
At Castellow Hammock Park, a tropical hardwood hammock.
The word hammock was taken from hamac, meaning “sleeping place” in the language of the Taino Indians…
You've got to dig to dig it, you dig?
Miami, Florida

At Castellow Hammock Park, a tropical hardwood hammock.
The word hammock was taken from hamac, meaning “sleeping place” in the language of the Taino Indians…
via a Polynesian-themed ad in the Friday, July 5, 1963 issue of The Jewish Floridian, page 5 B.
Tiki Central Forum, in 2012, found it.
The Ellies awarded by ArtCenter South Florida.
I am among 44 awardees/grantees. My 2018 Creator Award will fund a film, that will depict spaces identified with immigrant groups, and explore how people shape them culturally and politically. This examination will offer images of grace and dignity to counter the dominant framing that depicts immigrant spaces as dirty and dangerous.

An interview with Ellie Schneiderman, founder of ArtCenter/South Florida, on the occasion of the inaugural Ellies awards ceremony on October 24, 2018
An interview with artist/curator Edouard Duval-Carrié, winner of the 2018 Michael Richards Award at The Ellies award ceremony on October 24, 2018.
Also, on Fb.

Johnston Marklee, Paradise Plaza, Miami Design District 04.18

Installation view of Relational Undercurrents, Stella & J. Burton Orr Pavilion, Patricia & Phillip Frost Art Museum.
Additional views from the opening.




Update: worldredeye link 101818
Relational Undercurrents: Contemporary Art of the Caribbean Archipelago is a major survey exhibition of twenty-first century art from islands throughout the Caribbean basin.
On view, at The Patricia & Phillip Frost Art Museum, Saturday, October 13, 2018 through Sunday, January 13, 2019. Curated by Tatiana Flores, Associate Professor of Art History and Latino and Caribbean Studies at Rutgers University. Organized by: Museum of Latin American Art in Long Beach, California.

Beatriz Santiago Muñoz, “Matrulla,” 2014, Digital video, 6:30 minutes, Courtesy of the artist and Galeria Agustina Ferreyra.

Didier William, “Dancing Pouring, Crackling and Mourning,” 2015, Mixed media on wood, 60 x 48 inches, Courtesy of the Robert and Frances Coulborn Kohler Collection.

Deborah Jack, Evidence 19 from the series Our Tears Were Reborn As…, 2009-2011, Digital print on aluminum, 28 x 42 inches, Courtesy of the artist.

Jeannette Ehlers, Black Bullets, 2012, Video, 5:05 minutes, Courtesy of the artist.
Views of the part of the show at the Wallach Art Gallery at Columbia University.
Flores and Scherezade Garcia at LA Art Show.
Catalogue. Artishock. LATimes. Hyperallergic. Recent review in X-TRA.
