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Category: Miami

Miami, Florida

  • In Public

    Public Art Tour, PortMiami, led by Miami-Dade County Art in Public Places–celebrating 50 years.

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    Dara Friedman
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    Dara Friedman
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    Jamilah Sabur
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    Tomas Saraceno
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    Claudia Comte
    7.18.24_July 25 Port Tour Itinearary and Works_Final

    talked to spend desire,
    worn exhausted from regret.

    Continue our relationship apart
    under surveillance, torture

    In Public, John Wieners.

  • Stripped Bare

    The Mack Stripped Bare, 2002

    Source: The Mack Stripped Bare, 1999 – Institute of Contemporary Art, Miami

    The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), Marcel Duchamp, 1915-1923. Oil, varnish, lead foil, lead wire, and dust on two glass panels. Philadelphia Museum of Art.

    The Bride Stripped Bare by Her Bachelors, Even (The Green Box), Marcel Duchamp, 1934. Box containing collotype reproductions on various papers. Edition: 112/300 from a deluxe edition of 20 + regular edition of 300. The Metropolitan Museum of Art.

    The Artist Stripped Bare. Review of Duchamp’s Leg, exhibition at the Center for the Fine Arts and Neo-Dada: Redefining Art 1958-62, to the Art Museum at FIU, by Judy Cantor-Navas, Miami New Times, February 8, 1996.

    The Band Stripped Bare. Article on the C60, grunge band, by Georgina Cardenas. Miami New Times, July 10, 1997.

    The Mack, a 1973 American blaxploitation crime drama film directed by Michael Campus, starring Max Julien and Richard Pryor. Wikipedia. IMDB. Brother’s Gonna Work It Out (The Mack/Soundtrack Version), Willie Hutch.

    Stripped, Christina Aguilera, 2002.

  • Behind the Ixora

    Support the Cultural Mission of Coral Gables Museum. Bid in their auction.

    Kathleen Hudspeth, “Behind the Ixora”, 2023. Oil and graphite on paper. 12″x9″.
    Kathleen Hudspeth, “Inundation, then the Sun”, 2023. Oil and graphite on paper. 12″x9″.

  • AG2024_1111648a

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    Pérez Art Museum Miami-Orange Barrel Media billboard project is live.

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  • Il te tient il est plus fort que toi

    Isaac Julien

    Ogun’s Return (Once Again… Statues Never Die), 2022
    Inkjet print on Canson Platine Fibre Rag
    Framed: 60 1/4 x 79 7/8 x 2 1/4 inches / 153 x 203 x 5.6 cm
    Edition of 6 + 2 APs

    One of the edition is in the Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez, the John S. and James L. Knight Foundation, and the PAMM Ambassadors for Black Art.

    Metal sculpture on grass and seen against tree canopies
    Sculpture at Maurice A. Ferré Park managed by by the Bayfront Park Management Trust.

    “Mais soudain il te tient le poème
    Comme si ta volonté n’importait pas
    Il te tient il est plus fort que toi
    Il est sous ta peau
    Il se cache dans ton sang”

    Entre minuit et l’éternité, Kettly Mars

  • AG2021_2030458a

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    I received a Miami Individual Artists Grant. “With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.”

    After a competitive process involving a review panel and approval by the Miami-Dade County Cultural Affairs Council on March 20, 2024 and the Miami-Dade County Board of County Commissioners and Mayor, the County awards to the Artist one non-matching $3,000 Miami Individual Artists Grant (“Grant”). This Grant is awarded solely on the basis of the Grant Application (“Application”) submitted by the Artist, which is incorporated by reference into this Agreement, and in consideration for the Artist’s agreement to abide by the following terms and considerations set forth in this Agreement.
    This Grant is to be used by the Artist according to their needs, pursuant to the activities described by
    the Artist in the Application. Funding of the Grant is paid by the Miami-Dade County Department of
    Cultural Affairs, through its Miami Individual Artists (MIA) Grants Program, with the support of the Miami-Dade County Mayor, the Board of County Commissioners, and the Cultural Affairs Council. This Agreement shall be in effect during the grant period of October 1, 2023 to September 30, 2024.

    they often become almost extreme in their non-spectacularity, in their function not to picture the event, but rather display the everyday structures behind them.

    Bruno Serralongue according to Joanna Warsza, Textwork.

  • Liberty 68 project

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    Untitled (we won’t march on miami beach), 2007
    Screenprint, graphite, acrylic, collage on paper.
    30 x 22 inches
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    Untitled (we’re here for Liberty), 2007
    Screenprint, graphite, acrylic, collage on paper.
    30 x 22 inches
    Image layout, 2007.
    Layout in preparation for drawing and sculpture set in Hiragino Maru Gothic W4.

  • Vu Hoàng Khánh Nguyên, How we live like water

    View of an artwork by Vu Hoàng Khánh Nguyên, part of their exhibition How we live like water, on display at Oolite Arts x Walgreens Windows, located on 67th Street and Collins Avenue in Miami Beach.

    This artwork was removed in response to a letter that claimed it offensive.

    We support Vu Hoàng Khánh Nguyên and stand in solidarity with the poetic aims of their practice.

    Update: It is being covered. Miami NewTimes; Miami Herald; Hyperallergic; Diario Libre;