As the baby-boomer generation of major donors pulls back or dies off, museums are struggling to attract their heirs’ interest
… next-gen donors want to tackle big global issues, from climate change to racial justice. And those who do recognise the arts’ ability to strengthen social cohesion, improve health outcomes and encourage critical thinking are likely to eschew legacy institutions in favour of smaller organisations where their money can make a bigger impact.
Source: Julia Halperin, The Art Newspaper 011924
Category: art
Betye Saar
Celestial Universe (1988), which has been part of a number of installations over the decades. Hand-painted on silk taffeta, this large, dark blue banner displays a star map from 1840 complete with zodiac signs and figures of the constellations originating from Greco-Roman mythology. Suspended from the ceiling to hover like a canopy above a candle-lined canoe, the work premiered in ‘Voyages: Dreams and Destinations’at the National Taiwan Museum of Art in Taichung in 1988, evoking the use of constellations for nautical navigation.
[…]
…the night sky of Celestial Universe may symbolize a space of liberatory potential that reaches beyond the limited map of the past and present
Stephanie Seidel in Frieze

AG2021_1880278aa or and for running after spinning top
Untitled (A place to stand and stare, recalling tunes of ballads in a minor key)
It is “the running after the spinning top” or “To be running breathlessly, but not yet arrived, is itself delightful, a suspended moment of living hope.” Carson via Enns.
Blck participant in formulating a plot walk in the light of creative altruism

“Every man must decide whether he will walk in the light of creative altruism or in the darkness of destructive selfishness.” Martin Luther King
“…je m’endormis, prêt à retrouver dans mon sommeil la transfiguration hallucinée des événements de la nuit, à me réveiller dans un monde qui paraîtrait inaltéré au premier regard, mais où tout, sous la surface des choses, sous la peau du temps, aurait changé à jamais.
Tels furent, après ma soirée dans la toile de l’Araignée, mes premiers pas sur le cercle de solitude où glissaient Le Labyrinthe de l’inhumain et T.C. Elimane.”
Mohamed Mbougar Sarr, La plus secrète mémoire des hommes
The Psychosocial Foundation Presents: On Love, with Anahid Nersessian and Ronjaunee Chatterjee, (032023).
AG2023_1078357a or lies within something of another nature
Untitled (Field Guide; “what’s not found at once, but lies within something of another nature”) ii, 2023. Graphite, colored pencil, gesso, enamel paint, gouache, collage, pigment print on paper. 75 x 54 cm
Denise Levertov, “Pleasures”. (I like to find/ what’s not found / at once, but lies …)
Hard luck and trouble
Been my only friend
I’ve been on my own
Ever since I was ten
[…]
You know wine and women
Is all I crave
A big legged woman
Gonna carry me to my grave
[…]
[Chorus]
Born under a bad sign
I’ve been down since I began to crawl
If it wasn’t for bad luck
I tell ya, I wouldn’t have no luck at all
[Outro]
Yeah, I’m a bad luck boy
Been havin’ bad luck all of my days, yes
AG2023_1078353a or Rose Freedom is near

Untitled (Freedom is near, Rose, Night), 2008-2023.
““The night time is the right time,” a time to reveal and fulfill desire, a time to dream, the world of the unknown, the hallucinatory.”
“Yes, “it’s always night,” which is why we absolutely need light”
“they had to camouflage their boldness”
– Kelley, Freedom Dreams
Pope.L
Jean-Louis Senatus

Galerie Monnin at Atlantic ArtHouse-The Open Boat, December 7-10, 2023, Villa Paula, 5811 N Miami Avenue, Miami.
“La compréhension …”
.

