Zora Neale Hurston said, “Like the dead-seeming cold rocks, I have memories within that came out of the material that went to make me.” These “memories within” are the subsoil of my work. But memories and recollections won’t give me total access to the unwritten interior life of these people. Only the act of the imagination can help me.
The Site of Memory, Toni Morrison
An appreciation in newyorker (2019). Supervalent Thought (their blog).
The Hundreds, co-written with Kathleen Stewart. (Form and Explanation by
Jonathan Kramnick and Anahid Nersessian is referenced.)
On Citizenship And Optimism: Lauren Berlant, interviewed by David Seitz (2013).
Without Exception: On the Ordinariness of Violence by Brad Evans (2018).
Artforum (2014).
Cruel Optimism (2011) introduction; excerpt.
Genre Flailing (2018).
here on this bridge between
starshine and clay, […]
come celebrate
with me that everyday
something has tried to kill me
and has failed.
Lucille Clifton
… there is humility in grief – Gilbert via Popova.
I hear in this ballad the embrace of a thing-a position much larger than us–responsibility, radical practice of equality, a place always in regard of our “constitutive interdependency”, the place we can stare at and interrogate.
nplusone magazine published an excerpt of Elias Rodrigues’s novel, All the Water I’ve Seen Is Running .
Untitled (Reflected in the envelope of here) i accompanies the excerpt.
those of loveliness, In which each tree Is kingly in its heritage of grace.
I could see an undulating ribbon, a road that kept flowing outside of the frame, outside of the world. – Olga Tokarczuk
![British Library digitised image from page 143 of "The Works of G. J. Whyte-Melville. Edited by Sir H. Maxwell [With illustrations by J. B. Partridge, Hugh Thomson, and others.]"](https://i0.wp.com/live.staticflickr.com/2805/11152720934_043beee1e5_w.jpg?resize=250%2C318&ssl=1)
