entire world.


    Scotland 1 – Haiti 0

    New York Knicks, 2026 NBA Champions.

  • Things huge

    la première introduction en Bourse techno-fasciste de l’histoire

    Le succès de l’introduction en Bourse de l’entreprise spatiale est celui d’un capitalisme irrationnel, destructeur et violent.

    (Mediapart)


    Fearing madness in all things huge
    and their requiring.

    We Manage Most When We Manage Small, Linda Gregg


    In his address (30 January 1981), [CLR] James located Walter’s assassination within the context of the Seizure of Power. (Verso)


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  • AG2026_1222371a or the vision of youthful striving

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    […]

    Before the dawning
              Of my life;
    I was the river
    Forever winding
    To purple dreaming,
    I was the glowing
    Of youthful Springtime,
    I was the singing
    Of golden songbirds,—

    […]

    I was the vision
    Of youthful striving,
    I was the summer,
    I was the autumn,
    I was the All-time—
          I was love.

    Revery, Fenton Johnson


    “The quality of the gift depends on the sincerity of the giver.” (Ann Patchett)

  • Pleasure of the archive



    In the new place which will be also the old place we will save useful things neatly, with backups, but not too many, not too much. Everyone will train in some archives, teaching methods & learning our shared reverence for research which is reverence for knowledge which is reverence for community which is reverence for being which is reverence for this earth & all universes. We will keep kitchen archives & garden archives & comms archives & decisions archives & process archives & experiment archives & we will consult these archives when we need background or inspiration or instruction, or for pleasure, the great pleasure of the archive, the great archive of pleasure; we will call this art, how we spend our days & nights.

    Position Paper #53: National Archivist, Andrea Lawlor.


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