Tom Austin takes notes of Miami’s artist-run spaces. Locust Projects, 6th Street Container, Bridge Red Project, Bas Fisher Invitational, Swampspace and Dimensions Variable.
The article left out General Practice and Little River Yacht Club.
You've got to dig to dig it, you dig?
Tom Austin takes notes of Miami’s artist-run spaces. Locust Projects, 6th Street Container, Bridge Red Project, Bas Fisher Invitational, Swampspace and Dimensions Variable.
The article left out General Practice and Little River Yacht Club.

Katarzyna Kobro, Spatial Composition (1928)
via(miguelabreugallery).
painted steel, according to kobro.art.pl.
Superficie Modulada [Modulated Surface], 1956
Graphite, gouache on paper
Unframed: 22.5 x 48.2 cms
8 7/8 x 19 ins
Framed: 22.5 x 48.2 cms
8 7/8 x 19 ins
Maquete para interior [Maquette for Interior], 1955
Wood, Oil Paint
50 x 30.5 x 18 cms
19 3/4 x 12 1/8 x 7 ins
This is *adjective* comedian telling *adjective* jokes, while, the audience isn’t necessarily *adjective*.
Art Bollocks (or Stupid Kunst) – by Charlotte Young from chichard41 on Vimeo.
She‘s british, so it’s fine.
This is very nice works.
Sheree Hovsepian: Contact
Charest Weinberg is pleased to present, Contact, an exhibition of new works by New York City based artist, Sheree Hovsepian. This will be the first solo exhibition for the artist with Charest-Weinberg.Sheree Hovsepian was born in Isfahan, Iran in 1974. She immigrated to the U.S in 1976 and was raised in Toledo, Ohio. She attended the University of Toledo and obtained her BFA and BA with a focus on Photography and Art History. In 2002, she received her MFA from the School of the Art Institute of Chicago.
Recent projects include Harlem Postcards at the Studio Museum in Harlem, a solo project at the Spertus Museum in Chicago, and a solo exhibition at Spare Room/West St. Gallery. Currently, she lives and works in New York City.
June 24th, 2011 – August 20th, 2011
Andy Baio cited the Jeff Koons case, in regards to his trouble with Kind of Bloop
This kind of transformation is the foundation of fair use. In a 2006 verdict, the court found artist Jeff Koons’ use of a fashion photo “adds something new, with a further purpose or different character, altering the first with new expression, meaning, or message.”
I don’t think there’s any question that Kind of Bloop’s cover illustration does the same thing. Maisel disagreed.
I think Maisel’s lawyers would cite Cariou vs. Prince. There are questions, and they are kind of valid.
I would have recommend the circled ones; compositionally less dependent on the source image.