” the exotic was better fabricated than discovered”
“the recognition that in their [Matisse, William Morris] respective societies (and it is even more true today) the mere demand for something like happiness is a kind of rebellion. They recognized, too, that art can offer the counterimage of an order in which the material reproduction of life leaves no space or time for those regions we designate as the “beautiful”.” (Kristin Ross, Elsewhere as Pastiche)
