AG2024_1089181aab or rehearse freedom in our day-to-day lives

AG2024AG2024AG2024_1089181aab

The Channeler, Anahid Nersessian, interviewed by Merve Emre, Episode Four of “The Critic and Her Publics”, March 12, 2024.

“One of my aims is to create a space where a reader can take twenty minutes to engage with an object. Not to be too idyllic about it, but to me that’s freedom, and the more we can experience or rehearse freedom in our day-to-day lives, the more we can know what it might be on a grander scale.”

“That reading would have to be something like the old saw from academic discourse around what’s called secularism. Nowadays nobody believes in God, in fairies, nymphs, anything, so we look at the world and see trees instead of animate beings that have souls. And this is very depressing for everyone. So, this seems to be an expression of that same idea—I don’t see magic in the world.”

AG2024_1089292a

AG2024_1089292a

“That’s all man is: a creature you can feel pity for.”

“So it’s death, then, and nothing more, that is the disappointing truth of every life?”

The Most Secret Memory of Men: A Novel, Mohamed Mbougar Sarr, translated from French by Lara Vergnaud

AG2024_1099949a

AG2024_1099949a

“allusions to the infinite”

“remained embedded in the symbolic content of the place”

“We must be aware of the dangers which lie in our most generous wishes”

“a barely perceptible irregularity glimpsed intermittently through squinted eyes”

“beautiful in its venality and in its devotion to immediate gratification”

“crimes are universally understood to be news to the extent that they offer, however erroneously, a story, a lesson, a high concept”

Didion