I grew up here. This is a formative place, where I learned how to be, to imagine, and even how to cut a figure. I am grateful for all I was given, especially the encouragement to embrace the possible. I was placed in ideal conditions, in a bright and favorable position, that I shared with my siblings.
I blossomed. I became who I am, grounded and raised in a tended cultural plot. I was afforded a southeasterly view, of the world!? We could not help it–we have lived in other places, have known other conditions, have learned to participate in the ecosystem that we are in, and always remembered what dreams are for.
Here still works for me. It is a place of imaginings and comfort. It cultivates warm memories, and unfurled reflections. I prefer to thrive in full sun.
Related:
Paulette, la confiance est un habit difficile à porter.
Untitled (Thrives in the Sun), 2000. A print available through the Sunny Project, Sun Pours Daylong, an exhibition and online print sale of Florida photography by Florida photographers.
The clear burning light of the sun pours daylong into the saw grass and is lost there, soaked up, never given back. Only the water flashes and glints. The grass yields nothing.
Marjory Stoneman Douglas, The Everglades : River of Grass
Untitled (Here, in a place where time has crossed and left a breathy stain — JW), 2020. Graphite, acrylic and enamel paint, color pencil, gesso, and solvent transfer on paper. 15 x 11 inches. Courtesy of the artist and David Castillo Gallery.
Untitled (Here, we are. We heard of Gracia Real de Santa Teresa de Mose (i) in a refrain (pp) of the common wind.), 2020, archival pigment print, 14 x 21 inches.
Untitled (Errant and choric utterances), 2020, vinyl letters on wall.