You've got to dig to dig it, you dig?
Untitled (In Walked Bud), 2003. Lambda prints on aluminum. 13 1/4 x 20 x 1 1/4 inches, each.
Named after :
In Walked Bud. February 14, 1968. Vocals – John Hendricks, Written by – J. Hendricks, T. Monk, 4:17.
From ‘Underground‘. Monk (piano), Larry Gales (bass), Ben Riley (drums), Jon Hendricks (vocals).
[ART WORKERS ITALIA] is an informal, autonomous, and non-partisan group of contemporary art workers formed in response to the current crisis due to the COVID-19 pandemic.
AWI wants to ameliorate labor in the art world. It is model to be in soladirity with and to emulate. Their manifesto.
via Hyperallergic.
Director of the Crisp-Ellert Art Museum, Julie Dickover, joined Flagler’s Spring 2020 Artist in Residence, Adler Guerrier, for a conversation and Q&A regarding his exhibition, Wander and Errancies. Conversation took place on Wednesday, April 22, 3:00 – 4:00pm, via zoom. 68 minutes. Video is closed-captioned.
The Sunny Project, a print sale of work by Florida photographers with 100% of proceeds split equally between the Lotus House, the Miami Diaper Bank, and the Magnolia Birth House, three Miami-based nonprofits that support vulnerable women and children who are at especially high risk due to Covid 19.
All prints are for sale for a donation of $100.
This print sale will run through June 20, 2020.
All available prints are the same size: 8 × 10 inches, printed on fine art paper with a variable white border specified by the photographer and pictured clearly on the website.
The images will be printed and shipped locally by Dale Labs.
Geraldine, 2016
8 x 11 inches
Hackney Flowers, 2005
8 x 11 inches
Photographs for the Trussell Trust is a print sale of work by British and UK based photographers with 100% of proceeds going towards the Trussell Trust to help those who have been largely affected by the economic and social crisis as a consequence of the Covid-19 health emergency.
Left: Kenshin Watches Geese in the Moonlight
General Kenshin, a brilliant strategist, watches geese and successfully changes battle plans based on their formation.
Right: Gamo Sadahide’s Servant, Toki Motosada, Hurls a Demon King to the Ground at Mount Inohana
Motosada sees phantoms cavorting, and one possesses a wooden temple guardian. He grapples with the guardian, and when he throws it down, the apparitions vanish.
Brave Warriors and Fantastic Tales: The World According to Yoshitoshi
January 15–May 31, 2020.
UC Berkeley Art Museum and Pacific Film Archive.
Among the last great ukiyo-e artists of Meiji Japan, Taiso Yoshitoshi (1839–1892) reigned supreme for his daring prints based on various tales and legends of ancient Japan and China. He made use of Western colors and inks for dramatic effect, yet stayed loyal to the woodblock print techniques that had guided past masters. In his short life, he created numerous series exploring a multiplicity of themes related to Japan’s rich history. In Brave Warriors, legendary warriors of Japan come to life to bring honor to themselves and their masters. In One Hundred Aspects of the Moon, exquisitely attired men and women are cast as theatrical players in settings that evoke melancholy, romance, and bravery. Fantastic creatures inhabit his series known as Thirty-Six Ghosts, featuring figures that both frighten and amuse the viewer with their dramatic design.
This exhibition is made possible through a generous gift from Fernàn Franz Steiner, whose donation of his personal collection of prints greatly enhances the BAMPFA holdings of nearly two thousand woodblock prints.
150 photographers have donated one of their images to fight the pandemic and the money raised will go to the emergency fund COVID-19 of Doctors Without Borders @medicossinfronteras.espana
Exceptionally and for 7 days only you can buy this 20cm x 30cm photograph printed on Fine Art Canson paper for only € 100. Until April 30th.
El proyecto está coordinado por Jordi Pizarro y Eloisa D’Orsi, en colaboración con un pequeño equipo de profesionales que participan a título voluntario: Serena de Sanctis, Sarah Wiedman y Gianluca Battista.
The photos.
Untitled (Here, in a place where time has crossed and left a breathy stain — JW), 2020. Graphite, acrylic and enamel paint, color pencil, gesso, and solvent transfer on paper. 15 x 11 inches. Courtesy of the artist and David Castillo Gallery.