Category: Miami

Isaac Julien

Ogun’s Return (Once Again… Statues Never Die), 2022
Inkjet print on Canson Platine Fibre Rag
Framed: 60 1/4 x 79 7/8 x 2 1/4 inches / 153 x 203 x 5.6 cm
Edition of 6 + 2 APs

One of the edition is in the Collection Pérez Art Museum Miami, museum purchase with funds provided by Jorge M. Pérez, the John S. and James L. Knight Foundation, and the PAMM Ambassadors for Black Art.

“Mais soudain il te tient le poème
Comme si ta volonté n’importait pas
Il te tient il est plus fort que toi
Il est sous ta peau
Il se cache dans ton sang”

Entre minuit et l’éternité, Kettly Mars

I received a Miami Individual Artists Grant. “With the support of the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners.”

After a competitive process involving a review panel and approval by the Miami-Dade County Cultural Affairs Council on March 20, 2024 and the Miami-Dade County Board of County Commissioners and Mayor, the County awards to the Artist one non-matching $3,000 Miami Individual Artists Grant (“Grant”). This Grant is awarded solely on the basis of the Grant Application (“Application”) submitted by the Artist, which is incorporated by reference into this Agreement, and in consideration for the Artist’s agreement to abide by the following terms and considerations set forth in this Agreement.
This Grant is to be used by the Artist according to their needs, pursuant to the activities described by
the Artist in the Application. Funding of the Grant is paid by the Miami-Dade County Department of
Cultural Affairs, through its Miami Individual Artists (MIA) Grants Program, with the support of the Miami-Dade County Mayor, the Board of County Commissioners, and the Cultural Affairs Council. This Agreement shall be in effect during the grant period of October 1, 2023 to September 30, 2024.

they often become almost extreme in their non-spectacularity, in their function not to picture the event, but rather display the everyday structures behind them.

Bruno Serralongue according to Joanna Warsza, Textwork.