The artifice of art, the artifice with which it invents symbols to express the way humans are in community, is consistent with the movement whereby a world becomes a world (JR)
Category: Miami
Miami, Florida
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_1960349~2 or whereby a world becomes a world
Locust Projects’ Delight & Devour 2025 Annual Benefit Dinner -
WOPHA Artists in Residence visits Bakehouse Art Complex
On September 8, 2025, the WOPHA Artists in Residence, Kat Thompson, Nathyfa Michel, and Celia Irina González, visited Adler Guerrier’s studio at the Bakehouse Art Complex, engaging in dialogue around his practice and creative process. Photos by Gaby Ojeda. Courtesy of WOPHA.
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Hung Liu, Wild Flower (Lily)
Wild Flower (Lily), 1999. Lithograph and photolithograph, aluminum gold leaf, and collage. Printed and published by Tamarind Institute. via Whitney Museum.
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AG2025_1167323a or newfound revenues
Sant’Andrea de Scaphis on Cowboys.
Miami-Dade’s 2025-26 budget proposal,
“The budget … calls for a cut of 52 percent (almost $13 million) in county financial support for arts organizations in Miami-Dade County. On Monday the chair of the County Commission, Anthony Rodriguez, released a memo calling for restoring $6.25 million of the cultural cuts by using newfound revenues from the independent Tax Collector’s office.” via Miami Herald.
How do we find $5 million more?
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spaces where time flickers
Zura Lagarde, The Silent Pulse Beneath Still Stone, Artmedia Gallery, April 25 – July 30, 2025.
“I perceive the spaces where time flickers—where déjà vu hums like a distant echo, where a breath feels borrowed from another life.”
Untitled (Respite by San Sebastian)
2020
Archival pigment print
15 x 10 inches -
Strange Natures
Strange Natures features the work of three artists exploring themes of communal care, loss, resilience, and tenderness through the lens of South Florida’s ecology. While the artists use different mediums, they all engage in a process of world-building that feels both of and beyond our natural environment.
The exhibition imagines how our connection to land will change depending on our collective response, whether care or indifference, to the exploitation of our natural ecosystems. By contemplating this relationship within the context of South Florida’s landscape, the artists explore versions of reality that oscillate between dystopia and utopia, present and future, the familiar and strange.
Christine Cortes, Lee Pivnik, and Zoe Schweiger. Curated by Krys Ortega.
Bakehouse Art Complex, April 10, 2025 – July 10, 2025.
