Present

Bakehouse at Forty: Past, Present, Future, November 8, 2025 – April 17, 2026.

Present offers a dynamic glimpse of the creative life of Bakehouse today, foregrounding the multiplicity of voices and modes of expression by which artists both reflect and reimagine the world around us. Against the backdrop of great precarity for cultural producers everywhere, Bakehouse artists have forged their own systems of support– not only through shared resources, but through daily acts of showing up for one another. Across this space, ideas flow beyond studio walls, conversations spill into hallways, and countless gestures of kinship and collaboration become integral to the artists’ practice. Representing a microcosm within a broader cultural ecosystem, these fusions– whether intentional, intuitive, or incidental– embody the transformative possibilities of collective care and community building.

Featuring work by 28 current resident and associate artists, Present reflects the breadth of perspectives, disciplines, and identities that define Bakehouse and, by extension, Miami’s cultural landscape. Rather than advancing a singular theme, the exhibition traces various shared touchpoints, highlighting a strong sense of place rooted in the specificity of South Florida; generational connections and divergences; and an emphasis on the here and now that resonates as both timely and timeless.

The reach of peace



Out in the sky the great dark clouds are massing;
I look far out into the pregnant night,
Where I can hear a solemn booming gun
And catch the gleaming of a random light,
That tells me that the ship I seek is passing, passing.

My tearful eyes my soul's deep hurt are glassing;
For I would hail and check that ship of ships.
I stretch my hands imploring, cry aloud,
My voice falls dead a foot from mine own lips,
And but its ghost doth reach that vessel, passing, passing.

O Earth, O Sky, O Ocean, both surpassing,
O heart of mine, O soul that dreads the dark!
Is there no hope for me? Is there no way
That I may sight and check that speeding bark
Which out of sight and sound is passing, passing?

Ships That Pass in the Night , Paul Laurence Dunbar

The reach of peace, the sky, the pines,
Leave me no more perplexed,
In which a memory divines
That bodies, buried, yet arise
Across the reach of all the skies,
Unburied and unvexed.
As arisen are the grass, the pines.
In upward-grown, delighted lines —
As a swimmer with one wave declines 
And rises with the next.

The Swimmer, Witter Bynner

AG2025AG2025IMG_0910aa or too embarrassed to chase it


“Being John Smith” at Secession, Vienna by Ana Teixeira Pinto. (Mousse)

“Like John Smith, I am unhappy with my own name and thought often about changing it. Also like John Smith, “I have always been desperate for fame” but too embarrassed to chase it. Perhaps Leo Tolstoy was wrong, and we are all unhappy in the same way. Perhaps the desire for fame masks a deeper, entirely valid human need, namely to be seen without the discomfort of rejection. A spotlight can be a shield against loneliness, or at least against those awkward companionless moments at social events. One used to pretend enjoying a cigarette. Now I see a lot of people clutching small dogs. If I had to describe Being John Smith, I would say it’s about the failure to cohere—the awkward moments, the missed connections, the sheer difficulty of alignment. The fractures that are the constant, ungainly companions to our most polished fantasies.”

Sophie Ristelhueber

2025 Hasselblad Award Laureate.

Galeri Poggi. What the Fuck!. Paris Photo.

WB. Format. Photobook.

WB #10, 2005. tirage argentique couleur, contrecollé sur aluminium, encadré. 120 x 150 cm. Edition of 3 plus 1 AP (#1/3).

AG2025_1199820a or open to your bees’ warm stare


Your eyes are just
like bees, and I
feel like a flower.
Their brown power makes
a breeze go over
my skin. When your
lashes ride down and
rise like brown bees’
legs, your pronged gaze
makes my eyes gauze.
I wish we were
in some shade and
no swarm of other
eyes to know that
I’m a flower breathing
bare, laid open to
your bees’ warm stare.
I’d let you wade
in me and seize
with your eager brown
bees’ power a sweet
glistening at my core.

May Swenson