Notices in a mutable terrain, iii
Category: exhibition
Cinthia Marcelle, Confronto
CONFRONT [series Unus Mundus]
Cinthia Marcelle | 2005, Brazil | video | 7’50’’ | color, sound
8 jugglers are found simultaneously on a crosswalk, provoking noise made by cars that are eager to go through the traffic light. Ever two acrobats get onto the street in order to make a barrier under the green traffic light. The power of the fire and the acrobat’s skills challenge the loud horn of the cars.
Featured in Notices in a Mutable Terrain.
Notices in a mutable terrain
The exhibition frames the temporal—and the assorted markers of change through which we observe the terrain of everyday life —by presenting works that variously, yet collectively, produce knowledge through discourses on place, landscape, language, abstraction, and embodied presence. With a focus on expressed murmurings, both felt and clearly distinct, the exhibition proposes an attentive poetics, leading the viewer to consider the construction of landscape, the register of its reshaping and the nature of its textured holdings.
The exhibition features works by: Cecilia Bonilla, Amanda Bradley, Adler Guerrier, Quisqueya Henriquez and Pepe Mar, Kathleen Hudspeth, Legna Rodríguez Iglesias, G. A. Jakubovics, Rolf Julius, T. Eliott Mansa, Cinthia Marcelle, Marron et Masqué, Terence Price II, Karen Rifas, Anastasia Samoylova, and Onajide Shabaka.
“Terrain is a relation of power, with a heritage in geology and the military, the control of which allows the establishment and maintenance of order. As a ‘field’, a site of work or battle, it is a political-strategic question.” Elden, S. Land, Terrain, Territory. Progress in Human Geography, 2010;34:799-817.
An opening
… is an unveiling and a reading and a tempering and a maturing. This part of an exhibition has begun. Let’s see how it performs.
FeCuOp: Antenna at Locust Projects
FeCuOp: Antenna FRIDAY, OCTOBER 11, 6-8:30PM Closing event featuring a performance by Ivonne Batanero in partnership with Miami Light Project and a performance by special guest Amanda Crider
It’s quite … legible
The show opens today, at the Bakehouse.
More of … the legible and the opaque
Aniconic Objects, 2019
Fiber, composite, basalt, and clay
3 x 4 x 7 feet
Courtesy of Emerson Dorsch Gallery
Aniconic Objects, 2019
Fiber, composite, basalt, and clay
3 x 4 x 7 feet
Courtesy of Emerson Dorsch Gallery
Masquerade, 2019
Pencil and ink on paper
8.5 x 11 inches
Courtesy of the artist
David’s Lake, 2003
From the series Wondering about Pictorialism
Polymer photogravure
2 x 3 inches
Printed on 9 x 9 inches Fabriano paper
Between the legible and the opaque: Approaches to an ideal in place
On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.
The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.
Between the legible and the opaque: Approaches to an ideal in place
On View: October 11, 2019–March 31, 2020, The Audrey Love Gallery at Bakehouse Art Complex.
Pool II, 2019.
Pigment print, silkscreen print, monoprint, and thread on paper.
16 x 14.5 inches .
Untitled (after Delacroix), 2019
Oil on Arches paper
Six panels, 30 x 22 inches/panel
Floors and days, 2019
Paint on yupo paper
20 x 26 inches
Nina corriendo en su tutú, 2019
Las trenzas de Nina, 2019
From the series Episodios de la lucha clandestina en La Habana.
16 x 24 inches
The participating artists are Liene Bosquê, Jenny Brillhart, Jude Broughan, Alain Castoriano, Robert Chambers, Irina Dakhnovskaia-Lawton, Lucia Del Sanchez, Genderfail, Ivan Grilo, Xavier Luján, Marron et Masqué, Juan Matos, Nicole Maynard-Sahar, Tana Oshima, Alice Quaresma, Marielle Plaisir, Carrie Sieh, Gerbi Tsesarskaia, and Cristina Victor.