You've got to dig to dig it, you dig?
Miami, Florida
View of an artwork by Vu Hoàng Khánh Nguyên, part of their exhibition How we live like water, on display at Oolite Arts x Walgreens Windows, located on 67th Street and Collins Avenue in Miami Beach.
This artwork was removed in response to a letter that claimed it offensive.
We support Vu Hoàng Khánh Nguyên and stand in solidarity with the poetic aims of their practice.
Update: It is being covered. Miami NewTimes; Miami Herald; Hyperallergic; Diario Libre;
Ceramic League of Miami 74th Juried Exhibition
Museum of Contemporary Art of the Americas.
Kelly and Kyle Phelps, Jurors.
February 9 – 15, 2024
Galerie Monnin at Atlantic ArtHouse-The Open Boat, December 7-10, 2023, Villa Paula, 5811 N Miami Avenue, Miami.
“La compréhension …”
.
“Dark like an armpit, bloody like a heart”
Joyce Mansour. Translated by Emilie Moorhouse
“… dampen with the sumptuous scents
of time, of brevities . . . and I have sung of
festive tendencies turned upside down.
But can’t you do something about death,
Lord, about limits, about all that ends?
César Vallejo. Translated from the Spanish by Yvette Siegert.
A Gentil Carioca is pleased to announce Topografia da Memória, an installation by Sallisa Rosa commissioned by Audemars Piguet Contemporary, curated by Denis Pernet and Thiago de Paula Souza. The work explores the theme of memory and is made up of more than 100 ceramic pieces handmade from collected clay, arranged in such a way as to create an environment for visitors to explore.
Topography of Memory will be on display until December 17, 2023 at the Collins Park Rotunda. In 2024, the work will be presented in Brazil, where it will be exhibited at the Pinacoteca de São Paulo between March 16 and July 28.
Topography of Memory.
Tunnel Projects, a small project room in a basement parking lot in Little Havana, Miami.
El que flores mastica
y flores traga
y por tanto flores come
de varios tipos
y a todas horas
no lo hace pensando
en estar más cerca
de la naturaleza
lo hace pensando
en el vacío interior
el que piensa en el vacío
no lo hace pensando
lo hace sin querer.
Legna Iglesias Rodríguez – “Arrancaba las flores y se las comía / Tearing Out and Eating Flowers” via Adrian Brinkerhoff Poetry Foundation and O, Miami.
