object of importance but little value, too

mel bokner (notes on value)
[NAME]

Saturday, February 8, 5 – 7pm. On view through April 5, 2025

Join us on Saturday, February 8, 2025 from 5 – 7 pm for the opening reception of mel bokner (notes on value), an exhibition featuring over twenty five 8.5 x 11in drawings. All drawings—in disregard of the consensual magic that subtends the external determinates that structure their current value—will be for sale at $250 during the course of the exhibition.

                 Dennis Balk              Kitty Brophy                   Yamel Molerio            

Alyssa Andrews                                   Paul Mullins                          Cynthia Cruz

          Avi Young                    Beatriz Monteavaro              Kevin Arrow                  

Adam Putnam                 Tonel (Antonio Eligio Fernández)             Jennifer Printz                          

               Lucía Aquino                 Sue Montoya                                 Melissa Wallen                      

Rosemarie Chiarlone            Brigette Hoffman           AdrienneRose Gionta        

            Sebastian Restrepo                       Bhakti Baxter                      Tara Long        

     Robert Chambers                 Nicole Doran                                Yerrie Choo  

           Zachary Balber                              Corie Sharples                  Justin H Long

Ryan Foerster               Dona Altemus                               Sarah Viviana Valdez

           Onajide Shabaka                  Clifton Childree                 Adler Guerrier          

     Roxana Barba                      Amanda Keeley               Ken Oliver Mercury    

      Jason Breeden                    Misael Soto                    Maitejosune Urrechaga

Tony Kapel                Donna Torres                 Kayla Delacerda        Tom Scicluna      

       Alisa Pitchenik Charles         Daniel Joseph Martinez                Francisco Masó

 Jillian Mayer                      Mark Handforth                     Genesis Moreno

        Alejandro Valencia                  Sterling Rook                            Regina Jestrow

       Monica Lopez De Victoria                  Manny Prieres               Casey Jargo          

Tom Mickelson           Hannah Buonaguro            Theo Shure                 Kerry Phillips

             Jessica Gispert                 Liduam Pong               Westen Charles      

Brooke Frank                Nickolas Peter Chelyapov               Claudio Marcotulli

        Charles Humes Jr.             Leo Castaneda                          Glexis Novoa  

                           Max Estenger                    Dino Felipe                         Lee Pivnik            

 Mary Griffin                              Karen Rifas                              Sean T Randolph                  


untitled(object of importance but little value, too)ii
untitled (object of importance but little value, too) ii, spray enamel on magazine paper, 12 x 20 inches, 2012

Sweet freedom’s song


Let Negroes smell the breeze
So they can sing with ease
     Sweet freedom’s song
;
Let justice reign supreme,
Let men be what they seem
Break up that lyncher’s screen,
     Lay down all wrong.

The Negro’s “America”, Frank Barbour Coffin


if we stand together there is nothing that we cannot accomplish bottom line let us go forward and fight for a government and an economy that works for all not just a few we simply

Bernie Sanders, 013125

Somewhere, Nowhere

AG202536705398324_aef958504b_oa

go somewhere that exists only in our imaginations—that is, “nowhere”—… utopia

contemporary political spaces where the energies of love and imagination are understood and respected as powerful social forces.

surrealism is … an international revolutionary movement concerned with the emancipation of thought.

battle against all forms of oppression that aims to replace “suspicion, fear and anger with curiosity, adventure and desire”

Freedom Dreams: The Black Radical Imagination, Robin D.G. Kelley


Somewhere better than this place
Nowhere better than this place

Félix González-Torres, 1989-1990.

AG2024_1133372a or build a cheap model

AG2024_1133372a

And from the Journal: “‘It is difficult to know exactly how to make money on AI,’ said Mike Ogborne, founder of Ogborne Capital Management, a hedge-fund firm in San Francisco that oversees a position in Nvidia. ‘This could be the first day of a lot more pain.’” “It is difficult to know exactly how to make money in AI” does seem like an essential aspect of the AI trade; we have talked about OpenAI’s claim that “it may be difficult to know what role money will play in a post-[artificial general intelligence] world,” and also about a venture capital bet that the way to make money on AI is by buying up homeowners’ association management companies. But the actual answer turns out to be “build a cheap AI model and short Nvidia.” —Matt Levine, Bloomberg Opinion Money Stuff.

AG2025_1520719a or free from the private property of the image

AG2025_1520719a

Serious thoughts need different cultivation and time to grow; planted as seeds of living speech in the ground of an appropriate soul, they will take root, ripen, and bear fruit as knowledge in due season

Written texts make available the notion that one knows what one has merely read.

From Plato’s Phaedrus, via Anne Carson’s Eros the bittersweet.


McKenzie Wark (2009): Détournement, Angelaki: Journal of the Theoretical Humanities, 14:1, 145-153

Détournement attacks a kind of fetishism, where

the products of collective human labour in the
cultural realm become mere property. But what is
distinctive about this fetishism is that it does not
rest directly on the status of the thing as a
commodity. It is, rather, a fetishism of memory.
Not so much commodity fetishism as co-memory
fetishism – collective remembrance as fetish. And
what is distinctive about détournement is that it
can restore to the fragment the status of being a
recognisable part of the process of the collective
production of meaning in the present, through
the combination of the détourned fragment into a
new meaningful ensemble
. Détournement frees
the process of creation from the private property
of the image.